Classics

A spellbinding short novel set in post-revolutionary Russia about a young girl's jealousy. The fifth book of Nina Berberova to be published by New Directions, The Accompanist, written in 1936, proved to be a literary phenomenon in Europe where it was first published. A spellbinding, short novel set in post-revolutionary Russia The Accompanist portrays with extraordinary sensitivity the entangled relationships of three intriguing characters. Sonechka is a talented but shy young pianist hired by a beautiful soprano (Maria Nikolaevna) and her devoted, bourgeois husband. Maria is everything Sonechka is notglamorous and flamboyant. Her voice brings with it "something immortal and indisputable, something which gives reality to the human being's dream of having wings." Doomed to live in her mentor's shadow, the young girl secretly schemes to expose the singer's infidelities. But as she awaits her chance, the diva's husband takes matters into his own hands, bringing events to a surprising resolution. This intense and beautiful little novel was published in America almost fifty years after it was written; sadly out of print for a number of years, it is a wonderfully compelling and crucial addition to Nina Berberova's growing number of published fictional works.

Bawdy and moving, the ultimate word-of-mouth bestseller, Rubyfruit Jungle is about growing up a lesbian in America—and living happily ever after.

A bold and haunting debut story collection that follows various characters as they navigate the day-to-day perils of Jim Crow racism from Diane Oliver, a missing figure in the canon of twentieth-century African American literature, with an introduction by Tayari Jones A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver’s insightful stories reverberate into the present day. There’s the nightmarish “The Closet on the Top Floor” in which Winifred, the first Black student at her newly integrated college, starts to physically disappear; “Mint Juleps not Served Here” where a couple living deep in a forest with their son go to bloody lengths to protect him; “Spiders Cry without Tears,” in which a couple, Meg and Walt, are confronted by prejudices and strains of interracial and extramarital love; and the high tension titular story that follows a nervous older sister the night before her little brother is set to desegregate his school. These are incisive and intimate portraits of African American families in everyday moments of anxiety and crisis that look at how they use agency to navigate their predicaments. As much a social and historical document as it is a taut, engrossing collection, Neighbors is an exceptional literary feat from a crucial once-lost figure of letters.

The acknowledged masterpiece of the Nobel Prize-winning Norwegian novelist Sigrid Undset, Kristin Lavransdatter has never been out of print in this country since its first publication in 1927. Its story of a woman's life in fourteenth-century Norway has kept its hold on generations of readers, and the heroine, Kristin—beautiful, strong-willed, and passionate—stands with the world's great literary figures. Volume 1, The Bridal Wreath, describes young Kristin's stormy romance with the dashing Erlend Nikulausson, a young man perhaps overly fond of women, of whom her father strongly disapproves. From the Trade Paperback edition.

Doris Lessing's contemporary gothic horror story—centered on the birth of a baby who seems less than human—probes society's unwillingness to recognize its own brutality. Harriet and David Lovatt, parents of four children, have created an idyll of domestic bliss in defiancé of the social trends of late 1960s England. While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more terrifying, Harriet finds she cannot love him, David cannot bring himself to touch him, and their four older children are afraid of him. Understanding that he will never be accepted anywhere, Harriet and David are torn between their instincts as parents and their shocked reaction to this fierce and unlovable child whose existence shatters their belief in a benign world.

It is 1939, the last summer before the outbreak of war. French actress Angele Maury abandons a group of friends travelling through Ireland and takes herself to picturesque Drumaninch, birthplace of her dead father. She has come to make sense of her past. Self-conscious with her pale, exotic beauty, Angele braves the idiosyncratic world of the Kernahans: her enigmatic aunt Hannah, her ridiculous but loveable uncle Corney and her three cousins - Martin, charming, intense; Tom, devoted to his mother, and their bright sister Jo, who combines religious faith with a penchant for gambling. But is there some mystery surrounding the past? History threatens to repeat itself as Angele finds herself seduced by the beauty of Ireland, and by the love of two men...First published in 1943, The Last of the Summer is a perfectly structured psychological love story.

A never-before-published novel by the iconic Simone de Beauvoir of an intense and vivid girlhood friendship From the moment Sylvie and Andrée meet in their Parisian day school, they see in each other an accomplice with whom to confront the mysteries of girlhood. For the next ten years, the two are the closest of friends and confidantes as they explore life in a post-World War One France, and as Andrée becomes increasingly reckless and rebellious, edging closer to peril. Sylvie, insightful and observant, sees a France of clashing ideals and religious hypocrisy—and at an early age is determined to form her own opinions. Andrée, a tempestuous dreamer, is inclined to melodrama and romance. Despite their different natures they rely on each other to safeguard their secrets while entering adulthood in a world that did not pay much attention to the wills and desires of young women. Deemed too intimate to publish during Simone de Beauvoir’s life, Inseparable offers fresh insight into the groundbreaking feminist’s own coming-of-age; her transformative, tragic friendship with her childhood friend Zaza Lacoin; and how her youthful relationships shaped her philosophy. Sandra Smith’s vibrant translation of the novel will be long cherished by de Beauvoir devotees and first-time readers alike.

One of the most important works of gay literature, this haunting, brilliant novel is a seriocomic remembrance of things past—and still poignantly present. It depicts the adventures of Malone, a beautiful young man searching for love amid New York's emerging gay scene. From Manhattan's Everard Baths and after-hours discos to Fire Island's deserted parks and lavish orgies, Malone looks high and low for meaningful companionship. The person he finds is Sutherland, a campy quintessential queen—and one of the most memorable literary creations of contemporary fiction. Hilarious, witty, and ultimately heartbreaking, Dancer from the Dance is truthful, provocative, outrageous fiction told in a voice as close to laughter as to tears.

Set in the 1880s and '90s, As Music and Splendour tells the story of two young Irish girls who are sent to Rome for training as opera singers. Rose red-haired, big-hearted and big-voiced is soon on track to become a prima donna soprano; Clare, also a soprano but subtler and less glamorous, is more at home with sacred music. While Rose juggles the affections of various men, Clare embarks on a passionate affair with her fellow-student Luisa. As Music in Splendour is a thrillingly readable and romantic novel from one of the very few truly important Irish novelists of the twentieth century.

Alice Adams, the daughter of middle-class parents, wants desperately to belong with the people of "high society" who live in her town. Ultimately, her ambitions are tempered by the realities of her situation, which she learns to accept with grace and style. Alice's resiliency of spirit makes her one of Booth Tarkington's most compelling characters. A fascinating story that won the Pulitzer Prize. This publication from Boomer Books is specially designed and typeset for comfortable reading.

It is sometime after the turn of the century in Lamptown, Ohio, a working-class town filled with factory girls. Every Thursday night at the Casino Dance Hall above Bauer's Chop House and across the street from Elsinore Abbott's Bon Ton Hat Shop and Bill Delaney's Saloon and Billiard Parlor, women and a few men gather to escape their pedestrian lives in fantasy, and sometimes to live out these fantasies. Observing all are the novel's two young protagonists, Morry, who dreams of becoming an architect and developer, and Jen, an unsentimental orphan of fourteen who, abandoned by her mother, dreams of escape.

Nominated for a National Book Award. ~ IF A YOUNG MAN finds his own father inconveniently ordinary, can he choose another? Jonathan Jaimison, the engagingly amoral hero, comes to New York from Silver City, Ohio for exactly such a purpose. Combing through his mother's diaries and the bars and cafes of Greenwich Village, Jonathan seeks out the writer or painter whose youthful indiscretion he believes he might have been, all the while committing numerous indiscretions of his own. By the end of the novel, Jonathan has figured out not only his paternity, but his maternity, and best of all, himself. Published in 1962, "The Golden Spur" was Dawn Powell's last novel.

A novel of Iceland—a queer, repellant sort of Iceland at that. The story of a prostitute and her child, victim of her passions, her selfishness, and her ill-fame—and of their attempt to find a place for themselves in a new community which is unfriendly, critical, and unforgiving. Chiefly the story of the daughter—her obsessions with and revulsions from sex, and her relations with two men, the one by morbid fascination and hate and love of a queer sort—the other by appeal to her better nature. Glimpses of effects of industrial unrest in a distant part of the world. A difficult style—not easy reading. (Kirkus review)