Margins
Darwin's Worms book cover
Darwin's Worms
On Life Stories and Death Stories
1999
First Published
3.80
Average Rating
148
Number of Pages
Adam Phillips has been called “the psychotherapist of the floating world” and “the closest thing we have to a philosopher of happiness.” His style is epigrammatic; his intelligence, electric.His new book, Darwin's Worms, uses the biographical details of Darwin's and Freud's lives to examine endings—suffering, mortality, extinction, and death. Both Freud and Darwin were interested in how destruction conserves life. They took their inspiration from fossils or from half-remembered dreams. Each told a story that has altered our perception of our lives. For Darwin, Phillips explains, “the story to tell was how species can drift towards extinction; for Freud, the story was how the individual tended to, and tended towards his own death.” In each case, it is a death-story that uniquely illuminates the life story.
Avg Rating
3.80
Number of Ratings
170
5 STARS
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4 STARS
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3 STARS
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2 STARS
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1 STARS
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Author

Adam Phillips
Adam Phillips
Author · 32 books

Adam Phillips is a British psychotherapist and essayist. Since 2003 he has been the general editor of the new Penguin Modern Classics translations of Sigmund Freud. He is also a regular contributor to the London Review of Books. Phillips was born in Cardiff, Wales in 1954, the child of second-generation Polish Jews. He grew up as part of an extended family of aunts, uncles and cousins and describes his parents as "very consciously Jewish but not believing". As a child, his first interest was the study of tropical birds and it was not until adolescence that he developed an interest in literature. He went on to study English at St John's College, Oxford, graduating with a third class degree. His defining influences are literary – he was inspired to become a psychoanalyst after reading Carl Jung's autobiography and he has always believed psychoanalysis to be closer to poetry than medicine. Adapted from Wikipedia. Phillips is a regular contributor to the London Review of Books. He has been described by The Times as "the Martin Amis of British psychoanalysis" for his "brilliantly amusing and often profoundly unsettling" work; and by John Banville as "one of the finest prose stylists in the language, an Emerson of our time."

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