Margins
Deathworlder book cover
Deathworlder
2024
First Published
4.02
Average Rating
353
Number of Pages

Part of Series

An Astra Militarum Novel On a planet trapped in the closing jaws of the Great Devourer, Major Wulf Khan of the Catachan 903rd receives a final, desperate mission – one which will take her soldiers into the maw of the tyranid threat. READ IT BECAUSE It’s a chance to see the Catachan Jungle Fighters in action on a planet almost as deadly as their homeworld. Dive into their gripping battle for survival as they face a voracious force of invading tyranids. THE STORY Lazulai is a world beyond the brink, its battle against the tyranids all but lost. Once-magnificent cities lie in ruin. The seas boil. The skies crack. Horrific alien bioforms devour. In mere days the planet will be consumed. The 903rd Catachan ‘Night Shrikes’ defend one of the last fortresses still standing. Led by Major Wulf Khan, to die fighting is all that is expected of them… until she is given one last mission: to lead a squad through the apocalypse and recover a piece of archeotech that may doom or deliver the entire Lazulai System. Facing impossible odds and zero hope for aid, the major must hold her squad together as they pick their way through an endless xenos jungle. The enemy is merciless, relentless, endlessly adaptable and formidably resourceful... but so too is Khan.

Avg Rating
4.02
Number of Ratings
261
5 STARS
36%
4 STARS
41%
3 STARS
16%
2 STARS
2%
1 STARS
5%
goodreads

Author

Victoria Hayward
Victoria Hayward
Author · 3 books

Victoria Hayward is a historian by training, publicly funded artist and mother of birds. She is the author of ‘The Carbis Incident’ and ‘The Siege of Ismyr’ for Black Library and is a contributor to the academic anthology ‘Travel Writing in an Age of Global Quarantine.' When not writing SFF she works in science communication, helping academics tell stories about their research whether it be on black holes or the palaces of despots. She spent one weird summer working in Westminster which has absolutely nothing to do with her interest in writing about dystopian bureaucracies.

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