Margins
Criticism book cover
Criticism
Ideas in Profile
2016
First Published
3.77
Average Rating
176
Number of Pages

Ideas in Small Introductions to Big Topics At the heart of criticism lies one What do you think of it? Every time we comment on an artefact, whether a poem, a play, a painting, a novel or a piano concerto, we are acting as critics, making our own judgements and interpretations. Among the most fundamental of human intellectual activities, criticism offers a starting point for many of our journeys towards understanding. Focusing particularly on stories, plays and poems, Criticism traces the central concepts and controversies in criticism, from Plato to Derrida, and from Romanticism to the death of the author. In the process, it reflects on criticism itself, the possibilities and options that confront casual readers, as well as reviewers, members of reading groups, students and teachers of English. How far do we make conscious choices about how and what we read (or view)? What do we conventionally look for in fiction? And what might we look for if we went beyond the conventional?

Avg Rating
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Author

Catherine Belsey
Catherine Belsey
Author · 6 books
Catherine Belsey is currently Research Professor at Swansea University and formerly Distinguished Research Professor at Cardiff University. Best known for her pioneering book, Critical Practice (Methuen, 1980), Catherine Belsey has an international reputation as a deft and sophisticated critical theorist and subtle and eloquent critic of literature, particularly of Renaissance texts. Her main area of work is on the implications of poststructuralist theory for aspects of cultural history and criticism. Her present project is ’Culture and the Real’, a consideration of the limitations of contemporary constructivism in the light of Lacanian psychoanalysis. Professor Belsey chairs the Centre for Critical and Cultural Theory, a research forum for discussion and debate on current views of the relation between human beings and culture.
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