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Nine years before the events of the #1 international bestseller The Secret Diary of Hendrik Groen, 83 ¼ Years Old, Hendrik and his best friend Evert embark on a madcap adventure—with an unexpected guest. Hendrik Groen and Evert Duiker, faithful friends in good and bad times, are well over seventy and their lives have quieted down. They see each other once a week to play chess, have a drink, and grab a bite to eat while reflecting on life. But one day, their peace is rudely disturbed when Evert shows up on Hendrik’s doorstep with a surprise in the form of an unexpected little guest. He had spotted a stroller with a baby in it—unattended for just a minute—and, in a moment of utter madness, decided to take it for a walk. Hilarious, right? Not to Hendrik, who can barely believe his friend’s stupidity. After Evert regains recovers from his momentary lapse of sanity, the two seventy-year-olds resolve to return their charge to its parents—hopefully without being noticed. But the quiet neighborhood is now swarmed by bumbling police officers, and they realize that getting rid of their accidental foster child will be more difficult than expected…

Set in the days of civilization's collapse, Station Eleven tells the story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity. One snowy night a famous Hollywood actor slumps over and dies onstage during a production of King Lear. Hours later, the world as we know it begins to dissolve. Moving back and forth in time—from the actor's early days as a film star to fifteen years in the future, when a theater troupe known as the Traveling Symphony roams the wasteland of what remains—this suspenseful, elegiac, spellbinding novel charts the strange twists of fate that connect five people: the actor, the man who tried to save him, the actor's first wife, his oldest friend, and a young actress with the Traveling Symphony, caught in the crosshairs of a dangerous self-proclaimed prophet.

Finlay Donovan is killing it...except, she’s really not. A stressed-out single mom of two and struggling novelist, Finlay’s life is in chaos: The new book she promised her literary agent isn’t written; her ex-husband fired the nanny without telling her; and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors. When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet. She soon discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation. Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moments.

When an extraterrestrial visitor arrives on Earth, his first impressions of the human species are less than positive. Taking the form of Professor Andrew Martin, a leading mathematician at Cambridge University, the visitor wants to complete his task and return home to his planet and a utopian society of immortality and infinite knowledge. He is disgusted by the way humans look, what they eat, and the wars they witness on the news, and is totally baffled by concepts such as love and family. But as time goes on, he starts to realize there may be more to this weird species than he has been led to believe. He drinks wine, reads Emily Dickinson, listens to Talking Heads, and begins to bond with the family he lives with, in disguise. In picking up the pieces of the professor's shattered personal life, the narrator sees hope and redemption in the humans' imperfections and begins to question the very mission that brought him there—a mission that involves not only thwarting human progress...but murder.

“All around me, my friends are talking, joking, laughing. Outside is the camp, the barbed wire, the guard towers, the city, the country that hates us. We are not free. But we are not alone.” We Are Not Free, is the collective account of a tight-knit group of young Nisei, second-generation Japanese American citizens, whose lives are irrevocably changed by the mass U.S. incarcerations of World War II. Fourteen teens who have grown up together in Japantown, San Francisco. Fourteen teens who form a community and a family, as interconnected as they are conflicted. Fourteen teens whose lives are turned upside down when over 100,000 people of Japanese ancestry are removed from their homes and forced into desolate incarceration camps. In a world that seems determined to hate them, these young Nisei must rally together as racism and injustice threaten to pull them apart.

The beloved New York Times bestselling author reflects on home, family, friendships and writing in this deeply personal collection of essays. “Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart. At the center of These Precious Days is the title essay, a suprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” When Patchett chose an early galley of actor and producer Tom Hanks’ short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman—Tom’s brilliant assistant Sooki—with whom she would form a profound bond that held monumental consequences for them both. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer’s eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be. From the enchantments of Kate DiCamillo’s children’s books to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz’s Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author’s grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark—and demonstrate why Ann Patchett is one of the most celebrated writers of our time.

An alternate cover edition can be found here. A novel of breathtaking sweep and emotional power that traces three hundred years in Ghana and along the way also becomes a truly great American novel. Extraordinary for its exquisite language, its implacable sorrow, its soaring beauty, and for its monumental portrait of the forces that shape families and nations, Homegoing heralds the arrival of a major new voice in contemporary fiction. Two half-sisters, Effia and Esi, are born into different villages in eighteenth-century Ghana. Effia is married off to an Englishman and lives in comfort in the palatial rooms of Cape Coast Castle. Unbeknownst to Effia, her sister, Esi, is imprisoned beneath her in the castle's dungeons, sold with thousands of others into the Gold Coast's booming slave trade, and shipped off to America, where her children and grandchildren will be raised in slavery. One thread of Homegoing follows Effia's descendants through centuries of warfare in Ghana, as the Fante and Asante nations wrestle with the slave trade and British colonization. The other thread follows Esi and her children into America. From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth-century Harlem, right up through the present day, Homegoing makes history visceral, and captures, with singular and stunning immediacy, how the memory of captivity came to be inscribed in the soul of a nation. Generation after generation, Yaa Gyasi's magisterial first novel sets the fate of the individual against the obliterating movements of time, delivering unforgettable characters whose lives were shaped by historical forces beyond their control. Homegoing is a tremendous reading experience, not to be missed, by an astonishingly gifted young writer.

At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves. The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakable bond between them that both saves their lives and thwarts their futures. Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives, they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.

In diesem mitreißenden Roman finden zwei Freunde – oft verliebt, aber nie ein Liebespaar – als kreative Partner in der Welt des Videospieldesigns zusammen, wo der Erfolg ihnen Ruhm, Freude, Tragödie, Doppelzüngigkeit und schließlich eine Art Unsterblichkeit beschert. An einem bitterkalten Tag im Dezember seines dritten Studienjahres in Harvard steigt Sam Masur aus einem U-Bahn-Wagen und sieht Sadie Green inmitten der Menschenmassen, die auf dem Bahnsteig warten. Er ruft ihren Namen. Einen Moment lang tut sie so, als hätte sie ihn nicht gehört, doch dann dreht sie sich um, und ein Spiel beginnt: eine legendäre Zusammenarbeit, die sie zu Stars machen wird. Diese Freunde, seit ihrer Kindheit Vertraute, leihen sich Geld, bitten um Gefallen und haben, noch bevor sie ihr Studium abschließen, ihren ersten Blockbuster geschaffen, Ichigo. Über Nacht gehört ihnen die Welt. Noch keine fünfundzwanzig Jahre alt, sind Sam und Sadie brillant, erfolgreich und reich, doch diese Eigenschaften werden sie weder vor ihren eigenen kreativen Ambitionen noch vor dem Verrat ihrer Herzen schützen. Gabrielle Zevins Morgen, morgen und wieder morgen erstreckt sich über dreißig Jahre, von Cambridge, Massachusetts, über Venice Beach, Kalifornien, bis zu Orten dazwischen und weit darüber hinaus. Es ist ein schillernder, kunstvoll erdachter Roman über die vielschichtige Natur von Identität, Behinderung und Scheitern, über die erlösenden Möglichkeiten des Spiels und vor allem über unser Bedürfnis nach Verbindung: geliebt zu werden und zu lieben. Ja, es ist eine Liebesgeschichte, aber keine, die Sie schon einmal gelesen haben.

An emotionally layered and engrossing story of a family that asks: Can love make a broken person whole? William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him. So it’s a relief when his skill on the basketball court earns him a scholarship to college, far away from his childhood home. He soon meets Julia Padavano, a spirited and ambitious young woman who surprises William with her appreciation of his quiet steadiness. With Julia comes her family; she is inseparable from her three younger sisters: Sylvie, the dreamer, is happiest with her nose in a book and imagines a future different from the expected path of wife and mother; Cecelia, the family’s artist; and Emeline, who patiently takes care of all of them. Happily, the Padavanos fold Julia’s new boyfriend into their loving, chaotic household. But then darkness from William’s past surfaces, jeopardizing not only Julia’s carefully orchestrated plans for their future, but the sisters’ unshakeable loyalty to one another. The result is a catastrophic family rift that changes their lives for generations. Will the loyalty that once rooted them be strong enough to draw them back together when it matters most? Vibrating with tenderness, Hello Beautiful is a gorgeous, profoundly moving portrait of what’s possible when we choose to love someone not in spite of who they are, but because of it.

Lisa Jewell returns with a scintillating new psychological thriller about a woman who finds herself the subject of her own popular true crime podcast. Celebrating her forty-fifth birthday at her local pub, popular podcaster Alix Summers crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her forty-fifth birthday. They are, in fact, birthday twins. A few days later, Alix and Josie bump into each other again, this time outside Alix’s children’s school. Josie has been listening to Alix’s podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life. Josie’s life appears to be strange and complicated, and although Alix finds her unsettling, she can’t quite resist the temptation to keep making the podcast. Slowly she starts to realise that Josie has been hiding some very dark secrets, and before she knows it, Josie has inveigled her way into Alix’s life—and into her home. But, as quickly as she arrived, Josie disappears. Only then does Alix discover that Josie has left a terrible and terrifying legacy in her wake, and that Alix has become the subject of her own true crime podcast, with her life and her family’s lives under mortal threat. Who is Josie Fair? And what has she done?