
“En esta antología hay mujeres voladoras, mujeres lobas, mujeres serpientes, brujas, vírgenes, mártires, víctimas y victimarias, extranjeras en su propia ciudad, prisioneras, videntes, asesinas”. Doce mujeres. Doce cuentos. Distintas épocas y lugares del mundo occidental. Terror. Estas autoras tienen algo en común: ya sea en vida o en obra –o ambas– todas descendieron a los infiernos; para salvarse a sí mismas o para salvar a otras. Emilia Pardo Bazán, Amparo Dávila, Charlotte Perkins Gilman, Juana Manuela Gorriti, Elaine Vilar Madruga, Mónica Ojeda, Layla Martínez, Silvina Ocampo, Clarice Lispector, Liliana Colanzi, Verena Cavalcante, Mariana Enriquez. Ilustraciones por Jules Mamone.
Authors

Emilia Pardo Bazán was a Galician author and scholar from Galicia. She is known for bringing naturalism to Spanish literature, for her detailed descriptions of reality, and for her role in feminist literature of her era. Her first novel, Pascual López (1879), is a simple exercise in fantasy of no remarkable promise, though it contains good descriptive passages of romance. It was followed by a more striking story, Un viaje de novios (1881), in which a discreet attempt was made to introduce into Spain the methods of French realism. The book caused a sensation among the literary cliques, and this sensation was increased by the appearance of another naturalistic tale, La tribuna (1885), wherein the influence of Émile Zola is unmistakable. Meanwhile, the writer's reply to her critics was issued under the title of La cuestion palpitante (1883), a clever piece of rhetoric, but of no special value as regards criticism or dialectics. The best of Emilia Pardo Bazán's work is embodied in Los pazos de Ulloa (1886), the painfully exact history of a decadent aristocratic family. A sequel, with the significant title of La madre naturaleza (1887), marks a further advance in the path of naturalism. She was also a journalist, essayist and critic. She died in Madrid.

Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was a prominent American sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist during a time when her accomplishments were exceptional for women, and she served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story, "The Yellow Wallpaper", which she wrote after a severe bout of post-partum depression. She was the daughter of Frederic B. Perkins.

Co-editor of the non-fiction anthology Conductas Erráticas (2009). Author of the book of short-stories Vacaciones Permanentes (2010). Her short-stories have been published in Spanish and Latin American magazines such as Etiqueta Negra, el perro, Otro Cielo, Big Sur, and Los Noveles. She writes for the Chilean magazine The Clinic. Liliana Colanzi (Santa Cruz, 1981). Escritora y periodista. Estudiante del doctorado de literatura comparada en Cornell, Estados Unidos. Sus cuentos han aparecido en revistas iberoamericanas como Etiqueta Negra, el perro, FronteraD, Otro Cielo, Los Noveles y Big Sur. Coeditó la antología de no-ficción Conductas erráticas (Alfaguara 2009). Es autora del libro de cuentos Vacaciones permanentes (El Cuervo 2010).

Juana Manuela Gorriti Zuviria (Horcones, Rosario de la Frontera, provincia de Salta, 15 de julio de 1818 - Buenos Aires, 6 de noviembre de 1896) fue una escritora argentina, aunque también se ha hecho célebre por las peripecias de su vida y por haber tenido como notoria afición la de ser cocinera. Fue la primera narradora argentina, una de las figuras femeninas mas originales e interesantes en la América del siglo XIX. De temperamento independiente -raro en una mujer de su época- carácter fuerte y gran talento. Nació en el seno de una familia tradicional y adinerada. De ella heredo su disposición a las letras y las virtudes patricias, y con ellos soporto la angustia del destierro y la pobreza. Vivió el exilio en la Paz, Bolivia, donde se caso a los catorce años con Manuel Isidoro Belzú, un caudillo militar boliviano que fue luego presidente de su país. Separada de su esposo, enfrento los prejuicios sociales y marcho con sus hijos a Lima. Allí se dedico primero a la docencia y luego a la escritura, publicando su primera novela corta, La Quena. En 1884, cuando se declaro la guerra entre Chile y Perú. regreso a Buenos Aires, donde siguió escribiendo y edito la mayor parte de sus libros, entre ellos: El pozo de Yocci (historia de amor y celos), La hija del mazorquero (relatos de la época de Rosas), El ángel caído (sobrenatural y terrorífico), Panorama de la vida (leyendas y descripciones americanas) Murió en 1892, en Buenos Aires. From: "El vampiro y otros cuentos", Andres Bello, 2004

Silvina Ocampo Aguirre was a poet and short-fiction writer. Ocampo was the youngest of the six children of Manuel Ocampo and Ramona Aguirre. One of her sisters was Victoria Ocampo, the publisher of the literarily important Argentine magazine Sur. Silvina was educated at home by tutors, and later studied drawing in Paris under Giorgio de Chirico. She was married to Adolfo Bioy Casares, whose lover she became (1933) when Bioy was 19. They were married in 1940. In 1954 she adopted Bioy’s daughter with another woman, Marta Bioy Ocampo (1954-94) who was killed in an automobile accident just three weeks after Silvina Ocampo’s death.

Mónica Ojeda (Guayaquil, Ecuador, 1988). Máster en Creación Literaria y en Teoría y Crítica de la Cultura, dio clases de Literatura en la Universidad Católica de Santiago de Guayaquil. Actualmente vive en Madrid. Ha publicado las novelas Mandíbula (Candaya, 2018), Nefando (Candaya, 2016) que tuvo una espectacular recepción crítica y La desfiguración Silva (Premio Alba Narrativa 2014). En 2017 publicó el relato Caninos y otro de sus cuentos fue antologado en Emergencias. Doce cuentos iberoamericanos (Candaya, 2013). Con El ciclo de las piedras, su primer libro de poemas, obtuvo el Premio Nacional de Poesía Desembarco 2015. Forma parte de la prestigiosa lista de Bogotá 39-2017, que recoge a los 39 escritores latinoamericanos menores de 40 años con más talento y proyección de la década.

Clarice Lispector was a Brazilian writer. Acclaimed internationally for her innovative novels and short stories, she was also a journalist. Born to a Jewish family in Podolia in Western Ukraine, she was brought to Brazil as an infant, amidst the disasters engulfing her native land following the First World War. She grew up in northeastern Brazil, where her mother died when she was nine. The family moved to Rio de Janeiro when she was in her teens. While in law school in Rio she began publishing her first journalistic work and short stories, catapulting to fame at age 23 with the publication of her first novel, 'Near to the Wild Heart' (Perto do Coração Selvagem), written as an interior monologue in a style and language that was considered revolutionary in Brazil. She left Brazil in 1944, following her marriage to a Brazilian diplomat, and spent the next decade and a half in Europe and the United States. Upon return to Rio de Janeiro in 1959, she began producing her most famous works, including the stories of Family Ties (Laços de Família), the great mystic novel The Passion According to G.H. (A Paixão Segundo G.H.), and the novel many consider to be her masterpiece, Água Viva. Injured in an accident in 1966, she spent the last decade of her life in frequent pain, steadily writing and publishing novels and stories until her premature death in 1977. She has been the subject of numerous books and references to her, and her works are common in Brazilian literature and music. Several of her works have been turned into films, one being 'Hour of the Star' and she was the subject of a recent biography, Why This World, by Benjamin Moser.