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Clay Sanskrit Library book cover 1
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Clay Sanskrit Library
Series · 10 books · 1000-2009

Books in series

The Emperor Of The Sorcerers, Vol. 1 book cover
#1

The Emperor Of The Sorcerers, Vol. 1

1000

Budha-svamin tells the epic tale of the youthful exploits of prince Naravahanadatta. The reader is taken from royal palaces to flying sorcerers' mountain fastnesses via courtesans' bedrooms and merchant ships. A fast and witty narrative which provides a fascinating insight into ancient India. Budha-svamin's The Emperor of the Sorcerers is a racy telling of the celebrated lost Indian narrative cycle The Long Story, framed by Nara-vahana-datta's magical adventures on his quest to become Emperor of the Sorcerers. It is indeed a great story, as its Sanskrit title declares. Epic in scope and scale, it has everything that a great story should: adventure, romance, suspense, intrigue, tragedy and comedy. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org
The Heavenly Exploits book cover
#2

The Heavenly Exploits

Buddhist Biographies from the Divyavadana

2005

This selection of religious biographies from the early centuries C.E. offers a delightful introduction to a literary genre that has played an essential part in Buddhist self-understanding for over two thousand years. The Heavenly Exploits are “Buddhist Biographies from the Dívyavadána.” The worldly face of religious literature, these lively morality tales have inspired audiences across Asia for more than two millennia. This volume contains four of the thirty-eight Buddhist biographical stories in the ”Dívyávadana,” or Heavenly Exploits. Where religion meets the world, these tales present something for everyone. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit
Much Ado About Religion book cover
#3

Much Ado About Religion

2005

This play satirizes various religions in Kashmir and their place in the politics of King Shankaravarman (883-902). The leading character is a young and dynamic orthodox graduate, whose career starts as a glorious campaign against the heretic Buddhists, Jains, and other antisocial sects. By the end of the play he realizes that the interests of the monarch do not encourage such inquisitional rigor. Unique in Sanskrit literature, Jayanta Bhatta's play, Much Ado About Religion, is a curious mixture of fiction and history, of scathing satire and intriguing philosophical argumentation. The play satirizes various religions in Kashmir and their place in the politics of King Shankara-varman (883-902 CE). The leading character, Sankarshana, is a young and dynamic orthodox graduate of Vedic studies, whose career starts as a glorious campaign against the heretic Buddhists, Jains and other antisocial sects. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org
Ramáyana I book cover
#8

Ramáyana I

Boyhood

1774

One of the great national epics of India that blends poetry and adventure to tell the origin story of the hero Rama Rama, the crown prince of the City of Ayodhya, is a model son and warrior. He is sent by his father the king to rescue a sage from persecution by demons, but must first kill a fearsome ogress. That done, he drives out the demons, restores peace, and attends a tournament in the neighboring city of Mithila; here he bends the bow that no other warrior can handle, winning the prize and the hand of Sita, the princess of Mithila. Valm�ki's Ram�yana is one of the two great national epics of India, the source revered throughout South Asia as the original account of the career of Rama, ideal man and incarnation of the great god Vishnu. The first book, "Boyhood," introduces the young hero Rama and sets the scene for the adventures ahead. It begins with a fascinating excursus on the origins and function of poetry itself. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org
Ramáyana V book cover
#10

Ramáyana V

Súndara

2006

The fifth and most popular book of the Ramáyana of Valmíki, Súndara recounts the adventures of the monkey hero Hánuman leaping across the ocean to the island citadel of Lanka. Once there, he scours the city for the abducted Princess Sita. The poet vividly describes the opulence of the court of the demon king, Rávana, the beauty of his harem, and the hideous deformity of Sita's wardresses. After witnessing Sita’s stern rejection of Rávana's blandishments, Hánuman reveals himself to the princess, shows her Rama's signet ring as proof of identity, and offers to carry her back to Rama. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit
Life of the Buddha book cover
#11

Life of the Buddha

2008

Brand New
Bouquet of Rasa & River of Rasa book cover
#13

Bouquet of Rasa & River of Rasa

2009

Bhanu is probably the most famous Sanskrit poet that no one today has ever heard of. His “Bouquet of Rasa” and “River of Rasa,” both composed in the early sixteenth century, probably under the patronage of the Nizam of Ahmadnagar in western India, attracted the attention of the most celebrated commentators in early modern India. Some of the greatest painters of Mewar and Basohli vied to turn his subtle poems into pictures. And his verses were prized by poets Abu al-Fazl, the preeminent scholar at Akbar’s court, translated them into Persian, and, Kshetráyya, the great Andhra poet of the next century, adapted them into Telugu. Many writers have described the types of heroines and heroes of Sanskrit literature (the subject of the “Bouquet of Rasa”) or explained the nature of aesthetic emotion (that of the “River of Rasa”), but none did so in verse of such exquisite and subtle artistry.
Bhatti’s Poem book cover
#18

Bhatti’s Poem

The Death of Ravana

2009

To the dry bones of grammar Bhatti gave juicy flesh in his poem, telling the greatest Indian story in elegant Sanskrit. Composed in the fourth century CE, in South India, ”Bhatti’s The Death of Rávana” is both a poetic retelling of Rama’s adventures, and a compendium of grammatical and rhetorical examples for students. Bhatti’s study aid to Pánini’s groundbreaking grammatical treatise, the “Eight Books,” gives examples disguised as the gripping, morally improving “Ramáyana” story. In Bhatti’s own “This composition is a lamp to those whose eyes have language as their goal.” Tradition has it that an elephant ambled between Bhatti and his pupils, interrupting their outdoors grammar class. By Hindu law this intrusion canceled class for a year. Lest time be lost, Bhatti composed his poem to teach grammar without textbooks. Ever since, “The Death of Rávana” has been one of the most popular poems in Sanskrit literature.
How the Nagas Were Pleased by Harsha & the Shattered Thighs by Bhasa book cover
#19

How the Nagas Were Pleased by Harsha & the Shattered Thighs by Bhasa

2008

Two tragic plays that break the rules: both show the hero dying on stage, a scenario forbidden in Sanskrit dramaturgy. King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga). The Shattered Thighs, attributed to Bhasa, the illustrious predecessor to ancient Kali-dasa, transforms a crucial episode of the Maha-bh�rata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Dury�dhana's character is inverted, depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene.
Friendly Advice by Naráyana and King Víkrama's Adventures book cover
#20

Friendly Advice by Naráyana and King Víkrama's Adventures

2007

Naráyana’s best-seller gives its reader much more than “Friendly Advice.” In one handy collection—closely related to the world-famous Pañcatantra or Five Discourses on Worldly Wisdom—numerous animal fables are interwoven with human stories, all designed to instruct wayward princes. Tales of canny procuresses compete with those of cunning crows and tigers. An intrusive ass is simply thrashed by his master, but the meddlesome monkey ends up with his testicles crushed. One prince manages to enjoy himself with a merchant’s wife with her husband’s consent, while another is kicked out of paradise by a painted image. This volume also contains the compact version of King Víkrama’s Adventures, thirty-two popular tales about a generous emperor, told by thirty-two statuettes adorning his lion-throne. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit

Authors

Bhasa
Bhasa
Author · 3 books

Bhāsa is one of the earliest and most celebrated Indian playwrights in Sanskrit. However, very little is known about him. He is dated between the 2nd century BCE and 2nd century CE. Based on the language used, his date is also supposed to be around 5th century BC. The plays of Bhāsa had been lost for centuries. He was known only from mention in other works such as Kālidāsa's first play Malavikagnimitram, or the the famous text on poetics Kavyamimamsa written during 880–920 AD by Rajashekhara a famous poet, dramatist and critic. This was until 1912, when Mahamahopadhyaya T. Ganapati Sastri came upon 13 Sanskrit plays at a nampoothiri home named Manalikkara Madom (present Kanyakumari District) that were used in the Koodiyattam plays. Unlike other classical plays, none of them mentioned the author, but one was the Swapnavāsavadatta. Comparing the style of writing and techniques employed in these plays and based on the knowledge that Swapnavāsavadatta was Bhāsa's work, all of them were credited to him. Some scholars have disputed Bhāsa's authorship of all the plays but over the years the plays have generally come to be ascribed to him.

Valmiki
Valmiki
Author · 15 books

Valmiki is celebrated as the poet harbinger in Sanskrit literature. He is the author of the epic Ramayana, based on the attribution in the text of the epic itself.He is revered as the Adi Kavi, which means First Poet, for he discovered the first śloka i.e. first verse, which set the base and defined the form to Sanskrit poetry. The Yoga Vasistha is attributed to him. A religious movement called Valmikism is based on Valmiki's teachings as presented in the Ramayana and the Yoga Vasistha. At least by the 1st century AD, Valmiki's reputation as the father of Sanskrit classical poetry seems to have been legendary. Ashvagosha writes in the Buddhacarita, "The voice of Valmiki uttered poetry which the great seer Chyavana could not compose." This particular verse has been speculated to indicate a familial relationship between Valmiki and Chyavana, as implied by the previous and subsequent verses.

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