
Authors

Gary Snyder is an American poet (originally, often associated with the Beat Generation), essayist, lecturer, and environmental activist. Snyder is a winner of a Pulitzer Prize for Poetry. Since the 1970s, he has frequently been described as the 'laureate of Deep Ecology'. From the 1950s on, he has published travel-journals and essays from time to time. His work in his various roles reflects his immersion in both Buddhist spirituality and nature. Snyder has also translated literature into English from ancient Chinese and modern Japanese. As a social critic, Snyder has much in common with Lewis Mumford, Aldous Huxley, Karl Hess, Aldo Leopold, and Karl Polanyi. Snyder was for many years on the faculty of the University of California, Davis, and for a time served on the California Arts Council. ———————————————— Gary Snyder. (2007, October 19). In Wikipedia, The Free Encyclopedia. Retrieved 21:36, October 19, 2007, from http://en.wikipedia.org/w/index.php?t...

David Ignatow was an American poet. He was born in Brooklyn on February 7, 1914, and spent most of his life in the New York City area. He died on November 17, 1997, at his home in East Hampton, New York. His papers are held at University of California, San Diego. Early in his career he worked in a butcher shop. He also helped out in a bindery in Brooklyn, New York, which he later owned and managed. During the Great Depression in the 1930s, he sought employment with the Works Progress Administration (WPA) as a journalist. His father helped him with the funding to produce his first book, Poems, in 1948. Although the volume was well received, he had to continue working various jobs and find time in between to pursue writing. These jobs included work as a messenger, hospital admitting clerk, vegetable market night clerk, and paper salesman. After committing wholly to poetry, Ignatow worked as an editor of American Poetry Review, Analytic, Beloit Poetry Journal, and Chelsea Magazine, and as poetry editor of The Nation. He taught at the New School for Social Research, the University of Kentucky, the University of Kansas, Vassar College, York College, City University of New York, New York University, and Columbia University. He was president of the Poetry Society of America from 1980 to 1984 and poet-in-residence at the Walt Whitman Birthplace Association in 1987. Ignatow's many honors include a Bollingen Prize, two Guggenheim fellowships, the John Steinbeck Award, and a National Institute of Arts and Letters award "for a lifetime of creative effort." He received the Shelley Memorial Award (1966), the Frost Medal (1992), and the William Carlos Williams Award (1997) of the Poetry Society of America. David Ignatow is remembered as a poet who wrote popular verse about the common man and the issues encountered in daily life. In all, he wrote or edited more than twenty-five books. Direct statement and clarity were two of Ignatow's primary objectives in crafting a poem. Fidelity to the details and issues of daily life in Ignatow's poetry won him a reputation for being "the most autobiographical of writers." Ignatow once told Contemporary Authors: "My avocation is to stay alive; my vocation is to write about it; my motivation embraces both intentions, and my viewpoint is gained from a study and activity in both ambitions.

Donald Justice was an American poet and teacher of writing. He graduated from the University of Miami and went on to teach for many years at Iowa Writers' Workshop, the nation's first graduate program in creative writing. Some of his students there included Mark Strand, Charles Wright, Will Schmitz and Jorie Graham. He also taught at Syracuse University, the University of California at Irvine, Princeton University, the University of Virginia, and the University of Florida in Gainesville. Justice published thirteen collections of his poetry. The first collection, The Summer Anniversaries, was the winner of the Lamont Poetry Prize given by the Academy of American Poets in 1961; Selected Poems won the Pulitzer Prize for Poetry in 1980. He was awarded the Bollingen Prize in Poetry in 1991, and the Lannan Literary Award for Poetry in 1996. His honors also included grants from the Guggenheim Foundation, the Rockefeller Foundation, and the National Endowment for the Arts. He was a member of the American Academy of Arts and Letters, and a Chancellor of the Academy of American Poets from 1997 to 2003. His Collected Poems was nominated for the National Book Award in 2004. Justice was also a National Book Award Finalist in 1961, 1974, and 1995. Of Justice as teacher, his student and later colleague Marvin Bell said in a eulogy, “As a teacher, Don chose always to be on the side of the poem, defending it from half-baked attacks by students anxious to defend their own turf. While he had firm preferences in private, as a teacher Don defended all turfs. He had little use for poetic theory.” Of Justice's accomplishments as a poet, his former student, the poet and critic Tad Richards, noted that, "Donald Justice is likely to be remembered as a poet who gave his age a quiet but compelling insight into loss and distance, and who set a standard for craftsmanship, attention to detail, and subtleties of rhythm." Justice's work was the subject of the 1998 volume Certain Solitudes: On The Poetry of Donald Justice, which is a collection of essays edited by Dana Gioia and William Logan.

William Stanley Merwin was an American poet, credited with over fifty books of poetry, translation and prose. William Stanley Merwin (September 30, 1927 – March 15, 2019) was an American poet who wrote more than fifty books of poetry and prose, and produced many works in translation.During the 1960s anti-war movement, Merwin's unique craft was thematically characterized by indirect, unpunctuated narration. In the 1980s and 1990s, his writing influence derived from an interest in Buddhist philosophy and deep ecology. Residing in a rural part of Maui, Hawaii, he wrote prolifically and was dedicated to the restoration of the island's rainforests. Merwin received many honors, including the Pulitzer Prize for Poetry in 1971 and 2009; the National Book Award for Poetry in 2005,and the Tanning Prize—one of the highest honors bestowed by the Academy of American Poets—as well as the Golden Wreath of the Struga Poetry Evenings. In 2010, the Library of Congress named him the 17th United States Poet Laureate.



Long incantatory works and books of known American poet Irwin Allen Ginsberg, a leading figure of the Beat Generation, include Howl (1956) and Kaddish (1961). Naomi Ginsberg bore Irwin Allen Ginsberg, a son, to Louis Ginsberg, a Jewish member of the New York literary counterculture of the 1920s. They reared Ginsberg among several progressive political perspectives. Mental health of Naomi Ginsberg, a nudist, who supported the Communist party, concerned people throughout the childhood of the poet. According to biographer Barry Miles, "Naomi's illness gave Allen an enormous empathy and tolerance for madness, neurosis, and psychosis." As an adolescent, Ginsberg savored Walt Whitman, though in 1939, when Ginsberg graduated high school, he considered Edgar Allan Poe his favorite poet. Eager to follow a childhood hero who had received a scholarship to Columbia University, Ginsberg made a vow that if he got into the school he would devote his life to helping the working class, a cause he took seriously over the course of the next several years. He was admitted to Columbia University, and as a student there in the 1940s, he began close friendships with William S. Burroughs, Neal Cassady, and Jack Kerouac, all of whom later became leading figures of the Beat movement. The group led Ginsberg to a "New Vision," which he defined in his journal: "Since art is merely and ultimately self-expressive, we conclude that the fullest art, the most individual, uninfluenced, unrepressed, uninhibited expression of art is true expression and the true art." Around this time, Ginsberg also had what he referred to as his "Blake vision," an auditory hallucination of William Blake reading his poems "Ah Sunflower," "The Sick Rose," and "Little Girl Lost." Ginsberg noted the occurrence several times as a pivotal moment for him in his comprehension of the universe, affecting fundamental beliefs about his life and his work. While Ginsberg claimed that no drugs were involved, he later stated that he used various drugs in an attempt to recapture the feelings inspired by the vision. In 1954, Ginsberg moved to San Francisco. His mentor, William Carlos Williams, introduced him to key figures in the San Francisco poetry scene, including Kenneth Rexroth. He also met Michael McClure, who handed off the duties of curating a reading for the newly-established "6" Gallery. With the help of Rexroth, the result was "The '6' Gallery Reading" which took place on October 7, 1955. The event has been hailed as the birth of the Beat Generation, in no small part because it was also the first public reading of Ginsberg's "Howl," a poem which garnered world-wide attention for him and the poets he associated with. Shortly after Howl and Other Poems was published in 1956 by City Lights Bookstore, it was banned for obscenity. The work overcame censorship trials, however, and became one of the most widely read poems of the century, translated into more than twenty-two languages. In the 1960s and 70s, Ginsberg studied under gurus and Zen masters. As the leading icon of the Beats, Ginsberg was involved in countless political activities, including protests against the Vietnam War, and he spoke openly about issues that concerned him, such as free speech and gay rights agendas. Ginsberg went on publish numerous collections of poetry, including Kaddish and Other Poems (1961), Planet News (1968), and The Fall of America: Poems of These States (1973), which won the National Book Award. In 1993, Ginsberg received the Chevalier des Arts et des Lettres (the Order of Arts and Letters) from the French Minister of Culture. He also co-founded and directed the Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Colorado. In his later years, Ginsberg became a Distinguished Professor at Brooklyn College. On April 5, 1997, in New York City, he died from complications of hepatitis.

Anne Sexton once told a journalist that her fans thought she got better, but actually, she just became a poet. These words are characteristic of a talented poet that received therapy for years, but committed suicide in spite of this. The poetry fed her art, but it also imprisoned her in a way. Her parents didn’t expect much of her academically, and after completing her schooling at Rogers Hall, she went to a finishing school in Boston. Anne met her husband, Kayo (Alfred Muller Sexton II), in 1948 by correspondence. Her mother advised her to elope after she thought she might be pregnant. Anne and Kayo got married in 1948 in North Carolina. After the honeymoon Kayo started working at his father-in-law’s wool business. In 1953 Anne gave birth to her first-born, Linda Gray. Two years later Linda’s sister, Joyce Ladd, was born. But Anne couldn’t cope with the pressure of two small children over and above Kayo’s frequent absence (due to work). Shortly after Joy was born, Anne was admitted to Westwood Lodge where she was treated by the psychiatrist Dr. Martha Brunner-Orne (and six months later, her son, Dr. Martin Orne, took over). The original diagnosis was for post-natal depression, but the psychologists later decided that Anne suffered from depression of biological nature. While she was receiving psychiatric treatment, Anne started writing poetry. It all started after another suicide attempt, when Orne came to her and told her that she still has a purpose in life. At that stage she was convinced that she could only become a prostitute. Orne showed her another talent that she had, and her first poetry appeared in print in the January of 1957. She wrote a huge amount of poetry that was published in a dozen poetry books. In 1967 she became the proud recipient of the Pulitzer Prize for Live or Die (1966). In March 1972 Anne and Kayo got divorced. After this a desperate kind of loneliness took over her life. Her addiction to pills and alcohol worsened. Without Kayo the house was very quiet, the children were at college and most of Anne’s friends were avoiding her because they could no longer sympathize with her growing problems. Her poetry started playing such a major role in her life that conflicts were written out, rather than being faced. Anne didn’t mention a word to Kayo about her intention to get divorced. He knew that she desperately needed him, but her poems, and her real feelings toward him, put it differently. Kayo talks about it in an interview as follows: “... I honestly don’t know, never have known, what her real, driving motive was in the divorce. Which is another reason why it absolutely drove me into the floor like a nail when she did it.” On 4 October 1974 she put on her mother’s old fur coat before, glass of vodka in hand, she climbed into her car, turned the key and died of monodioxide inhalation. She once told Orne that “I feel like my mother whenever I put it [the fur coat] on”. Her oldest daughter, Linda, was appointed as literary executor and we have her to thank for the three poetry books that appeared posthumously.

Robert Lowell, born Robert Traill Spence Lowell, IV, was an American poet whose works, confessional in nature, engaged with the questions of history and probed the dark recesses of the self. He is generally considered to be among the greatest American poets of the twentieth century. His first and second books, Land of Unlikeness (1944) and Lord Weary's Castle (for which he received a Pulitzer Prize in 1947, at the age of thirty), were influenced by his conversion from Episcopalianism to Catholicism and explored the dark side of America's Puritan legacy. Under the influence of Allen Tate and the New Critics, he wrote rigorously formal poetry that drew praise for its exceptionally powerful handling of meter and rhyme. Lowell was politically involved—he became a conscientious objector during the Second World War and was imprisoned as a result, and actively protested against the war in Vietnam—and his personal life was full of marital and psychological turmoil. He suffered from severe episodes of manic depression, for which he was repeatedly hospitalized. Partly in response to his frequent breakdowns, and partly due to the influence of such younger poets as W. D. Snodgrass and Allen Ginsberg, Lowell in the mid-fifties began to write more directly from personal experience, and loosened his adherence to traditional meter and form. The result was a watershed collection, Life Studies (1959), which forever changed the landscape of modern poetry, much as Eliot's The Waste Land had three decades before. Considered by many to be the most important poet in English of the second half of the twentieth century, Lowell continued to develop his work with sometimes uneven results, all along defining the restless center of American poetry, until his sudden death from a heart attack at age 60. Robert Lowell served as a Chancellor of The Academy of American Poets from 1962 until his death in 1977.


William De Witt Snodgrass, pseudonym S. S. Gardons, is an American poet and a 1960 Pulitzer Prize for Poetry winner. Snodgrass' first poems appeared in 1951, and throughout the 1950's he published in some of the most prestigious magazines: Botteghe Oscure, Partisan Review, The New Yorker, The Paris Review and The Hudson Review. However, in 1957, five sections from a sequence entitled Heart's Needle were included in Hall, Pack and Simpson's anthology, New Poets of England and America, and these were to mark a turning-point. When Lowell had been shown early versions of these poems, in 1953, he had disliked them, but now he was full of admiration. By the time Heart's Needle was published, in 1959, Snodgrass had already won the The Hudson Review Fellowship in Poetry and an Ingram Merrill Foundation Poetry Prize. However, his first book brought him more: a citation from the Poetry Society of America, a grant from the National Institute of Arts, and, most important of all, 1960's Pulitzer Prize in Poetry. It is often said that Heart's Needle inaugurated confessional verse. Snodgrass disliked the term. Still, it should be pointed out that the genre he was reviving here seemed revolutionary to most of his contemporaries, reared as they had been on the anti-expressionistic principles of the New Critics. Snodgrass' confessional work was to have a profound effect on many of his contemporaries, amongst them, most importantly, Robert Lowell.

William Edgar Stafford was an American poet and pacifist, and the father of poet and essayist Kim Stafford. He and his writings are sometimes identified with the Pacific Northwest. In 1970, he was named Consultant in Poetry to the Library of Congress, a position that is now known as Poet Laureate. In 1975, he was named Poet Laureate of Oregon; his tenure in the position lasted until 1990. In 1980, he retired from Lewis & Clark College but continued to travel extensively and give public readings of his poetry. In 1992, he won the Western States Book Award for lifetime achievement in poetry. Source: https://en.wikipedia.org/wiki/William...

John B. Logan (born January 23, 1923, Red Oak, Iowa – died November 6, 1987, San Francisco, California) was an American poet and teacher. Source: Wikipedia

Dickey was born in Atlanta, Georgia. After serving as a pilot in the Second World War, he attended Vanderbilt University. Having earned an MA in 1950, Dickey returned to military duty in the Korean War, serving with the US Air Force. Upon return to civilian life Dickey taught at Rice University in Texas and then at the University of Florida. From 1955 to 1961, he worked for advertising agencies in New York and Atlanta. After the publication of his first book, Into the Stone (Middletown, Conn., 1962), he left advertising and began teaching at various colleges and universities. He became poet-in-residence and Carolina Professor of English at the University of South Carolina. Dickey's third volume, Buckdancer's Choice (Middletown, 1965), won the prestigious National Book Award in Poetry. From 1966 to 1968 he served as poetry consultant to the Library of Congress. In 1977 Dickey read his poem 'The Strength of Fields' at President Carter's inauguration. The Hollywood film of his novel Deliverance (Boston, 1970) brought Dickey fame not normally enjoyed by poets. Dickey's poems are a mixture of lyricism and narrative. In some volumes the lyricism dominates, while in others the narrative is the focus. The early books, influenced obviously though not slavishly by Theodore Roethke and perhaps Hopkins, are infused with a sense of private anxiety and guilt. Both emotions are called forth most deeply by the memories of a brother who died before Dickey was born ('In the Tree House at Night') and his war experiences ('Drinking From a Helmet'). These early poems generally employ rhyme and metre. With Buckdancer's Choice, Dickey left traditional formalism behind, developing what he called a 'split-line' technique to vary the rhythm and look of the poem. Some critics argue that by doing so Dickey freed his true poetic voice. Others lament that the lack of formal device led to rhetorical, emotional, and intellectual excess. The truth probably lies somewhere between these two assessments, and it will be left to the reader to decide which phase of Dickey's career is most attractive. Dickey's most comprehensive volume is The Whole Motion (Hanover, NH, and London, 1992). His early poems are collected in The Early Motion (Middletown, 1981). Recent individual volumes include The Eagle's Mile (Hanover and London, 1990) and Falling, May Day Sermon, and Other Poems (Hanover and London, 1982). Dickey has also published collections of autobiographical essays, Self Interviews (Garden City, NY, 1970; repr. New York, 1984) and Sorties (Garden City, 197 1; repr. New York, 1984). From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamilton. Oxford: Oxford University Press, 1994. Copyright © 1994 by Oxford University Press.

Archie Randolph Ammons was born outside Whiteville, North Carolina, on February 18, 1926. He started writing poetry aboard a U. S. Navy destroyer escort in the South Pacific. After completing service in World War II, he attended Wake Forest University and the University of California at Berkeley. His honors included the Academy's Wallace Stevens Award, the Poetry Society of America's Robert Frost Medal, the Ruth Lilly Prize, and fellowships from the Guggenheim Foundation, the MacArthur Foundation, and the American Academy of Arts and Letters. He lived in Ithaca, New York, where he was Goldwin Smith Professor of Poetry at Cornell University until his retirement in 1998. Ammons died on February 25, 2001.

