
The product of a lifetime's scholarship: Linda Nochlin's complete writings on Courbet's work. Linda Nochlin is one of the most influential art historians of our time. For more than four decades, she has been at the forefront of the feminist critique of art history, playing a pivotal role in shaping the course of the discipline. Ever since completing a doctorate on Gustave Courbet in the early 1960s, she has devoted herself to a lifelong study of the artist, arguably the most radical of all nineteenth-century painters and one of the fathers of modern art. Now, in this landmark volume, every aspect of Courbet's oeuvre comes under Nochlin's scrutiny—from his vast realist depictions of provincial French life, allegorical works, and paint-encrusted landscapes to his dark, brooding portraits, sensual nudes, and earthy still lifes. In a specially written introduction, she considers Courbet's lasting impact not only on later painting but also on the practice of art history itself. With essays spanning forty years, "Courbet" is much more than a monograph on a single artist. It is also the story of the intellectual development of one of our leading writers on the visual arts. 130 illustrations, 10 in color.
Author

Linda Nochlin was an American art historian, university professor and writer. A prominent feminist art historian, she was best known as a proponent of the question "Why Have There Been No Great Women Artists?", in an essay of the same name published in 1971. Her critical attention has been drawn to investigating the ways in which gender affects the creation and apprehension of art, as evidenced by her 1994 essay "Issues of Gender in Cassatt and Eakins". Besides feminist art history, she was best known for her work on Realism, specifically on Gustave Courbet. Complementing her career as an academic, she served on the Art Advisory Council of the International Foundation for Art Research. In 2006, Nochlin received a Visionary Woman Award] from Moore College of Art & Design.