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Daisy Miller and The Turn of the Screw book cover
Daisy Miller and The Turn of the Screw
1878
First Published
3.47
Average Rating
204
Number of Pages
For lucidity and compactness of style, James' short novels, or novelles, are shining examples of his genius. Few other writings of the century have so captured the American imagination. When Daisy Miller, the tale of the girl from Schenectady, first appeared in 1878, it was an extraordinary success. James had discovered nothing less than "the American girl"—free spirited, flirtatious, an innocent abroad determined to defy European convention even if it meant scandal . . . or tragedy. But the subtle danger lurking beneath the surface in Daisy Miller evolves into a classic tale of terror and obsession in The Turn Of The Screw . "The imagination," Henry James said to Bernard Shaw, "has a life if its own." In this blood-curdling story, that imagination weaves the lives of two children, a governess in love with her employer, and a sprawling country house into a flawless story, still unsurpassed as the prototype of modern horror fiction.
Avg Rating
3.47
Number of Ratings
2,296
5 STARS
17%
4 STARS
32%
3 STARS
35%
2 STARS
12%
1 STARS
3%
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Author

Henry James
Henry James
Author · 172 books

Henry James, OM (1843-1916), son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting. James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism,and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.

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