
Part of Series
En noviembre de 2012 nació el blog "Cuentos para Algernon" con el objetivo de publicar traducciones on-line gratuitas de relatos escritos en inglés de ciencia ficción, fantasía y terror que, pese a su calidad e interés, continuaban inéditos en español. "Cuentos para Algernon: Año X" es una recopilación gratuita, legal y descargable desde dicho blog, que contiene los trece relatos y el artículo publicados durante la décima temporada del blog (año 2022). Entre ellos se incluyen un relato ganador del premio Bram Stoker, y otros finalistas del Locus y del Shirley Jackson. Este volumen incluye asimismo la segunda parte de un especial dedicado a relatos de género fantástico relacionados con el mundo del cine (ocho relatos y un artículo que aparecen agrupados en los dos últimos tercios del libro). El contenido de la antología es el siguiente: . La larga subida, de Alix E. Harrow . Gordon B. White está creando perturbadores horrores weird, de Gordon B. White . Marzo, Abril, mayo, de Malcolm Devlin . Cinco maneras de salvar fortuitamente la Tierra de la conquista extraterrestre, de Gareth D Jones. . Un susurro azul, de Ken Liu Especial Cuentos de película (2ª parte): . El vampiro va al Oeste, de Dale Bailey . Exhalación n.º 10, de A. C. Wise . Cine marciano, de Gabriela Santiago . Sí, yo conocí al comodoro venusiano, de Mark Valentine . La rosa púrpura de El Cairo, de Robert Shearman (artículo) . En los pórticos de mis oídos, de Norman Prentiss – ganador premio Bram Stoker . Dominio total, de Kim Newman . Una manera mejor de decirlo, de Sarah Pinsker . Grandes alas doradas, de Rachel Swirsky La antología se puede descargar en diversos formatos (EPUB, PDF, MOBI y FB2) desde la página del propio blog: "Cuentos para Algernon"
Authors

Ken Liu (http://kenliu.name) is an American author of speculative fiction. He has won the Nebula, Hugo, and World Fantasy awards, as well as top genre honors in Japan, Spain, and France, among other places. Ken's debut novel, The Grace of Kings, is the first volume in a silkpunk epic fantasy series, The Dandelion Dynasty, in which engineers play the role of wizards. His debut collection, The Paper Menagerie and Other Stories, has been published in more than a dozen languages. He also wrote the Star Wars novel, The Legends of Luke Skywalker. He has been involved in multiple media adaptations of his work. The most recent projects include “The Message,” under development by 21 Laps and FilmNation Entertainment; “Good Hunting,” adapted as an episode of Netflix's breakout adult animated series Love, Death + Robots; and AMC's Pantheon, which Craig Silverstein will executive produce, adapted from an interconnected series of short stories by Ken. Prior to becoming a full-time writer, Ken worked as a software engineer, corporate lawyer, and litigation consultant. Ken frequently speaks at conferences and universities on a variety of topics, including futurism, cryptocurrency, history of technology, bookmaking, the mathematics of origami, and other subjects of his expertise. Ken is also the translator for Liu Cixin's The Three-Body Problem, Hao Jingfang's Vagabonds, Chen Qiufan's Waste Tide, as well as the editor of Invisible Planets and Broken Stars, anthologies of contemporary Chinese science fiction. He lives with his family near Boston, Massachusetts.



a former academic, adjunct, cashier, blueberry-harvester, and kentuckian, alix e. harrow is now a full-time writer living in virginia with her husband and their semi-feral kids. she is the hugo award-winning and nyt-bestselling author of THE TEN THOUSAND DOORS OF JANUARY (2019), THE ONCE AND FUTURE WITCHES (2020), a duology of fairytale novellas (A SPINDLE SPLINTERED and A MIRROR MENDED), and various short fiction. her next book, STARLING HOUSE will be out on halloween 2023! her writing is represented by kate mckean at howard morhaim literary agency. newsletter: https://writtenworld.substack.com/ email: alixeharrow at gmail.com insta: alix.e.harrow

Note: This author also writes under the pseudonym of Jack Yeovil. An expert on horror and sci-fi cinema (his books of film criticism include Nightmare Movies and Millennium Movies), Kim Newman's novels draw promiscuously on the tropes of horror, sci-fi and fantasy. He is complexly and irreverently referential; the Dracula sequence—Anno Dracula, The Bloody Red Baron and Dracula,Cha Cha Cha—not only portrays an alternate world in which the Count conquers Victorian Britain for a while, is the mastermind behind Germany's air aces in World War One and survives into a jetset 1950s of paparazzi and La Dolce Vita, but does so with endless throwaway references that range from Kipling to James Bond, from Edgar Allen Poe to Patricia Highsmith. In horror novels such as Bad Dreams and Jago, reality turns out to be endlessly subverted by the powerfully malign. His pseudonymous novels, as Jack Yeovil, play elegant games with genre cliche—perhaps the best of these is the sword-and-sorcery novel Drachenfels which takes the prescribed formulae of the games company to whose bible it was written and make them over entirely into a Kim Newman novel. Life's Lottery, his most mainstream novel, consists of multiple choice fragments which enable readers to choose the hero's fate and take him into horror, crime and sf storylines or into mundane reality.
