Celeste is not your average mouse. She lives alone, quietly weaving baskets with creative flair under the floor boards of the Oakley Plantation. However, Celeste’s world turns upside down with the arrival of the great naturalist John James Audubon and his assistant Joseph, who have come to study and paint the birds of the Louisiana bayou. Their arrival coincides with Celeste’s sudden displacement from her home below to a guest room upstairs. There she watches young Joseph struggle to create the backgrounds for Audubon’s bird paintings. As the two homesick souls strike up a friendship, the mouse secretly puts her artistic skills to good use; she simultaneously helps Joseph improve his compositions while aiding the wounded birds that Audubon captures for his studies. Nearly every page of author-illustrator Henry Cole's fine novel combines text and remarkable drawn images to tell the story of a mouse in need of a home of her own from the tiny creature's unique vantage point.

Celebrated author and illustrator Henry Cole uses stunningly detailed black-and-white artwork to illuminate a tale of friendship between an adventurous mouse and a boy who would become one of America’s greatest presidents. In this sequel to A Nest for Celeste, Celeste is hundreds of miles from home following an unexpected journey aboard a Mississippi steamboat. After mishaps and disasters, she finds herself on the frontier in southern Indiana. It's 1822, and Celeste meets a tall, lanky boy wielding an a young Abraham Lincoln. The journey reveals the harsh realities of frontier life for the Lincoln family. But with the help of Celeste’s new woodland animal friends and some creativity, she may just prove that even the littlest creatures can make a big difference. And it’s in losing her way that Celeste finds herself in a place she never expected—home, finally. “A stand-alone sequel to A Nest for Celeste (2010), this chapter book has everything that made its predecessor so an inviting format, good storytelling, and at least one large, beautifully drawn shaded pencil illustration on each double-page spread. An inviting entry into historical fiction.” – Booklist