Critical Explorations in Science Fiction and Fantasy
Series · 60
books · 1728-2022
Books in series
#1
Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias
2005
Literary critics and scholars have written extensively on the demise of the “utopian spirit” in the modern novel. What has often been overlooked is the emergence of a new hybrid subgenre, particularly in science fiction and fantasy, which incorporates utopian strategies within the dystopian narrative, particularly in the feminist dystopias of the 1980s and 1990s. The author names this new subgenre “transgressive utopian dystopias.” Suzette Haden Elgin's Native Tongue trilogy, Suzy McKee Charna's Holdfast series, and Margaret Atwood's The Handmaid's Tale are thoroughly analyzed within the context of this this new subgenre of “transgressive utopian dystopias.” Analysis focuses particularly on how these works cover the interrelated categories of gender, race and class, along with their relationship to classic literary dualism and the dystopian narrative. Without completely dissolving the dualistic order, the feminist dystopias studied here contest the notions of unambiguity and authenticity that are generally part of the canon.
#2
Tolkien and Shakespeare
Essays on Shared Themes and Language
2007
Tolkien and Shakespeare: one a prolific popular dramatist and poet of the Elizabethan era, the other a twentieth-century scholar of Old English and author of a considerably smaller body of work. Though unquestionably very different writers, the two have more in common than one might expect. These essays focus on the broad themes and motifs which concerned both authors. They seek to uncover Shakespeare's influence on Tolkien through echoes of the playwright's themes and even word choices, discovering how Tolkien used, revised, updated, "corrected," and otherwise held an ongoing dialogue with Shakespeare's works. The depiction of Elves and the world of Faerie, and how humans interact with them, are some of the most obvious points of comparison and difference for the two writers. Both Tolkien and Shakespeare deeply explored the uses and abuses of power with princes, politics, war, and the lessons of history. Magic and prophecy were also of great concern to both authors, and the works of both are full of encounters with the Other: masks and disguises, mirrors that hide and reveal, or seeing stones that show only part of the truth.
#3
Culture, Identities and Technology in the Star Wars Films
Essays on the Two Trilogies
2007
Released in May 1977, the original Star Wars movie inaugurated the age of the movie blockbuster. It also redefined the use of cinematic special effects, creating a new textual universe that now stretches through three decades, two trilogies and generations of fascinated viewers. The body of critical analysis that has developed from this epic focuses primarily on the Star Wars universe as a contemporary myth. However, like any fiction, it must also be viewed—and consequently analyzed—as a product of the culture which created it. The essays in this book analyze the Star Wars trilogies as a culturally and historically specific phenomenon. Moving away from the traditional myth-based criticism of the films, the essayists employ a cultural studies model to examine how this phenomenon intersects with social formations such as economics, technology, race and gender. Critical approaches are varied and include political and economic analysis informed by feminism, contemporary race theory, Marxism, new media studies and post-humanism. Among the topics covered are the connections between the trilogies and our own cultural landscape; the problematic issues of race and gender; and the thematic implications of Lucas' presentation of technology. Instructors considering this book for use in a course may request an examination copy here.
#4
The Influence of Star Trek on Television, Film and Culture
2007
When the first season of Star Trek opened to American television viewers in 1966, the thematically insightful sci-fi story line presented audiences with the exciting vision of a bold voyage into the final frontiers of space and strange, new galactic worlds. Perpetuating this enchanting vision, the story has become one of the longest running and most multifaceted franchises in television history. Moreover, it has presented an inspiring message for the future, addressing everything from social, political, philosophical, and ethical issues to progressive and humanist representations of race, gender, and class. This book contends that Star Trek is not just a set of television series, but has become a pervasive part of the identity of the millions of people who watch, read and consume the films, television episodes, network specials, novelizations, and fan stories. Examining Star Trek from various critical angles, the essays in this collection provide vital new insights into the myriad ways that the franchise has affected the culture it represents, the people who watch the series, and the industry that created it.
#6
One Earth, One People
The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle, Orson Scott Card
2007
This work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this subgenre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters.
#7
The Evolution of Tolkien's Mythology
A Study of the History of Middle-earth
2007
The History of Middle-earth traces the evolution of J.R.R. Tolkien's literary world, stories, and characters from their earliest written forms to the final revisions Tolkien penned shortly before his death in 1973. Published posthumously by Tolkien's son Christopher, the detailed 12-volume work allows readers to follow the development of the texts that eventually became Tolkien's classics. This work provides a thorough study of Tolkien's life and influences through an analysis of The History of Middle-earth. It begins with a brief biography and an analysis of the major influences in Tolkien's life. Following chapters deal with elements common to Tolkien's popular works, including the cosmogony, theogony, cosmology, metaphysics, and eschatology of Middle-earth. The study also reviews some of the myths with which Tolkien was most familiar?Greek, Roman, Finnish, and Norse?and reveals the often overlapping relationship between mythology, biblical stories, and Tolkien's popular works.
#8
H. Beam Piper
A Biography
2008
H. Beam Piper is one of science fiction's most enigmatic writers. In 1946 Piper appeared seemingly from out of nowhere, already at the top of his form. He published a number of memorable short stories in the premier science fiction magazine of the time, Astounding Science Fiction, under legendary editor John W. Campbell. Piper quickly became friends with many of the top writers of the day, including Lester Del Rey, Fletcher Pratt, Robert Heinlein and L. Sprague de Camp. Piper also successfully made the turn from promising short story writer to major novelist, authoring Four-Day Planet, Cosmic Computer, Lord Kalvan of Otherwhen and Little Fuzzy, which was nominated for a Hugo award. Even those who counted Piper among their friends knew very little about the man or his life as a railroad yard bull in Altoona, Pennsylvania. This biography illuminates H. Beam Piper, both the writer and the man, and answers lingering questions about his death. Appendices include a number of Piper's personal papers, a complete bibliography of Piper's works, and an essay on Piper's Terro-Human Future History series.
#9
Dreams and Nightmares
Science and Technology in Myth and Fiction
2008
subtitle: Science & Technology in Myth & Fiction
This book studies the treatment of science and technology from ancient myths to current works, demonstrating the importance of science to human civilization as evidenced in literature. Works studied include the Bible, Greek mythology, tales from the Middle Ages (including those about the Golem and Dr. Faustus), Gulliver's Travels, Frankenstein, Dr. Jekyll and Mr. Hyde, and works by Jules Verne, H.G. Wells, George Orwell, Bertrand Russell, and Aldous Huxley, among others.
#10
Lilith in a New Light
Essays on the George MacDonald Fantasy Novel
2008
Considered George MacDonald's greatest work, Lilith (1895) is among the most popular and profound fantasy novels of the Victorian era. This collection of critical essays is the first book-length study of this important literary work. The selections function in working dialogue with one another, driven by the central idea of liminality in fantasy literature. In addition to providing fresh interpretations of the novel, these essays implement esteemed background scholarship on Lilith, including that of notable author C.S. Lewis. Analytical topics include MacDonald's rhetorical strategy as a writer of prose romance, the implications of the novel's famous "endless ending," and the significance of Lilith in the development of modern fantasy.
#11
Feminist Narrative and the Supernatural
The Function of Fantastic Devices in Seven Recent Novels
2008
Women authors have explored fantasy fiction in ways that connect with feminist narrative theories, as examined here by Katherine J. Weese in seven modern novels. These include Margaret Atwood's Lady Oracle, Iris Murdoch's The Sea, the Sea, Marilynne Robinson's Housekeeping, Carol Shields' The Stone Diaries, Barbara Kingsolver's The Poisonwood Bible, and Toni Morrison's Beloved and Paradise . The fantastic devices highlight various feminist narrative concerns such as the authority of the female voice, the implications of narrative form for gender construction, revisions to traditional genre conventions by women writers, and the recovery of alternative versions of stories suppressed by dominant historical narratives. Weese also frames the fantastic elements in the scope of traditional fictional structure. Instructors considering this book for use in a course may .
#13
Kim Stanley Robinson Maps the Unimaginable
Critical Essays
2009
While Kim Stanley Robinson is perhaps best known for his hard science fiction works Red Mars, Green Mars and Blue Mars, the epic trilogy exploring ecological and sociological themes involved in human settlement of the Red Planet, his contributions to utopian science fiction are diverse and numerous. Along with aspects of sociology and ecology in the Mars trilogy and other topics, these essays examine Robinson's use of alternate history and politics, both in his many novels and in his short stories. While Robinson has long been a subject of literary criticism, this collection, which includes five new essays and is drawn from writers on four continents, broadens the interpretive debate surrounding Robinson's science fiction and argues for consideration of the author as an intellectual figure of the first rank.
#14
The Inter-Galactic Playground
A Critical Study of Children's and Teens' Science Fiction
2009
Science fiction is often considered the genre of ideas and imagination, which would seem to make it ideal for juveniles and young adults; however, the ideas are often dispensed by adults. This book considers the development of science fiction for children and teens between 1950 and 2010, exploring why it differs from science fiction aimed at adults. In a broader sense, this critical examination of 400 texts sheds light on changing attitudes toward children and teenagers, toward science education, and toward the authors' expectations and sociological views of their audience.
#15
Science Fiction from Québec
A Postcolonial Study
2009
This first book-length study of French-language science fiction from Canada provides an introduction to the subgenre known as "SFQ" (science fiction from Québec). In addition, it offers in-depth analyses of SFQ sagas by Jacques Brossard, Esther Rochon, and Elisabeth Vonarburg. It demonstrates how these multivolume narratives of colonization and postcolonial societies exploit themes typical of postcolonial literatures, including the denunciation of oppressive colonial systems, the utopian hope for a better future, and the celebration of tolerant pluralistic societies. A bibliography of SFQ available in English translation is included.
#16
Science Fiction and the Two Cultures
Essays on Bridging the Gap Between the Sciences and the Humanities
2009
Essays in this volume demonstrate how science fiction can serve as a bridge between the sciences and the humanities. The essays show how early writers like Dante and Mary Shelley revealed a gradual shift toward a genuine understanding of science; how H.G. Wells first showed the possibilities of combining scientific and humanistic perspectives; how writers influenced by Gernsback's ideas, like Isaac Asimov, illustrated the ways that literature could interact with science and assist in its progress; and how more recent writers offer critiques of science and its practitioners.
#17
Stephen R. Donaldson and the Modern Epic Vision
A Critical Study of the "Chronicles of Thomas Covenant" Novels
2009
This critical study analyzes Stephen R. Donaldson's role as a modern writer who uses the fantasy genre to discuss situations and predicaments germane to the modern world. Donaldson reclaims an epic vision in his Thomas Covenant novels that is lacking in most modern literature. Chapters demonstrate how this use of epic heroism helps solve seemingly insurmountable problems and provides more meaning and purpose for individuals. As Donaldson's characters learn to transcend their world, the reader is engaged in a serious, enlightened discussion about the need for imagination, responsibility and acceptance to resolve such problems as alienation, pollution, disease and despair.
#20
The Animal Fable in Science Fiction and Fantasy
2010
Though animal stories and fables stretch back into the antiquity of ancient India, Persia, Greece and Rome, the reasons for writing them and their resonance for readers (and listeners) remain consistent to the present. This work argues that they were essential sources of amusement and instruction—and were also often profoundly unsettling. Such authors in the realm of the animal fable as Tolkien, Freud, Voltaire, Bakhtin, Cordwainer Smith, Karel Čapek, Vladimir Propp, and many more are discussed.
#21
Illuminating Torchwood
Essays on Narrative, Character and Sexuality in the BBC Series
2010
Created in 2006 as a spinoff of Doctor Who, the internationally popular BBC television series Torchwood is a unique blend of science fiction and fantasy, with much more of an adult flavor than its progenitor. The series' ""omnisexual"" protagonist, maverick 51st-century time agent Captain Jack Harkness, leads a team of operatives from the present-day Torchwood Institute, a secret organization dedicated to battling supernatural and extraterrestrial criminals. With its archetypal characters, adult language, subversive humor and openly homosexual and bisexual storylines, Torchwood provides a wealth of material for scholarly analysis and debate. Using Torchwood as its focal point, this timely collection of essays by a range of experts and enthusiasts provides an interpretive framework for understanding the continually developing forms and genres of contemporary television drama.
#22
Comics as a Nexus of Cultures
Essays on the Interplay of Media, Disciplines and International Perspectives
2010
These essays from various critical disciplines examine how comic books and graphic narratives move between various media, while merging youth and adult cultures and popular and high art. The articles feature international perspectives on comics and graphic novels published in the U.S., Canada, Great Britain, Portugal, Germany, Turkey, India, and Japan. Topics range from film adaptation, to journalism in comics, to the current manga boom.
#24
The Anticipation Novelists of 1950s French Science Fiction
Stepchildren of Voltaire
2010
Following World War II, the Fleuve Noir publishing house published popular American genre fiction in translation for a French audience. Their imprint Anticipation specialized in science fiction, but mostly eschewed translations from English, preferring instead French work, thus making the imprint an important outlet for native French postwar ideas and aesthetics. This critical text examines in ideological terms eleven writers who published under the Anticipation imprint, revealing the way these writers criticized midcentury notions of progress while adapting and reworking American genre formats.
#25
The Twilight Mystique
Critical Essays on the Novels and Films
2010
The 13 essays in this volume explore Stephenie Meyer's wildly popular Twilight series in the contexts of literature, religion, fairy tales, film, and the gothic. Several examine Meyer's emphasis on abstinence, considering how, why, and if the author's Mormon faith has influenced the series' worldview. Others look at fan involvement in the Twilight world, focusing on how the series' avid following has led to an economic transformation in Forks, Washington, the real town where the fictional series is set. Other topics include Meyer's use of Quileute shape-shifting legends, Twilight 's literary heritage and its frequent references to classic works of literature, and the series' controversial depictions of femininity.
#26
The Mythic Fantasy of Robert Holdstock
Critical Essays on the Fiction
2011
Robert Holdstock was a prolific writer whose oeuvre included horror, fantasy, mystery and the novelization of films, often published under pseudonyms. These twelve critical essays explore Holdstock's varied output by displaying his works against the backdrop of folk and fairy tales, dissecting their spatiotemporal order, and examining them as psychic fantasies of our unconscious life or as exempla of the sublime. The individual novels of the Mythago Wood sequence are explored, as is Holdstock's early science fiction and the Merlin Codex series.
#27
Science Fiction and the Prediction of the Future
Essays on Foresight and Fallacy
2011
Science fiction has always challenged readers with depictions of the future. Can the genre actually provide glimpses of the world of tomorrow? This collection of fifteen international and interdisciplinary essays examines the genre's predictions and breaks new ground by considering the prophetic functions of science fiction films as well as SF literature. Among the texts and topics examined are classic stories by Murray Leinster, C. L. Moore, and Cordwainer Smith; 2001: A Space Odyssey and its sequels, Japanese anime and Hong Kong cinema; and electronic fiction.
#28
Apocalypse in Australian Fiction and Film
A Critical Study
2011
Australia has been a frequent choice of location for narratives about the end of the world in science fiction and speculative works, ranging from pre-colonial apocalyptic maps to key literary works from the last fifty years. This critical work explores the role of Australia in both apocalyptic literature and film. Works and genres covered include Nevil Shute's popular novel On the Beach, Mad Max, children's literature, Indigenous writing, and cyberpunk. The text examines ways in which apocalypse is used to undermine complacency, foretell environmental disasters, critique colonization, and to serve as a means of protest for minority groups. Australian apocalypse imagines Australia at the ends of the world, geographically and psychologically, but also proposes spaces of hope for the future.
#29
British Science Fiction Film and Television
Critical Essays
2011
Written by international experts from a range of disciplines, these essays examine the uniquely British contribution to science fiction film and television. Viewing British SF as a cultural phenomenon that challenges straightforward definitions of genre, nationhood, authorship and media, the editors provide a conceptual introduction placing the essays within their critical context. Essay topics include Hammer science fiction films, the various incarnations of Doctor Who, Stanley Kubrick's A Clockwork Orange, and such 21st-century productions as 28 Days Later and Torchwood .
#30
Cult Telefantasy Series
2011
From The Prisoner in the 1960s to the more recent Heroes and Lost, a group of television series with strong elements of fantasy have achieved cult status. Focusing on eight such series, this work analyzes their respective innovations and influences. Assessing the strategies used to promote "cult" appeal, it also appraises increased opportunities for interaction between series creators and fans and evaluates how television fantasy has utilized transmedia storytelling. Notable changes within broadcasting are discussed to explain how challenging long-form dramas have emerged, and why telefantasy has transcended niche status to enjoy significant prominence and popularity.
#31
The Postnational Fantasy
Essays on Postcolonialism, Cosmopolitics and Science Fiction
2011
In twelve critical and interdisciplinary essays, this text examines the relationship between the fantastic in novels, movies and video games and real-world debates about nationalism, globalization and cosmopolitanism. Topics covered include science fiction and postcolonialism, issues of ethnicity, nation and transnational discourse. Altogether, these essays chart a new discursive space, where postcolonial theory and science fiction and fantasy studies work cooperatively to expand our understanding of the fantastic, while simultaneously expanding the scope of postcolonial discussions.
#32
Heinlein’s Juvenile Novels
A Cultural Dictionary
2011
Robert A. Heinlein's early, juvenile science fiction novels appeared between 1947 and 1963, just as America was emerging from World War II and entering the space age, and are among his richest and most warmly remembered books. This comprehensive work defines the many names, terms and cultural references that appear in Heinlein's juvenile novels, noting where they are found, explaining their sources and tracking their occurrences throughout the series. Of particular interest is the way in which Heinlein used science fiction to parallel the exploration of outer space with the settlement of the North American continent. Appendices provide a precis of the plot of each book, and speculate on some of the names and terms for which no specific reference could be found.
#33
Welsh Mythology and Folklore in Popular Culture
Essays on Adaptations in Literature, Film, Television and Digital Media
2011
Examining how we interpret Welshness today, this volume brings together fourteen essays covering a full range of representations of Welsh mythology, folklore, and ritual in popular culture. Topics covered include the twentieth-century fantasy fiction of Evangeline Walton, the Welsh presence in the films of Walt Disney, Welshness in folk music, video games, and postmodern literature. Together, these interdisciplinary essays explore the ways that Welsh motifs have proliferated in this age of cultural cross-pollination, spreading worldwide the myths of one small British nation.
#35
Of Bread, Blood and the Hunger Games
Critical Essays on the Suzanne Collins Trilogy
2012
This collection of fresh essays on Suzanne Collins’s epic trilogy spans multiple disciplines. The contributors probe the trilogy’s meaning using theories grounded in historicism, feminism, humanism, queer theory, as well as cultural, political, and media studies. The essayists demonstrate diverse perspectives regarding Collins’s novels but their works have three elements in common: an appreciation of the trilogy as literature, a belief in its permanent value, and a need to share both appreciation and belief with fellow readers. The 21 essays that follow the context-setting introduction are grouped into four parts: Part I "History, Politics, Economics, and Culture," Part II "Ethics, Aesthetics, and Identity," Part III "Resistance, Surveillance, and Simulacra," and Part IV "Thematic Parallels and Literary Traditions." A core bibliography of dystopian and postapocalyptic works is included, with emphasis on the young adult category—itself an increasingly crucial part of postmodern culture.
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#36
The Sex Is Out of This World
Essays on the Carnal Side of Science Fiction
2012
"Science fiction" can be translated into "real unreality." More than a genre like fantasy, which creates entirely new realms of possibility, science fiction constructs its possibilities from what is real, from what is, indeed, possible, or conceivably so. This collection, then, looks to understand and explore the "unreal reality," to note ways in which our culture's continually changing and evolving mores of sex and sexuality are reflected in, dissected by, and deconstructed through the genre of science fiction. This book is a collection of new essays, with the general objective of filling a gap in the literature about sex and science fiction (although some work has gone before, none of it is recent). The essays herein explore the myriad ways in which authors—regardless of format (print, film, television, etc.)—envision very different beings expressing this most fundamental of human behaviors.
#37
Lois McMaster Bujold
Essays on a Modern Master of Science Fiction and Fantasy
2013
Lois McMaster Bujold has won a shelf full of awards—Hugos, Nebulas, and others—for both her science fiction and fantasy writing. She is one of the most respected names in the field, always delivering polished, thoughtful, and well-crafted writing. She consistently addresses great issues and problems on a human level, where they are faced by quirky, prickly, and very real characters, and her exploration of the theory of reader-response is an important critical contribution. Yet there has been a surprising dearth of serious critical writing about her output—in part because she resists neat and easy classification by genre, politics, or subject matter. This collection of fresh essays aims to correct that situation by presenting a variety of critical perspectives addressing many aspects of her writing. Attention is given to both her Miles Vorkosigan science fiction series and her Chalion and Sharing Knife fantasy series, as well as the books that fall outside these series.
#38
Girls Transforming
Invisibility and Age-Shifting in Children's Fantasy Fiction Since the 1970s
2013
This book explores representations of girlhood and young womanhood in recent English language children's fantasy by focusing on two fantastic body transformation types: invisibility and age-shifting. Drawing on recent feminist and queer theory, the study discusses the tropes of invisibility and age-shifting as narrative devices representing gendered experiences. The transformations offer various perspectives on a girl's changing body and identity and provide links between real-life and fantastic discourses of gender, power, invisibility and aging. The main focus is on English-language fantasy published since the 1970s but the motifs of invisibility and age-shifting in earlier tales and children's books is reviewed; this is the first study of children's fantasy literature that considers these tropes at length. Novels discussed are from both critically acclaimed authors and the less well known. Most of the novels depicting invisible or age-shifting girls are neither thoroughly conventional nor radically subversive but present a range of styles. In terms of gender, children's fantasy novels can be more complex than they are often interpreted to be.
#39
Doctor Who in Time and Space
Essays on Themes, Characters, History and Fandom, 1963-2012
2013
This collection of fresh essays addresses a broad range of topics in the BBC science fiction television series Doctor Who, both old (1963-1989) and new (2005-present). The book begins with the fan: There are essays on how the show is viewed and identified with, fan interactions with each other, reactions to changes, the wilderness years when it wasn't in production. Essays then look at the ways in which the stories are told (e.g., their timeliness, their use of time travel as a device, etc.). After discussing the stories and devices and themes, the essays turn to looking at the Doctor's female companions and how they evolve, are used, and changed by their journey with the Doctor.
#40
The Worlds of Farscape
Essays on the Groundbreaking Television Series
2013
"Reversing a common science fiction cliche, Farscape follows the adventures of the human astronaut John Crichton after he is shot through a wormhole into another part of the universe. The series, which broke many of the so-called "rules" of science fiction, follows Crichton's attempts to survive in worlds that are often hostile to him and his friends"—
#41
Orbiting Ray Bradbury's Mars
Biographical, Anthropological, Literary, Scientific and Other Perspectives
2013
This essay collection explores the life and work of science fiction doyen Ray Bradbury from a variety of perspectives. Noting the impact of the Southwest on Bradbury, some of the essays analyze Bradbury's southwest colonial pollution of a pristine ecology, the impacts of a colonial invasion upon an indigenous population, the meeting of cultures with different values and physical aspects. Other essays view Bradbury via the lens of post-colonialism, drawing parallels between such works as The Martian Chronicles and real-life colonialism and its effects. Another essay views Bradbury sociologically, analyzing border issues in his 1947 New Yorker story "I See You Never," written long before the issue of Mexican deportees appeared on the American literary horizon. From the scientific side, four essays by astronomers document how Bradbury formed the minds of many budding scientists with his vision. On August 22, 2012, the Martian landing site of the Curiosity rover in the Gale Crater was named "Bradbury." This honor shows that Bradbury forms a significant link between the worlds of fiction and planetary science.
#42
The Heritage of Heinlein
A Critical Reading of the Fiction
2013
Robert A. Heinlein is generally recognized as the most important American science fiction writer of the 20th century. This is the first detailed critical examination of his entire career. It is not a biography—that is being done in a two-volume work by William Patterson. Instead, this book looks at each piece of fiction (and a few pieces of sf-related nonfiction) that Heinlein wrote, chronologically by date of publication, in order to consider what each contributes to his overall accomplishment. The aim is to be fair, to look clearly at the strengths and weaknesses of the writings that have inspired generations of readers and writers.
#44
Environments in Science Fiction
Essays on Alternative Spaces
2014
The all-new essays in this book respond to the question, How do spaces in science fiction, both built and unbuilt, help shape the relationships among humans, other animals and their shared environments? Spaces, as well as a sense of place or belonging, play major roles in many science fiction works. This book focuses especially on depictions of the future that include, but move beyond, dystopias and offer us ways to imagine reinventing ourselves and our perspectives; especially our links to and views of new environments. There are ecocritical texts that deal with space/place and science fiction criticism that deals with dystopias but there is no other collection that focuses on the intersection of the two.
#45
Discworld and the Disciplines
Critical Approaches to the Terry Pratchett Works
2014
This collection of new essays applies a wide range of critical frameworks to the analysis of prolific fantasy author Terry Pratchett's Discworld books. Essays focus on topics such as Pratchett's treatment of noise and silence and their political implications; art as an anodyne for racial conflict; humor and cognitive debugging; visual semiotics; linguistic stylistics and readers' perspectives of word choice; and Derrida and the "monstrous Regiment of Women." The volume also includes an annotated bibliography of critical sources. The essays provide fresh perspectives on Pratchett's work, which has stealthily redefined both fantasy and humor for modern audiences.
#46
Nature and the Numinous in Mythopoeic Fantasy Literature
2014
This book makes connections between mythopoeic fantasy—works which engage the numinous—and the critical apparatuses of ecocriticism and posthumanism. Drawing from the ideas of Rudolf Otto in The Idea of the Holy, mythopoeic fantasy is a means of subverting normative modes of perception to both encounter the numinous and to challenge the perceptions of the natural world. Beginning with S.T. Coleridge's theories of the imagination as embodied in The Rime of the Ancient Mariner, the book moves on to explore standard mythopoeic fantasists such as George MacDonald, C.S. Lewis, and J.R.R. Tolkien. Taking a step outside these mythopoeic fantasists, who are particularly influenced by Christianity, the concluding chapters discuss Algernon Blackwood and Ursula Le Guin, two authors whose work evokes the numinous without a specifically Christian worldview.
#47
J.R.R. Tolkien, Robert E. Howard and the Birth of Modern Fantasy
2014
The birth of modern fantasy in 1930s Britain and America saw the development of new literary and film genres. J.R.R. Tolkien created modern fantasy with The Lord of the Rings, set in a fictional world based upon his life in the early 20th-century British Empire, and his love of language and medieval literature. In small-town Texas, Robert E. Howard pounded out his own fantasy realm in his Conan stories, published serially in the ephemeral pulp magazines he loved. Jerry Siegel created Superman with Joe Shuster, and laid the foundation for perhaps the most far-reaching fantasy worlds: the universe of DC and Marvel comics.
#48
The Monomyth in American Science Fiction Films
28 Visions of the Hero's Journey
2014
One of the great intellectual achievements of the 20th century, Joseph Campbell's The Hero with a Thousand Faces is an elaborate articulation of the the narrative pattern underlying countless stories from the most ancient myths and legends to the films and television series of today. The monomyth's fundamental storyline, in Campbell's words, sees "the hero venture forth from the world of the common day into a region of supernatural fabulous forces are there encountered and a decisive victory is the hero comes back from this mysterious adventure with the power to bestow boons to his fellow man." Campbell asserted that the hero is each of us—thus the monomyth's endurance as a compelling plot structure. This study examines the monomyth in the context of Campbell's The Hero and discusses the use of this versatile narrative in 26 films and two television shows produced between 1960 and 2009, including the initial Star Wars trilogy (1977-1983), The Time Machine (1960), Logan's Run (1976), Escape from New York (1981), Tron (1982), The Terminator (1984), The Matrix (1999), the first 11 Star Trek films (1979-2009), and the Sci Fi Channel's miniseries Frank Herbert's Dune (2000) and Frank Herbert's Children of Dune (2003).
#49
The Fantastic in Holocaust Literature and Film
Critical Perspectives
2015
When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy. Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series V (1983), Stephen King's novella Apt Pupil (1982), Guillermo del Toro's Pan's Labyrinth (2006) and Martin Scorsese's dark thriller Shutter Island (2010).
#50
Star Wars in the Public Square
The Clone Wars as Political Dialogue
2016
Speculative science fiction, with its underlying socio-political dialogue, represents an important intersection of popular culture and public discourse. As a pop culture text, the animated series Star Wars: The Clone Wars offers critical commentary on contemporary issues, marking a moment of interplay whereby author and audience come together in what Russian philosopher Mikhail Bakhtin called collaborative meaning making. This book critically examines the series as a voice in the political dialogs concerning human cloning, torture, just war theory, peace and drone warfare.
#52
Michael Moorcock
Fiction, Fantasy and the World's Pain
1807
Prolific, popular and critically acclaimed, Michael Moorcock is the most important British fantasy author of his generation. His Elric of Melnibone is an iconic figure for millions of fans but Moorcock has also been a pioneer in science fiction and historical fiction. He was hailed as the central figure of the "New Wave" in science fiction, and has won numerous awards for his fantasy and SF, as well as his "mainstream" writing.
This first full-length critical look at Moorcock's career, from the early 1960s to the present, explores the author's fictional his fantasy tales of the "Eternal Champion"; his experimental Jerry Cornelius novels; the hilarious science-fiction satire of his "End of Time" books; and his complex meditations on 20th century history in Mother London and the Colonel Pyat tetralogy.
#53
The Last Midnight
Essays on Apocalyptic Narratives in Millennial Media
1728
Do you find yourself contemplating the imminent end of the world? Do you wonder how society might reorganize itself to cope with global cataclysm? Have you begun hoarding canned goods and ammunition against possible alien invasion?
#56
Saving the World Through Science Fiction
James Gunn, Writer, Teacher and Scholar
2017
One of the major figures in science fiction for more than sixty years, James Gunn has been instrumental in making the genre one of the most vibrant and engaging areas of literary scholarship. His genre history Alternate Worlds and his The Road to Science Fiction anthologies introduced countless readers to science fiction. He founded the Gunn Center for the Study of Science Fiction in 1982.
But Gunn has also been one of the genre's leading writers. His classic novels Star Bridge (with Jack Williamson), The Joy Makers, The Immortals and The Listeners helped shape the field. Now in his nineties, he remains a prominent voice. His forthcoming novel is Transformation. Drawing on materials from Gunn's archives and personal interviews with him, this study is the first to examine the life, career and writing of this science fiction grandmaster.
#57
Wells Meets Deleuze
The Scientific Romances Reconsidered
2017
The writings of H.G. Wells have had a profound influence on literary and cinematic depictions of the present and the possible future, and modern science fiction continues to be indebted to his "scientific romances," such as The Time Machine, The War of the Worlds and The Island of Doctor Moreau . Interpreted and adapted for more than a century, Wells' texts have resisted easy categorization and are perennial subjects for emerging critical and theoretical perspectives. The author examines Wells' works through the post-structuralist philosophy of Gilles Deleuze. Via this critical perspective, concepts now synonymous with science fiction—such as time travel, alien invasion and transhumanism—demonstrate the intrinsic relevance of Wells to the genre and contemporary thought.
#58
Science Fiction and Futurism
Their Terms and Ideas
2017
Science and science fiction have become inseparable—with common stories, interconnected thought experiments, and shared language. This reference book lays out that relationship and its all-but-magical terms and ideas. Those who think seriously about the future are changing the world, reshaping how we speak and how we think.
This book fully covers the terms that collected, clarified and crystallized the futurists' ideas, sometimes showing them off, sometimes slowing them down, and sometimes propelling them to fame and making them the common currency of our culture.
The many entries in this encyclopedic work offer a guided tour of the vast territories occupied by science fiction and futurism. In his Foreword, David Brin says, "Provocative and enticing? Filled with 'huh!' moments and leads to great stories? That describes this volume."
#59
Science Fiction in Classic Rock
Musical Explorations of Space, Technology and the Imagination, 1967-1982
2017
As technology advances, society retains its mythical roots—a tendency evident in rock music and its enduring relationship with myth and science fiction. This study explores the mythical and fantastic themes of artists from the late 1960s to the mid–1980s, including David Bowie, Pink Floyd, Jefferson Airplane, Blue Öyster Cult, Iron Maiden, Led Zeppelin and Black Sabbath. Drawing on insights from Joseph Campbell, J.G. Frazer, Carl Jung and Mircea Eliade, the author examines how performers have incorporated mythic archetypes and science fiction imagery into songs that illustrate societal concerns and futuristic fantasies.
#60
Patricia A. McKillip and the Art of Fantasy World-Building
2017
From wondrous fairy-lands to nightmarish hellscapes, the elements that make fantasy worlds come alive also invite their exploration. This first book-length study of critically acclaimed novelist Patricia A. McKillip's lyrical other-worlds analyzes her characters, environments and legends and their interplay with genre expectations. The author gives long overdue critical attention to McKillip's work and demonstrates how a broader understanding of world-building enables a deeper appreciation of her fantasies.
#61
The Fabulous Journeys of Alice and Pinocchio
Exploring Their Parallel Worlds
2018
Lewis Carroll's Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871) and Carlo Collodi's Le Avventure di Pinocchio (1883) are among the most influential classics of children's literature. Firmly rooted in their respective British and Italian national cultures, the Alice and Pinocchio stories connected to a worldwide audience almost like folktales and fairy tales and have become fixtures of postmodernism. Although they come from radically different political and social backgrounds, the texts share surprising similarities. This comparative reading explores their imagery and history, and discusses them in the broader context of British and Italian children's stories.
#62
A Dune Companion
Characters, Places and Terms in Frank Herbert's Original Six Novels
2018
This companion to Frank Herbert's six original Dune novels—Dune, Dune Messiah, Children of Dune, God Emperor of Dune, Heretics of Dune and Dune—provides an encyclopedia of characters, locations, terms and other elements, and highlights the series' underrated aesthetic integrity. An extensive introduction discusses the theme of ecology, chaos theory concepts and structures, and Joseph Campbell's monomyth in Herbert's narratives.
#63
Fantasy Literature and Christianity
A Study of the Mistborn, Coldfire, Fionavar Tapestry and Chronicles of Thomas Covenant Series
2018
The debate surrounding the Christian aspects of C.S. Lewis' The Chronicles of Narnia, J.R.R. Tolkien's The Lord of the Rings, Philip Pullman's His Dark Materials and J.K. Rowling's Harry Potter has revealed not only the prominence of religious themes in fantasy fiction, but also readers' concerns over portrayals of religion in fantasy. Yet while analyses of these works fill many volumes, other fantasy series have received much less attention.
This critical study explores the fantastic religions and religious themes in American and Canadian works by Stephen R. Donaldson (Chronicles of Thomas Covenant), Guy Gavriel Kay (Fionavar Tapestry), Celia S. Friedman (Coldfire Trilogy), and Brandon Sanderson (Mistborn). References to biblical tradition and Christian teachings reveal these writers' overall approach to Christianity and the relationship between Christianity and the fantasy genre.
#64
The British Comic Book Invasion
Alan Moore, Warren Ellis, Grant Morrison and the Evolution of the American Style
2018
What makes a successful comics creator? How can storytelling stay exciting and innovative? How can genres be kept vital? Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They were also no longer just following the adventures of popular characters—writers and artists with distinctive styles were in demand. DC Comics and Marvel went looking for such mavericks and found them in the United Kingdom. Creators like Alan Moore ( Watchmen, Saga of the Swamp Thing ), Grant Morrison ( The Invisibles, Flex Mentallo ) and Garth Ennis ( Preacher ) migrated from the anarchical British comics industry to the U.S. mainstream and shook up the status quo yet came to rely on the genius of the American system.
#65
The Archive Incarnate
The Embodiment and Transmission of Knowledge in Science Fiction
2018
We live in an information economy, a vast archive of data ever at our fingertips. In the pages of science fiction, powerful entities—governments and corporations—attempt to use this archive to control society, enforce conformity or turn citizens into passive consumers. Opposing them are protagonists fighting to liberate the collective mind from those who would enforce top-down control. Archival technology and its depictions in science fiction have developed dramatically since the 1950s. Ray Bradbury discusses archives in terms of books and television media, and Margaret Atwood in terms of magazines and journaling. William Gibson focused on technofuturistic cyberspace and brain-to-computer prosthetics, Bruce Sterling on genetics and society as an archive of social practices. Neal Stephenson has imagined post-cyberpunk matrix space and interactive primers. As the archive is altered, so are the humans that interact with ever-advancing technology.
#69
Philip K. Dick
Essays of the Here and Now
2020
Philip K. Dick was a visionary writer of science fiction. His works speak to contemporary fears of being continually watched by technology, and the paranoia of modern life in which we watch ourselves and lose our sense of identity. Since his death in 1982, Dick's writing remain frighteningly relevant to 21st century audiences. Dick spent his life in near poverty and it was only after his death that he gained popular and critical recognition. In this new collection of essays, interviews, and talks, Philip K Dick is rediscovered. Concentrating both on recent critical studies and on reassessing his legacy in light of his new status as a "major American author," these essays explore, just what happened culturally and critically to precipitate his extraordinary rise in reputation. The essays look for his traces in the places he lived, in the SF community he came from, and in his influence on contemporary American literature and culture, and beyond.
#72
The Global Vampire
Essays on the Undead in Popular Culture Around the World
2020
The media vampire has roots throughout the world, far beyond the shores of the usual Dracula-inspired Anglo-American archetypes. Depending on text and context, the vampire is a figure of anxiety and comfort, humor and fear, desire and revulsion. These dichotomies gesture the enduring prevalence of the vampire in mass culture; it can no longer articulate a single feeling or response, bound by time and geography, but is many things to many people. With a global perspective, this collection of essays offers something new and different: a much needed counter-narrative of the vampire's evolution in popular culture. Divided by geography, this text emphasizes the vampiric as a globetrotting citizen du monde rather than an isolated monster.
#73
The Fortean Influence on Science Fiction
Charles Fort and the Evolution of the Genre
2020
Charles Fort was an American researcher from the early twentieth century who cataloged reports of unexplained phenomena he found in newspapers and science journals. A minor bestseller with a cult appeal, Fort's work was posthumously republished in the pulp science fiction magazine Astounding Stories in 1934. His idiosyncratic books fascinated, scared, and entertained readers, many of them authors and editors of science fiction. Fort's work prophesied the paranormal mainstays of SF literature to come: UFOs, poltergeists, strange disappearances, cryptids, ancient mysteries, unexplained natural phenomena, and everything in between. Science fiction authors latched on to Fort's topics and hypotheses as perfect fodder for SF stories. Writers like Arthur C. Clarke, Philip K. Dick, Robert Heinlein, H.P. Lovecraft, and others are examined in this exploration of Fortean science fiction—a genre that borrows from the reports and ideas of Fort and others who saw the possible science-fictional nature of our reality.
#74
Arab and Muslim Science Fiction
Critical Essays
2022
How is science fiction from the Arab and Muslim world different than mainstream science fiction from the West? What distinctive and original contributions can it make? Why is it so often neglected in critical considerations of the genre? While other books have explored these questions, all have been from foreign academic voices. Instead, this book examines the nature, genesis, and history of Arabic and Muslim science fiction, as well as the challenges faced by its authors, in the authors' own words. These authors share their stories and struggles with censors, recalcitrant publishers, critics, the book market, and the literary establishment. Their uphill efforts, with critical contributions from academics, translators, and literary activists, will enlighten the sci-fi enthusiast and fill a gap in the history of science fiction. Topics covered range from culture shock to conflicts between tradition and modernity, proactive roles for female heroines, blind imitation of storytelling techniques, and language games.
#76
The Truths of Monsters
Coming of Age with Fantastic Media
2021
As monster theory highlights, monsters are cultural symbols, guarding the borders that society creates to protect its values and norms. Adolescence is the time when one explores and aims at crossing borders to learn the rules of the culture that one will fit into as an adult. Exploring the roles of monsters in coming-of-age narratives and the need to confront and understand the monstrous, this work explores recent developments in the presentation of monsters—such as the vampire, the zombie, and the man-made monster—in maturation narratives, then moves on to discuss monsters inhabiting the psychic landscapes of child characters. Finally, it touches on monsters in science fiction, in which facing the monstrous is a variation of the New World narrative. Discussions of novels by M. R. Carey, Suzanne Collins, Neil Gaiman, Theodora Goss, Daryl Gregory, Sarah Maria Griffin, Seanan McGuire, Stephenie Meyer, Patrick Ness, and Jon Skovron are complemented by analysis of television series, such as Buffy the Vampire Slayer and Westworld.
Authors
Mark Scroggins
Author · 4 books
Born as military brat just down the street (he likes to imagine) from where Theodor Adorno was lecturing on the culture industry & modernist aesthetics. Bounced all over in his formative years—Monterey CA, Syracuse NY, various bits of Germany, west Texas, western Kentucky—then more or less settled down in middle Tennessee, but not before contracting a permanent sense of dislocation. Studied at Virginia Tech & Cornell University, with concomitant degrees. Now in south Florida, where he lives with his wife, a scholar of early modern & contemporary drama, & his two just unbelievably beautiful daughters. Considers poetry his first calling (after several ephemeral chapbooks, Anarchy [2003] his first full-length collection), but has been deeply involved in scholarship on the poet Louis Zukofsky (1904-1978), whose biography he has written.
Ace G. Pilkington
Author · 3 books
Ace G. Pilkington has published over one hundred poems, articles, reviews, and short stories in five countries. He is an active member of the Science Fiction Writers of America, and the author of Screening Shakespeare from Richard II to Henry V. His essays are included in Cambridge University Press' Shakespeare and the Moving Image, and in McFarland’s Star Trek as Myth, and The Films of James Cameron. He is co-editor with Matthew Wilhelm Kapell of The Fantastic Made Visible: Essays on the Adaptation of Science Fiction and Fantasy from Page to Screen. He is a co-translator and co-editor with his wife Olga of Fairy Tales of the Russians and other Slavs. Ace’s book Science Fiction, Futurism, and the Terms and Ideas Behind Them is forthcoming from McFarland in 2015. He is Professor of English and History at Dixie State University and Literary Seminar director at the Utah Shakespeare Festival, which produced his play Our Lady Guenevere in their New Plays series. He has a D.Phil. in Shakespeare, history, and film from Oxford University.
Farah Mendlesohn
Author · 7 books
Farah Mendlesohn is a Hugo Award-winning British academic and writer on science fiction. In 2005 she won the Hugo Award for Best Related Book for The Cambridge Companion to Science Fiction, which she edited with Edward James. Mendlesohn is Professor of Literary History at Anglia Ruskin University, where she is also Head of English and Media. She writes on Science Fiction, Fantasy, Children's Literature and Historical Fiction. She received her D.Phil. in History from the University of York in 1997. Her book Rhetorics of Fantasy won the BSFA award for best non-fiction book in 2009; the book was also nominated for both Hugo and World Fantasy Awards. In 2010 she was twice nominated for Hugo Awards in the Best Related Books category. She was the editor of Foundation - The International Review of Science Fiction from 2002 to 2007. She formerly was Reviews Editor of Quaker Studies.
Joseph Hurtgen
Author · 1 books
I am a student of science fiction, always reading new and old SF. After finishing a PhD in English Literature with an emphasis in Science Fiction Literature, I started a blog to review and analyze SF. I have 1 published book examining what I call archival embodiment—using people as information storage. I write science fiction. I have a lot of ideas about what science fiction should do and I try to jam it all in there. Sci-fi should: 1. examine science and technology, often creating novums—new tech 2. constitute a critical interrogation of society—it is cultural commentary 3. make people laugh All of the best science fiction authors do most or all of those three things really well. Aside from all that, I live in Campbellsville, Kentucky with my lovely wife Rebecca and daughter Frances. We go on walks as frequently as possible. We have a park and a lake nearby, so there's always something pretty to see. Rebecca reads a lot of detective fiction. Frances is really into Charlie Brown, Garfield, and Calvin and Hobbes. I like books by Philip K Dick, Bruce Sterling, and Steven Kotler.
Mordecai Roshwald
Author · 3 books
Roshwald was an American academic and writer. Born in Drohobycz, Poland, Roshwald he later emigrated to Israel. His most famous work is the novel Level 7, a post-apocalyptic science-fiction novel. He is also the author of A Small Armageddon (1962) and Dreams and Nightmares: Science and Technology in Myth and Fiction (2008). Roshwald was a "professor emeritus of humanities at the University of Minnesota, and a visiting professor at many universities worldwide." He was residing in Silver Spring, Maryland, United States at the time of his death.
C.W. Sullivan III
Author · 3 books
Charles W. Sullivan III is Emeritus Professor of English at East Carolina University in Greenville, NC. In 2008, he was a Fulbright Senior Scholar at Debrecen University, Hungary.
