"This book is something else pretending to be a book. The something else is not conceptual and not lyric and not documentary and not not those things, either. '[T]his book is an intimacy.' This book is (leaking) the digital world. This book is digital interfaces as selves. This book is a study in coolness-but not a vulgar sort of study and not any exclusive/limited sort of coolness, nothing you've ever heard of before. This book is against about; it's also about the Internet. It's trolling Capitalism and sub-tweeting (imo) Ginsberg/consumer data/Romanticism/lifestyle/Amazon/clickbait (and this book knows they're all the same and doesn't need to name names for you to know just what kind of critique is happening here), and it is, of course, viscerally disgusted with trolling and tweeting and clicking. But this book has a 'you' and that 'you' is alive (a Tibbetts-style Cronenberg-esque body inside of a 'goldfronded viscosity')." —Olivia Cronk, author of Skin Horse (Action Books, 2012)