In Kate Wilhelm's latest crime novel, a small Oregon town is rocked by a wheels-within-wheels case of art, fraud, and murder. Silver Bay, Oregon, a small coastal resort town with nearly a thousand residents, is home to three generations of women: Marnie, the long-widowed owner of a small gift shop; Van, her granddaughter who is about to graduate medical school; and Stef, mercurial, difficult, and a brilliant artist who refuses to sell her work. When Stef discovers that Dale Oliver—the latest husband/paramour in a very long line—is trying to sell her work behind her back, she puts a stop to it and threatens to do the same to him. Shortly thereafter, Stef dies in an accident in her studio, and Dale shows up with a signed contract granting him the right to sell her work. Convinced that Stef was murdered in order to steal her artwork, Marie and Van—grandmother and granddaughter—decide to do whatever is necessary to see that Dale doesn’t get away with any of it. This includes enlisting the help of the new stranger in town, Tony, a former New York City cop, who might be the only one who can prove it was murder and bring the killer to justice.
Author
Kate Wilhelm’s first short story, “The Pint-Sized Genie” was published in Fantastic Stories in 1956. Her first novel, MORE BITTER THAN DEATH, a mystery, was published in 1963. Over the span of her career, her writing has crossed over the genres of science fiction, speculative fiction, fantasy and magical realism, psychological suspense, mimetic, comic, and family sagas, a multimedia stage production, and radio plays. She returned to writing mysteries in 1990 with the acclaimed Charlie Meiklejohn and Constance Leidl Mysteries and the Barbara Holloway series of legal thrillers. Wilhelm’s works have been adapted for television and movies in numerous countries; her novels and stories have been translated to more than a dozen languages. She has contributed to Quark, Orbit, Magazine of Fantasy and ScienceFiction, Locus, Amazing Stories, Asimov’s Science Fiction, Ellery Queen’s Mystery Magazine, Fantastic, Omni, Alfred Hitchcock’s Mystery Magazine, Redbook, and Cosmopolitan. Kate Wilhelm is the widow of acclaimed science fiction author and editor, Damon Knight (1922-2002), with whom she founded the Clarion Writers’ Workshop and the Milford Writers’ Conference, described in her 2005 non-fiction work, STORYTELLER. They lectured together at universities across three continents; Kate has continued to offer interviews, talks, and monthly workshops. Kate Wilhelm has received two Hugo awards, three Nebulas, as well as Jupiter, Locus, Spotted Owl, Prix Apollo, Kristen Lohman awards, among others. She was inducted into the Science Fiction Hall of Fame in 2003. In 2009, Kate was the recipient of one of the first Solstice Awards presented by the Science Fiction Writers of America (SFWA) in recognition of her contributions to the field of science fiction. Kate’s highly popular Barbara Holloway mysteries, set in Eugene, Oregon, opened with Death Qualified in 1990. Mirror, Mirror, released in 2017, is the series’ 14th novel.
