Perhaps the famous singing group, the O’Jays, sang it best, “For the love of money, people will lie, Lord, they will cheat. For the love of money, people don't care who they hurt or beat…" In this epic tale of lies, deceit, and suspense, come witness what happens when a set of money plates get into the hands of a local tyrant from North Philly. These streets are flooded with counterfeit money, fake love, and deceptive friendships in pursuit of that all mighty dollar. Sanaa, a well- known female gambling house owner, is at the top of her game. But after she decides to inject the counterfeit currency into her business, all hell breaks loose. Guns are drawn and opposing sides are taken. The city of Philadelphia becomes the Wild, Wild West. Stirring up skeletons that Sanaa and her best friend Joy thought were buried when they left the south; back in Atlanta Georgia. Real or fake, with millions of dollars still to be claimed, all the wolves come out – and the hunting season begins. Will the love of that mean green shatter families and friends? Or will they prove that money can't buy everything?
Author
Blake Karrington is more than an author. He’s a storyteller who places his readers in action-filled moments. It’s in these creative spaces that readers are allowed to get to know his complex characters as if they’re really alive. Most of Blake’s titles are in the South in urban settings that are often overlooked by the mainstream. But through Blake’s eyes, readers quickly learn that places like Charlotte, NC can be as gritty as they come. It’s in these streets of this oft overlooked world where Blake portrays murderers and thieves alike as believable characters. Without judgement, he weaves humanizing backstories that serve up compelling reasons for why a drug dealer might choose a life of crime. Readers of speak of the roller coaster ride of emotions that ensues from feeling anger at empathetic characters who always seem to do the wrong thing at the right to keep the story moving forward. In terms of setting,Blake’s stories introduce his readers to spaces they may or may not be used to - streetscapes with unkept, cracked sidewalks where poverty prevails, times are depressed and people are broke and desperate. In Blake storytelling space, morality is so curved that rooting for bad guys to get away with murder can sometimes seem like the right thing for the reader to do - even when it’s not. Readers who connect with Blake find him to be relatable. Likening him to a bad-boy gone good, they see a storyteller who writes as if he’s lived in world’s he generously shares, readily conveying his message that humanity is everywhere, especially in the unlikely, mean streets of cities like Charlotte.
