James Mather is a psychiatrist in his sixties. He is invited to take on a new group of patients. All he knows about them is that each one claims to have been abducted by aliens. His wife, Deborah, is sceptical, but he gets going anyway. His patients tell mesmerising stories. There’s Anthony, for instance, who was camping one night by the Aral Sea; or Mary, the owner of a beauty salon, confronted by a ball of light moving towards her in her bedroom. James’s research assistant Lucy Cheng sits in on each session. She’s an attractive young divorcee, who has made a study of anxiety, and who takes notes about each conversation. Capture is a strange philosophical fable about what we can believe in a post-truth world. It will beguile and baffle its readers. Amanda Lohrey is an extraordinary writer. Her novel might be full of crazy stuff, but who could deny its sanity? Amanda Lohrey lives in Tasmania and writes fiction and non-fiction. She has taught at the University of Tasmania, the University of Technology Sydney and the University of Queensland. Amanda is a regular contributor to the Monthly magazine and a former senior fellow of the Australia Council’s Literature Board. She received the 2012 Patrick White Award. The Labyrinth (2021), her eighth work of fiction, won the Miles Franklin Literary Award, a Prime Minister’s Literary Award, a Tasmanian Literary Award and the Voss Literary Prize. ‘A deft and poetic writer.’ Guardian ‘Lohrey’s body of fiction always has philosophical foundations for its warmly human stories.’ Age ‘[Lohrey’s] storytelling is honed to pleasing plainness and assured in its measured tempo, her novels would take multiple readings to unpick her craft, which is deft to the point of invisibility at times.’ Mercury