The trajectory of MP5’s work has painted a black line without any sign of hesitation. The idea of a world in fierce black and white, inhabited by a multiplicity of forms, all of which belong to a blindingly sunny manifestation of humanity. A radical aesthetic that reveals the conflicts inherent in modernity, invoking the unconscious alongside a social and political conscience. For years, her drawings have appeared in comics, illustrations, posters for political protests, concerts and theater festivals and on the walls of European countries such as Spain, France, Germany, Italy, Croatia, Slovenia and Sweden.

See also: Saša Rakezić ________ Saša Rakezić (a.k.a Aleksandar Zograf) je rođen 1963. godine. Počeo je da objavljuje stripove u raznim jugoslovenskim časopisima još 1986. godine. Od početka devedesetih, većina njegovih radova objavljivana je u inostranstvu. Njegove samostalne knjige stripova prevedene su na mnoge jezike, poput engleskog, italijanskog, francuskog, nemačkog, španskog, finskog itd. Tokom bombardovanja Srbije od strane NATO alijanse 1999. godine, pisao je e-mail poruke, koje su objavljivane na internetu u mnogim zemljama, a potom sabrane i štampane u formi knjige u Velikoj Britaniji, Italiji i Francuskoj.Zograf je umetnički direktor godišnjeg strip-festivala GRRR! koji se održava u pančevačkoj Galeriji savremene umetnosti.

André Coelho is a Porto – Portugal based illustrator that usually works for the experimental / metal / punk underground and takes a few dives into the world of comics and printed fanzines. Proud member of the metal-bashing industrialists Sektor 304 and the doom behemoths Profan. Illustration and design services available. Contact: nervousstillness@hotmail.com

Although Canadian born, Nina Bunjevac spent her formative years in Yugoslavia, where she began her art education before returning to Canada at onset of the war of the 1990s. She continued her education in graphic design at the iconic Art Centre of Central Technical School in Toronto, subsequently graduating from the Drawing and Painting department at OCAD. After a decade of drawing and painting she discovered the passion for the narrative through sculpture installation work, eventually returning to her childhood passion for comics. Nina’s comics have been published in a number of international periodicals and anthologies, including The National Post, Le Monde Diplomatique, ArtReview and Best American Comics. Her first book Heartless (2012, Conundrum Press, Nova Scotia) won a Doug Wright Award in Best Debut category. Her second book, Fatherland (2014, Jonathan Cape, London) has reached international acclaim, appearing on the New York Times best-seller list and receiving a Doug Wright Award in Best Book category; it was also shortlisted for PACA Regional Literary Award in France. Bezimena (2018, Ici Même, Nantes; 2019, Fantagraphics, Seattle), Nina’s third book, made the official selection at Angoulême International Comics Festival 2019, won Artemisia prize in the category of Best Drawing in France, and was awarded Best Book Jury Prize at 2019 Lucca Comics and Games in Lucca, Italy. Her artwork has been included in a number of exhibitions, both in Canada and internationally. Notable exhibits include the 2014 installation Out of Fatherland, at Art Gallery of Ontario, commissioned mural pieces for The Idea of North, and Galerie Martel in Paris, France. She lives in Toronto where she divides her time between comics, illustration, teaching and fine arts.