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Cuentos. Edición de José María Martínez Cachero. book cover
Cuentos. Edición de José María Martínez Cachero.
1985
First Published
3.49
Average Rating
228
Number of Pages
"El cuento no es m‡s ni menos arte que la ovela". Æ’sta Žra la premisa bajo la cual se reg'a Clarin, una de las m‡s importantes figuras del naturalismo espa–ol. La precisi-n de los mecanismos narrativos, la fluidez de un relato aparentemente sencillo y la limpieza de estilo, convierten los cuentos de Clar'n en verdaderas joyas, que renuncian a efecto f‡cil de lo llamativo para recorrer el dif'cil camino de lo mesurado. Entre los relatos de esta antolog'a se "ÃAdios Cordera!", del que se ha dicho que "...quiŽn sabe si el m‡s hermoso de los escritos en lengua castellana". / Ã’A story isnÕt more or less of an art form than a novelÓ This was the ClarinÕs premise, who was one of the most important figures of Spanish naturalism. The precision of his narrative, the cleanliness and style of his writing, turn ClarinÕs tales into true relics. Among this audio book stories we can "ÃAdios Cordera!Ó of which it has been said to be ÒÉpossible the most beautiful writings in the Spanish languageÓ
Avg Rating
3.49
Number of Ratings
98
5 STARS
12%
4 STARS
41%
3 STARS
34%
2 STARS
10%
1 STARS
3%
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Author

Leopoldo Alas
Leopoldo Alas
Author · 12 books

Leopoldo García-Alas y Ureña (25 April 1852 – 13 June 1901), also known as Clarín, was a Spanish realist novelist born in Zamora. He died in Oviedo. Alas spent his childhood living in León and Guadalajara, until he moved to Oviedo in 1863. There he studied for the Bachillerato (B.A. degree) and began his law studies. He lived in Madrid from 1871 to 1878, where he began his career as a journalist (adopting the pen-name "Clarín" in 1875) and he graduated with the thesis El Derecho y la Moralidad (Law and Morality) in 1878. He taught in Zaragoza from 1882 to 1883. In 1883 he returned to Oviedo to take up a position as professor of Roman law. Above all, Clarín is the author of La Regenta, his masterpiece and one of the best novels of the 19th century. It is a long work, similar to Flaubert's Madame Bovary, one of its influences. Other influences included Naturalism and Krausism, a philosophical current which promoted the cultural and ethical regeneration of Spain. La Regenta is special for its great wealth of characters and secondary stories, while the main character's description is left slightly unfocused and vague. On the other hand, the downfall of the provincial lady has a place amidst two very diverse suitors: the most handsome man in the city and the cathedral's priest. The depiction of this priest is a key part of the book. For the description of the provincial atmosphere and the city's collective life, Clarín used techniques such as the internal monologue or the free indirect style, which makes the story be narrated by the characters themselves and allows the reader to penetrate in their intimacy. In 1890, he published a new novel, Su único hijo. Even though most critics consider it as a lesser novel in comparison with La Regenta, it is equal to the former in the skill with which the technical resources are used. Su único hijo was originally meant to be the introduction to a trilogy, but aside from an outline and a few fragments of the two sequels, Su único hijo was Clarín's last full-length novel. Apart from these works, Clarín is also the author of magnificent stories and of a large number of journalistic articles. He also wrote an essay, La Literatura en 1881 (1882), in collaboration with Armando Palacio Valdés. Leopoldo Alas remains a rather enigmatic figure in the Spanish literary world, leaving a legacy that encouraged the search for God and humanism simultaneously. This aberrant confluence has facilitated the presence of various interpretations regarding the author's writings, most noticeably of his masterpiece, La Regenta.

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