Classics

One of the greatest love stories of all time, this novel has fascinated generations of readers. Dumas' subtle and moving portrait of a woman in love is based on his own love affair with one of the most desirable courtesans in Paris. This is a completely new translation commissioned for the World's Classics.

Maurice is heartbroken over unrequited love, which opened his heart and mind to his own sexual identity. In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics. Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come). Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

Life wasn't easy for Celie. But she knew how to survive, needing little to get by. Then her husband's lover, a flamboyant blues singer, barreled into her world and gave Celie the courage to ask for more - to laugh, to play, and finally - to love.

Heralded as Virginia Woolf's greatest novel, this is a vivid portrait of a single day in a woman's life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.

The first complete, annotated English Translation of Mikhail Bulgakov's comic masterpiece. An audacious revision of the stories of Faust and Pontius Pilate, The Master and Margarita is recognized as one of the essential classics of modern Russian literature. The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech. One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing literally to go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances emerge for the first time in Diana Burgin's and Katherine Tiernan O'Connor's splendid English version.

“Considered one of the most subtle and beautifully written lesbian novels of the century, this 1949 classic returns to print in a Cleis Press edition. Dorothy Strachey’s classic Olivia captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months. “Although not strictly autobiographical, Olivia draws on the author’s experiences at finishing schools run by the charismatic Mlle. Marie Souvestre, whose influence lived on through former students like Natalie Barney and Eleanor Roosevelt. Olivia was dedicated to the memory of Strachey’s friend Virginia Woolf and published to acclaim in 1949. Colette wrote the screenplay for the 1951 film adaptation of the novel. In 1999, Olivia was included on the Publishing Triangle’s widely publicized list of the 100 Best Gay and Lesbian Novels of the 20th Century. “Dorothy Strachey (1865-1960) was the sister of the novelist Lytton Strachey and a prominent member of the Bloomsbury Group…….Olivia, originally published under a pseudonym, is her only novel.” — Amazon.com

'He now saw himself stained with the most loathed and monstrous sins, the object of universal execration ... doomed to perish in tortures the most severe' Shocking, erotic and violent, The Monk is the story of Ambrosio, torn between his spiritual vows and the temptations of physical pleasure. His internal battle leads to sexual obsession, rape and murder, yet this book also contains knowing parody of its own excesses as well as social comedy. Written by Matthew Lewis when he was only nineteen, it was a ground-breaking novel in the Gothic Horror genre and spawned hundreds of imitators, drawn in by its mixture of bloodshed, sex and scandal.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

Sodom and Gomorrah – now in a superb translation by John Sturrock – takes up the theme of homosexual love, male and female, and dwells on how destructive sexual jealousy can be for those who suffer it. Proust's novel is also an unforgiving analysis of both the decadent high society of Paris, and the rise of a philistine bourgeoisie that is on the way to supplanting it. Characters who had lesser roles in earlier volumes now reappear in a different light and take center stage, notably Albertine, with whom the narrator believes he is in love, and also the insanely haughty Baron de Charlus.

Thrown in prison for a crime he has not committed, Edmond Dantès is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and he becomes determined not only to escape, but also to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration. Dumas’ epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment, was a huge popular success when it was first serialized in the 1840s. Robin Buss’s lively English translation is complete and unabridged, and remains faithful to the style of Dumas’s original. This edition includes an introduction, explanatory notes and suggestions for further reading.

Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden sex worker, can offer the chance of redemption.

Selected by the Modern Library as one of the 100 best novels of all time, Slaughterhouse-Five, an American classic, is one of the world's great antiwar books. Centering on the infamous firebombing of Dresden, Billy Pilgrim's odyssey through time reflects the mythic journey of our own fractured lives as we search for meaning in what we fear most.

Librarian note: Alternate covers can be found here and here. 'In one moment, every drop of blood in my body was brought to a stop... There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white' The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism. Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins' biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.

"But you do," he went on, not waiting for contradiction. "You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it ..." Lucy has her rigid, middle-class life mapped out for her, until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George. Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse. Will she ever learn to follow her own heart?

The Complete Stories brings together all of Kafka’s stories, from the classic tales such as “The Metamorphosis,” “In the Penal Colony,” and “A Hunger Artist” to shorter pieces and fragments that Max Brod, Kafka’s literary executor, released after Kafka’s death. With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. —penguinrandomhouse.com Two Introductory parables: Before the law—Imperial message—Longer stories: Description of a struggle—Wedding preparations in the country—Judgment—Metamorphosis—In the penal colony—Village schoolmaster (The giant mole) — Blumfeld, and elderly bachelor—Warden of the tomb—Country doctor—Hunter Gracchus—Hunter Gracchus: A fragment—Great Wall of China—News of the building of the wall: A fragment—Report to an academy—Report to an academy: Two fragments—Refusal—Hunger artist—Investigations of a dog—Little woman—The burrow—Josephine the singer, or the mouse folk—Children on a country road—The trees—Clothes—Excursion into the mountains—Rejection—The street window—The tradesman—Absent-minded window-gazing—The way home—Passers-by—On the tram—Reflections for gentlemen-jockeys—The wish to be a red Indian—Unhappiness—Bachelor's ill luck—Unmasking a confidence trickster—The sudden walk—Resolutions—A dream—Up in the gallery—A fratricide—The next village—A visit to a mine—Jackals and Arabs—The bridge—The bucket rider—The new advocate—An old manuscript—The knock at the manor gate—Eleven sons—My neighbor—A crossbreed (A sport) — The cares of a family man—A common confusion—The truth about Sancho Panza—The silence of the sirens—Prometheus—The city coat of arms—Poseidon—Fellowship—At night—The problem of our laws—The conscripton of troops—The test—The vulture—The helmsman—The top—A little fable—Home-coming—First sorrow—The departure—Advocates—The married couple—Give it up! — On parables.

"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

Librarian's note: Alternate cover edition of ISBN 9780141182537. Humbert Humbert - scholar, aesthete and romantic - has fallen completely and utterly in love with Dolores Haze, his landlady's gum-snapping, silky skinned twelve-year-old daughter. Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolita is an immaculate, unforgettable masterpiece of obsession, delusion and lust.

Diagnosed by her physician husband with a “temporary nervous depression—a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design. With nothing else to occupy her mind, the woman resolves to unlock the mystery of the wallpaper. Her quest, however, leads not to the truth, but into the darkest depths of madness. A condemnation of the patriarchy, The Yellow Wallpaper explores with terrifying economy the oppression, grave misunderstanding, and willful dismissal of women in late nineteenth\-century society. First published in January 1892 in The New England Magazine. Excerpt: Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story\-making a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.

Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last fifteen years, has been posing as an out-of-work actor. Together this dynamic pair begin a journey through space aided by quotes from The Hitchhiker's Guide ("A towel is about the most massively useful thing an interstellar hitchhiker can have") and a galaxy-full of fellow travelers: Zaphod Beeblebrox—the two-headed, three-armed ex-hippie and totally out-to-lunch president of the galaxy; Trillian, Zaphod's girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant, and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ballpoint pens he bought over the years. Where are these pens? Why are we born? Why do we die? Why do we spend so much time between wearing digital watches? For all the answers stick your thumb to the stars. And don't forget to bring a towel!

Aristophanes' comic masterpiece of war and sex remains one of the greatest plays ever written. Led by the title character, the women of the warring city-states of Greece agree to withhold sexual favours with their husbands until they agree to cease fighting. The war of the sexes that ensues makes Lysistrata a bawdy comedy without peer in the history of theatre.

One of the most powerful and enduring of Greek tragedies, Medea centers on the myth of Jason, leader of the Argonauts, who has won the dragon-guarded treasure of the Golden Fleece with the help of the sorceress Medea. Having married Medea and fathered her two children, Jason abandons her for a more favorable match, never suspecting the terrible revenge she will take. Euripides' masterly portrayal of the motives fiercely driving Medea's pursuit of vengeance for her husband's insult and betrayal has held theater audiences spellbound for more than twenty centuries. Rex Warner's authoritative translation brings this great classic of world literature vividly to life. Reprint of the John Lane, The Bodley Head Limited, London, 1944 edition.

In Chloe Plus Olivia Lillian Faderman seeks no less than to radically redefine four centuries of lesbian literature, filling a need that has long been neglected: a literary anthology of lesbian writers over the past four centuries, with each piece set in historical and literary context. This landmark work of scholarship offers an enlightening review of the shifting concept of "lesbian literature," followed by examples of six different genres: Romantic Friendship, Sexual Inversion, Exotic and Evil Lesbians, Lesbian Encoding, Lesbian Feminism, and Post-Lesbian Feminism. Faderman examines works as diverse as Willa Cather's My Antonia and Virginia Woolf's Orlando; poetry by Gertrude Stein and Amy Lowell; fiction by Carson McCullers, Helen Hull, and Alice Walker. In addition, Chloe Plus Olivia contains writing by men who focused on women's relationships. These writings are included in the early section of the book and were, in various ways, important to the development of lesbian literature, since men were far more likely than women to achieve publication in other centuries. It would be impossible to identify a single "great tradition" of lesbian writing, since it is in constant metamorphosis, reflecting changing social attitudes and women's voices. Chloe Plus Olivia, with its historical scope enhanced by Faderman's own personal search for a definition of lesbian literature, makes this the first book of its kind; it is certain to become the point of reference from which all subsequent studies of lesbian literature will begin.

Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humor, The Crying of Lot 49 opens as Oedipa Maas discovers that she has been made executrix of a former lover's estate. The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness, and marriage combine to leave Oedipa in isolation on the threshold of revelation, awaiting the Crying of Lot 49.

Hemingway's memories of his life as an unknown writer living in Paris in the twenties are deeply personal, warmly affectionate, and full of wit. Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald - he recalls the time when, poor, happy, and writing in cafes, he discovered his vocation. Written during the last years of Hemingway's life, his memoir is a lively and powerful reflection of his genius that scintillates with the romance of the city.

A tender novel describing eager and inept young love, Daphnis and Chloe tells the story of a baby boy and girl who are discovered separately, two years apart, alone and exposed on a Greek mountainside. Taken in by a goatherd and a shepherd respectively, and raised near the town of Mytilene, they grow to maturity unaware of one another's existence - until the mischievous god of love, Eros, creates in them a sudden overpowering desire for one another. A masterpiece among early Greek romances, attracting both high praise and moral disapproval, this work has proved an enduringly fertile source of inspiration for musicians, writers and artists from Henry Fielding to Jean-Baptiste-Camille Corot and Maurice Ravel. Longus transforms familiar themes from the romance genre - including pirates, dreams, and the supernatural - into a virtuoso love story that is rich in insight, humorous and ironical in its treatment of human sexual experience.

Presents the story of King Arthur, his knights of the Round Table, the sword Excalibur, and his tragic death.

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.

The most nostalgic and reflective of Evelyn Waugh's novels, Brideshead Revisited looks back to the golden age before the Second World War. It tells the story of Charles Ryder's infatuation with the Marchmains and the rapidly-disappearing world of privilege they inhabit. Enchanted first by Sebastian at Oxford, then by his doomed Catholic family, in particular his remote sister, Julia, Charles comes finally to recognize only his spiritual and social distance from them.

An alternate cover for this ISBN can be found here. Baldwin's haunting and controversial second novel is his most sustained treatment of sexuality, and a classic of gay literature. In a 1950s Paris swarming with expatriates and characterized by dangerous liaisons and hidden violence, an American finds himself unable to repress his impulses, despite his determination to live the conventional life he envisions for himself. After meeting and proposing to a young woman, he falls into a lengthy affair with an Italian bartender and is confounded and tortured by his sexual identity as he oscillates between the two. Examining the mystery of love and passion in an intensely imagined narrative, Baldwin creates a moving and complex story of death and desire that is revelatory in its insight.

The book is structured as a series of loosely connected vignettes. Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone. The vignettes are drawn from Burroughs' own experiences in these places and his addiction to drugs (heroin, morphine, and while in Tangier, majoun [a strong hashish confection] as well as a German opioid, brand name Eukodol, of which he wrote frequently). [source wiki}

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle rages across three worlds - heaven, hell, and earth - as Satan and his band of rebel angels plot their revenge against God. At the center of the conflict are Adam and Eve, who are motivated by all too human temptations but whose ultimate downfall is unyielding love. Marked by Milton's characteristic erudition, Paradise Lost is a work epic both in scale and, notoriously, in ambition. For nearly 350 years, it has held generation upon generation of audiences in rapt attention, and its profound influence can be seen in almost every corner of Western culture.

The Faerie Queene was the first epic in English and one of the most influential poems in the language for later poets from Milton to Tennyson. Dedicating his work to Elizabeth I, Spenser brilliantly united medieval romance and renaissance epic to expound the glory of the Virgin Queen. The poem recounts the quests of knights including Sir Guyon, Knight of Constance, who resists temptation, and Artegall, Knight of Justice, whose story alludes to the execution of Mary Queen of Scots. Composed as an overt moral and political allegory, The Faerie Queene, with its dramatic episodes of chivalry, pageantry and courtly love, is also a supreme work of atmosphere, colour and sensuous description.

Guy de Maupassant's scandalous tale of an opportunistic young man corrupted by the allure of power, "Bel-Ami" is translated with an introduction by Douglas Parmee in "Penguin Classics". Young, attractive and very ambitious, George Duroy, known to his admirers as Bel-Ami, is offered a job as a journalist on La Vie francaise and soon makes a great success of his new career. But he also comes face to face with the realities of the corrupt society in which he lives - the sleazy colleagues, the manipulative mistresses, and wily financiers - and swiftly learns to become an arch-seducer, blackmailer and social climber in a world where love is only a means to an end. Written when Maupassant was at the height of his powers, "Bel-Ami" is a novel of great frankness and cynicism, but it is also infused with the sheer joy of life - depicting the scenes and characters of Paris in the belle epoque with wit, sensitivity, and humanity. Douglas Parmee's translation captures all the vigour and vitality of Maupassant's novel. His introduction explores the similarities between Bel-Ami and Maupassant himself and demonstrates the skill with which the author depicts his large cast of characters and the French society of the Third Republic.

An American classic and great bestseller for over thirty years, A Separate Peace is timeless in its description of adolescence during a period when the entire country was losing its innocence to the second world war. Set at a boys boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual. Phineas is a handsome, taunting, daredevil athlete. What happens between the two friends one summer, like the war itself, banishes the innocence of these boys and their world. A bestseller for more than thirty years, A Separate Peace is John Knowles crowning achievement and an undisputed American classic.

Stephen is an ideal child of aristocratic parents—a fencer, a horse rider and a keen scholar. Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions. The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.

In a small village in the Sologne, Fifteen-year-old François Seurel narrates the story of his relationship with seventeen-year-old Augustin Meaulnes. Impulsive, reckless and heroic, Meaulnes embodies the romantic ideal, the search for the unobtainable, and the mysterious world between childhood and adulthood.

White Nights is a short story by Fyodor Dostoevsky that was published in 1848. Set in St. Petersburg, it is the story of a young man fighting his inner restlessness. A light and tender narrative, it delves into the torment and guilt of unrequited love. Both protagonists suffer from a deep sense of alienation that initially brings them together. A blend of romanticism and realism, the story appeals gently to the senses and feelings.

Hangsaman is Miss Jackson's second novel. The story is a simple one but the overtones are immediately present. "Natalie Waite who was seventeen years old but who felt that she had been truly conscious only since she was about fifteen lived in an odd corner of a world of sound and sight, past the daily voices of her father and mother and their incomprehensible actions." In a few graphic pages, the family is before us—Arnold Waite, a writer, egotistical and embittered; his wife, the complaining martyr; Bud, the younger brother who has not yet felt the need to establish his independence; and Natalie, in the nightmare of being seventeen. The Sunday afternoon cocktail party, to which Arnold Waite has invited his literary friends and neighbors, serves to etch in the details of this family's life, and to draw Natalie into the vortex. The story concentrates on the next few critical months in Natalie's life, away at college, where each experience reproduces on a larger scale the crucial failure of her emotional life at home. With a mounting tension rising from character and situation as well as the particular magic of which Miss Jackson is master, the novel proceeds inexorably to the stinging melodrama of its conclusion. The bitter cruelty of the passage from adolescence to womanhood, of a sensitive and lonely girl caught in a world not of her own devising, is a theme well suited to Miss Jackson's brilliant talent.