Well, here’s what the blurb for the audiobook says: “Carla is a beautiful girl. She was plucked from the obscurity of a Polish slum to be the wife of a wealthy man—a man who seemingly gives her everything a wife could want. Except the one thing that she needs most: the pleasure she burns for while he snores beside her, the passion that only a lover can give. “But adultery seems impossible until, suddenly, it happens. When she seduces a filling-station attendant, ruining her clothes in the grease of a mechanic’s floor, she starts to spin out of control. He is the first but not the last, as Carla learns that infidelity is no work at all.” What it doesn’t say, but I will, is that Carla was my first published novel. In the summer of 1958 I came home from a vacation in Mexico to a note from my agent: Did I know what a sex novel was? Could I write one? We both knew I could write a book, I’d sent him one then under consideration at Gold Medal, and now I sat down and wrote a portion and outline of a book to be set in my hometown of Buffalo, where I was spending what remained of the summer before going back to college in the fall. Midway Tower Books, a new publisher founded by Harry Shorten of Archie Comics, lapped up Carla, so to speak. I met Harry some months later, and all he wanted to talk about was the scene in the grease put at the gas station. I guess it really worked for him. One other thing perhaps worth noting. After my portion and outline had been okayed, I completed the book. Then my agent let me know that it was a little too short. Could I please write another chapter to be inserted anywhere in the book? That was a poser, as the plot—such as it was—didn’t have a lot of leftover space in it. But I figured out what to write, and sent along a chapter with the notation that it could indeed be inserted anywhere in the book. My good buddy Don Westlake, who also labored some in the Shorten vineyard, thought this was a remarkable tour de force, but I’m not so sure. I mean, what else was I supposed to do? You can probably spot the chapter in question. As I said, Carla was my first published book, and that’s reason enough for me to be pleased by its renewed availability. It may even be reason enough for you to read it. I’d hope, though, that it’s not your very first exposure to my work. Still, if it is, there’s a bright side. From here on, they get better. This ebook edition of Carla includes as a bonus the opening chapter of the next title in the Collection of Classic Erotica, A Strange Kind of Love.
Author
Lawrence Block has been writing crime, mystery, and suspense fiction for more than half a century. He has published in excess (oh, wretched excess!) of 100 books, and no end of short stories. Born in Buffalo, N.Y., LB attended Antioch College, but left before completing his studies; school authorities advised him that they felt he’d be happier elsewhere, and he thought this was remarkably perceptive of them. His earliest work, published pseudonymously in the late 1950s, was mostly in the field of midcentury erotica, an apprenticeship he shared with Donald E. Westlake and Robert Silverberg. The first time Lawrence Block’s name appeared in print was when his short story “You Can’t Lose” was published in the February 1958 issue of Manhunt. The first book published under his own name was Mona (1961); it was reissued several times over the years, once as Sweet Slow Death. In 2005 it became the first offering from Hard Case Crime, and bore for the first time LB’s original title, Grifter’s Game. LB is best known for his series characters, including cop-turned-private investigator Matthew Scudder, gentleman burglar Bernie Rhodenbarr, globe-trotting insomniac Evan Tanner, and introspective assassin Keller. Because one name is never enough, LB has also published under pseudonyms including Jill Emerson, John Warren Wells, Lesley Evans, and Anne Campbell Clarke. LB’s magazine appearances include American Heritage, Redbook, Playboy, Linn’s Stamp News, Cosmopolitan, GQ, and The New York Times. His monthly instructional column ran in Writer’s Digest for 14 years, and led to a string of books for writers, including the classics Telling Lies for Fun & Profit and The Liar’s Bible. He has also written episodic television (Tilt!) and the Wong Kar-wai film, My Blueberry Nights. Several of LB’s books have been filmed. The latest, A Walk Among the Tombstones, stars Liam Neeson as Matthew Scudder and is scheduled for release in September, 2014. LB is a Grand Master of Mystery Writers of America, and a past president of MWA and the Private Eye Writers of America. He has won the Edgar and Shamus awards four times each, and the Japanese Maltese Falcon award twice, as well as the Nero Wolfe and Philip Marlowe awards, a Lifetime Achievement Award from the Private Eye Writers of America, and the Diamond Dagger for Life Achievement from the Crime Writers Association (UK). He’s also been honored with the Gumshoe Lifetime Achievement Award from Mystery Ink magazine and the Edward D. Hoch Memorial Golden Derringer for Lifetime Achievement in the short story. In France, he has been proclaimed a Grand Maitre du Roman Noir and has twice been awarded the Societe 813 trophy. He has been a guest of honor at Bouchercon and at book fairs and mystery festivals in France, Germany, Australia, Italy, New Zealand, Spain and Taiwan. As if that were not enough, he was also presented with the key to the city of Muncie, Indiana. (But as soon as he left, they changed the locks.) LB and his wife Lynne are enthusiastic New Yorkers and relentless world travelers; the two are members of the Travelers Century Club, and have visited around 160 countries. He is a modest and humble fellow, although you would never guess as much from this biographical note.
