Margins
Customs book cover
Customs
Poems
2022
First Published
4.20
Average Rating
86
Number of Pages

Finalist for the 2023 Kingsley Tufts Poetry Award Finalist for the 2022 L.A. Times Book Prize for Poetry Longlisted for the 2023 PEN/Jean Stein Book Award In Customs, Solmaz Sharif examines what it means to exist in the nowhere of the arrivals terminal, a continual series of checkpoints, officers, searches, and questionings that become a relentless experience of America. With resignation and austerity, these poems trace a pointed indoctrination to the customs of the nation-state and the English language, and the realities they impose upon the imagination, the paces they put us through. While Sharif critiques the culture of performed social skills and poetry itself―its foreclosures, affects, successes―she begins to write her way out to the other side of acceptability and toward freedom. Customs is a brilliant, excoriating new collection by a poet whose unfolding works are among the groundbreaking literature of our time.

Avg Rating
4.20
Number of Ratings
1,148
5 STARS
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3 STARS
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2 STARS
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Author

Solmaz Sharif
Solmaz Sharif
Author · 4 books
Born in Istanbul to Iranian parents, Solmaz Sharif holds degrees from U.C. Berkeley, where she studied and taught with June Jordan’s Poetry for the People, and New York University. Her work has appeared in The New Republic, Poetry, The Kenyon Review, jubilat, Gulf Coast, Boston Review, Witness, and others. The former managing director of the Asian American Writers’ Workshop, her work has been recognized with a “Discovery”/Boston Review Poetry Prize, scholarships the Bread Loaf Writers’ Conference, a winter fellowship at the Fine Arts Work Center in Provincetown, an NEA fellowship, and a Stegner Fellowship. She has most recently been selected to receive a 2014 Rona Jaffe Foundation Writer’s Award as well as a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. She is currently a lecturer at Stanford University. Her first poetry collection, LOOK, published by Graywolf Press in 2016, was a finalist for the National Book Award.
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