Marion Eleanor Zimmer Bradley was an American author of fantasy novels such as The Mists of Avalon and the Darkover series, often with a feminist outlook. Bradley's first published novel-length work was Falcons of Narabedla, first published in the May 1957 issue of Other Worlds. When she was a child, Bradley stated that she enjoyed reading adventure fantasy authors such as Henry Kuttner, Edmond Hamilton, and Leigh Brackett, especially when they wrote about "the glint of strange suns on worlds that never were and never would be." Her first novel and much of her subsequent work show their influence strongly. Early in her career, writing as Morgan Ives, Miriam Gardner, John Dexter, and Lee Chapman, Marion Zimmer Bradley produced several works outside the speculative fiction genre, including some gay and lesbian pulp fiction novels. For example, I Am a Lesbian was published in 1962. Though relatively tame by today's standards, they were considered pornographic when published, and for a long time she refused to disclose the titles she wrote under these pseudonyms. Her 1958 story The Planet Savers introduced the planet of Darkover, which became the setting of a popular series by Bradley and other authors. The Darkover milieu may be considered as either fantasy with science fiction overtones or as science fiction with fantasy overtones, as Darkover is a lost earth colony where psi powers developed to an unusual degree. Bradley wrote many Darkover novels by herself, but in her later years collaborated with other authors for publication; her literary collaborators have continued the series since her death. Bradley took an active role in science-fiction and fantasy fandom, promoting interaction with professional authors and publishers and making several important contributions to the subculture. For many years, Bradley actively encouraged Darkover fan fiction and reprinted some of it in commercial Darkover anthologies, continuing to encourage submissions from unpublished authors, but this ended after a dispute with a fan over an unpublished Darkover novel of Bradley's that had similarities to some of the fan's stories. As a result, the novel remained unpublished, and Bradley demanded the cessation of all Darkover fan fiction. Bradley was also the editor of the long-running Sword and Sorceress anthology series, which encouraged submissions of fantasy stories featuring original and non-traditional heroines from young and upcoming authors. Although she particularly encouraged young female authors, she was not averse to including male authors in her anthologies. Mercedes Lackey was just one of many authors who first appeared in the anthologies. She also maintained a large family of writers at her home in Berkeley. Ms Bradley was editing the final Sword and Sorceress manuscript up until the week of her death in September of 1999. Probably her most famous single novel is The Mists of Avalon. A retelling of the Camelot legend from the point of view of Morgaine and Gwenhwyfar, it grew into a series of books; like the Darkover series, the later novels are written with or by other authors and have continued to appear after Bradley's death. Her reputation has been posthumously marred by multiple accusations of child sexual abuse by her daughter Moira Greyland, and for allegedly assisting her second husband, convicted child abuser Walter Breen, in sexually abusing multiple unrelated children. (from Wikipedia)

Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music. "I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' — they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not. "I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes. "I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in Burning Water: "There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good—they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race." Also writes as Misty Lackey Author's website

Vera Nazarian is a two-time Nebula Award Finalist, award-winning artist, and member of Science Fiction and Fantasy Writers of America, a writer with a penchant for moral fables and stories of intense wonder, true love, and intricacy. She immigrated to the USA from the former USSR as a kid, sold her first story at the age of 17, and since then has published numerous works in anthologies and magazines, and has seen her fiction translated into eight languages. She is the author of critically acclaimed novels Dreams of the Compass Rose and Lords of Rainbow , romantic Renaissance epic fantasy trilogy Cobweb Bride , as well as the outrageous parodies Mansfield Park and Mummies and Northanger Abbey and Angels and Dragons , Pride and Platypus: Mr. Darcy's Dreadful Secret in her humorous and surprisingly romantic Supernatural Jane Austen Series , and most recently the bestselling high-octane science fiction series The Atlantis Grail , now optioned for film. After many years in Los Angeles, Vera lives in a small town in Vermont, and uses her Armenian sense of humor and her Russian sense of suffering to bake conflicted pirozhki and make art. Take the fun quiz to find out Which of the Lords of Rainbow do You Serve?

Raul S. Reyes worked for Marion Zimmer Bradley from 1987 to 2000. It was a job more varied and hectic than his previous ones: Police Officer in Berkeley, CA, and accountant at the University of California/Berkeley. The latter, however, did serve him well the day one of MZB's children threatened to turn him into an accountant (perhaps a frog wasn't original enough) and Raul just smiled and said, "I am an accountant." Raul has been writing for most of his life, with a variety of published work ranging from science fiction and fantasy to mysteries. His interests range from Asian art and literature to technology (ancient and modern), the sciences, history, geography, military science and history, and television programs of the sixties and seventies, manga and anime, chambara and Wu Xia (Japanese and Chinese sword fight films). He had to give up his kimono collection when he moved to San Francisco and no longer had the room to keep it. He did manage to keep most of his library (the top priority for a writer), which has everything from pulp fiction murder mysteries to science fiction and fantasy, books on science and mathematics, and classics (Asian and Western). He hangs out at the Asian Art Museum, explores sushi bars, and has added some Chinese eateries. He is currently putting together notes for a hard science fiction story.

Leslie Fish is a filk musician, author, and anarchist political activist. In addition to her work as a filk artist, Fish is also well-known within the Star Trek fan community for her works of fan fiction, which include "Shelter" (1976), one of the first Kirk/Spock stories ever published, and the fan-published Star Trek novel The Weight. "In Textual Poachers, his landmark study of fan communities, MIT's Henry Jenkins described Fish's anarchist-feminist Star Trek novel The Weight as a 'compelling narrative' that's 'remarkable in the scope and complexity of its conception, the precision of its execution, and the explicitness of its political orientation.'" She has also written original novels and short stories, both alone and in collaboration with C. J. Cherryh and others. Her song, "Carmen Miranda's Ghost is Haunting Space Station Three," inspired a collection of short stories with the same title, edited by Don Sakers and featuring stories by Anne McCaffrey and C. J. Cherryh. She is an avid roleplaying gamer, especially in regard to LARPing. She has also been a member in the Society for Creative Anachronism since the 1970s. In recent years, she has been the driving force behind in the establishment of Fan Haven, a 230-acre (0.93 km2) private park in Arizona meant to serve as a safe space for LARPers, Pagans, naturists, SCAdians, and other marginalized groups associated with fandom. However, the Federal government has disputed the validity of the mining claim that she proposed to use to establish ownership. While Fish rarely discusses her private life, she had been in a romantic relationship with anarchist political activist Mary Frohman "from the late '60s through the early '80s." Together they were part of the "Dehorn Crew", the house band for the IWW. Leslie has often asserted that bisexuality is the human norm, and that the pervasive sexual repression she sees in current society causes many of the current social ills. She briefly worked as a dominatrix in San Francisco during the 1980s, and has since been (at times) a defender of the rights of sex workers. She was recently married to long-time friend, Robert "Rasty Bob" Ralston.