
Aboard a cargo ship sailing from Brazil to the German Democratic Republic in the mid-1950s, two men strike up a newly-qualified doctor, Ernst Triebel, and engineer Franz Hammer, two GDR citizens of contrasting character, brought together by chance on an Atlantic crossing. During the next three weeks Triebel will relate to Hammer what amounts to his life story. Hammer, a reluctant sea passenger, is initially uninterested, but once the love interest of the story’s subtitle enters the fray he is gripped until the memorable climax to Triebel’s narrative. With loving attention to detail Anna Seghers describes people and events aboard the ship as the realistic backdrop to an epic yet deeply human story about individual struggle for identity and belonging. Seghers’s carefully crafted and controlled narrative is a paean to the art of storytelling. The reader is invited aboard Seghers’s borderless maritime community from the first page to share in this timeless meditation on the joy and pain of human existence. At the time of its publication in 1971, Crossing was described as the culmination of Anna Seghers’s creative endeavors. A committed activist and writer who lived through many of the twentieth century’s most horrific political and historical events and tackled them in deeply humanist writing, Seghers’s exile literature from the 1940s, in particular The Seventh Cross (1942/46) and Transit (1944), have been widely translated and received international acclaim. But her later work, written as a citizen of the German Democratic Republic, remains largely overlooked in English translation, until now. While the earlier work was set in the horror of World War II, this immaculately crafted novel seeks to counter global polarity during the Cold War era and demonstrates Seghers’s firmly internationalist outlook. “When I speak of Anna Seghers I cannot but think of those who, alongside her, belong to the great writers who have come together out of love for truth, freedom, culture, peace and socialism, yes out of love for the fate of humanity.” —Jorge Amado “... in terms of the quality of her narrative style and scope of her narrative vision, Seghers was the greatest German woman writer of the twentieth century.” —Helen Fehervary "Your eyes are used to seeing, perceiving and understanding things unseen, things distant or lost. You capture them in your stories…" —Pablo Neruda
Author

Anna Seghers (November 19, 1900, Mainz – June 1, 1983, Berlin) was a German writer famous for depicting the moral experience of the Second World War. Born Netty Reiling in Mainz in 1900 of partly Jewish descent, she married Laszlo Radvanyi, a Hungarian Communist in 1925. In Cologne and Heidelberg she studied history, the history of art and Chinese. She joined the Communist Party of Germany in 1928, at the height of its struggle against the burgeoning National Socialist German Workers Party. Her 1932 novel, Die Gefährten was a prophetic warning of the dangers of Fascism, which led to her being arrested by the Gestapo. After German troops invaded the French Third Republic in 1940, she fled to Marseilles and one year later to Mexico, where she founded the anti-fascist 'Heinrich-Heine-Klub', named after the German Jewish poet Heinrich Heine, and founded Freies Deutschland (Free Germany), an academic journal. During this time, she wrote The Seventh Cross, for which she received the Büchner-Prize in 1947. The novel is set in 1936 and describes the escape of seven prisoners from a concentration camp. It was published in the United States in 1942 and produced as a movie in 1944 by MGM starring Spencer Tracy. The Seventh Cross was one of the very few depictions of Nazi concentration camps, in either literature or the cinema, during World War II. Seghers best-known story The Outing of the Dead Girls (1946), written in Mexico, was an autobiographical reminiscence of a pre-World War I class excursion on the Rhine river in which the actions of the protagonist's classmates are seen in light of their decisions and ultimate fates during both world wars. In describing them, the German countryside, and her soon-to-be destroyed hometown Mainz, Seghers gives the reader a strong sense of lost innocence and the senseless injustices of war, from which there proves to be no escape, whether or not you sympathized with the Nazi party. Other notable Seghers stories include Sagen von Artemis (1938) and The Ship of the Argonauts (1953), both based on myths. In 1947, Anna Seghers returned to Germany, moved to West Berlin, and became a member of the SED in the zone occupied by the Soviets. In 1950, she moved to East Berlin and became a co-founder of the freedom movement of the GDR. In 1951, she received both the first Nationalpreis der DDR and the Stalin Peace Prize, and in 1959 the "Ehrendoktorwürde der Universität Jena." In 1981, she became "Ehrenbürgerin" of her native town Mainz.