A trine cycle produced by three authors. A Senior Investigating Officer is on his way to a fresh murder. In his crisis of faith, he questions the material nature of evidence and the abstract judicial system they are put towards as proofs. The dead body signposts a crime scene staged with symbols of the divine interred in one of the four elements constituting the material universe. In part 2, a widow and a literary agent are having a heated phone exchange about the fate of her late husband's unfinished manuscript. In part 3, an author is taking down all his sticky notes, twine and graph paper for the book he has just completed, as he ponders the next steps and tries to anticipate some of the questions that will be thrown at him. Where does he get his ideas from, a paradox when set against the unremarkable act of sitting down at a desk, sticking notes up on the wall, crossing them out again and lighting up forbidden cigarettes and hiding the evidence from his wife. In showing his mundane workings, we are asked to trace the leap into a work of creative imagination. Until his literary future too is threatened.