Catedra

Parallel Spanish text, English translation.

An epic masterpiece of world literature, in a magnificent new translation by one of the most acclaimed translators of our time. A towering figure of the Renaissance, Luis de Góngora pioneered poetic forms so radically different from the dominant aesthetic of his time that he was derided as "the Prince of Darkness." The Solitudes, his magnum opus, is an intoxicatingly lush novel-in-verse that follows the wanderings of a shipwrecked man who has been spurned by his lover. Wrenched from civilization and its attendant madness, the desolate hero is transported into a natural world that is at once menacing and sublime. In this stunning edition Edith Grossman captures the breathtaking beauty of a work that represents one of the high points of poetic achievement in any language.

Ainielle is a village high in the Spanish Pyrenees. Its houses are mostly deserted ruins and have been for years. Ainielle's last surviving inhabitant, an old man at death's door, lingers on, and as the "yellow rain" of leaves flutters around him and the first snows of the year fall, he recalls the life he lived and the ghosts-once his friends and neighbors-who have taken possession of his solitude. Hailed on first publication and continuously reprinted in Spain, The Yellow Rain is a haunting ode to the power of memory, an elegy for a landscape and a way of life.

Acompañada de tres hombres, una mujer llega a un pueblo en busca del panadero para cobrar venganza. Cuando lo encuentra, lo balacea y le prende fuego al lugar. Las investigaciones del crimen revelarán los oscuros secretos de las conocidas hermanas Baladro, dueñas de cantinas y prostíbulos. Estafas, trata de mujeres, entierros clandestinos y asesinatos conforman el siniestro reino que las dos mujeres, Serafina y Arcángela, han construido a su alrededor. Las muertas es la extraordinaria ficción de un caso real, el de las Poquianchis, y una muestra inigualable de la capacidad de Jorge Ibargüengoitia para retratar con humor la vida por el lado que más duele.

In 'Happy Days, ' Beckett pursues his relentless search for the meaning of existence, probing the tenuous relationships that bind one person to another, and each to the universe, to time past and time present.

Un hombre llega a una localidad de montaña a la que acuden a curarse los tuberculosos. De manera firme se niega a asumir esa vida de sanatorio que impregna de esperanza toda la ciudad... Su única ocupación son las dos cartas que recibe con regularidad y que le sirven de contacto con el mundo exterior.