Democracy and Poetry

By Robert Penn Warren

1975

First Published

3.78

Average Rating

113

Number of Pages

3H27M

Audio Length

In these two essays, one of America’s most honored writers fastens on the interrelation of American democracy and poetry and the concept of selfhood vital to each. “I really don’t want to make a noise like a pundit,” Mr. Warren declares, “What I do want to do is to return us—and myself most of all—to a scrutiny of our own experience of our own world.” Indeed, Democracy and Poetry offers one of the most pertinent and strongly personal meditations on our condition to have appeared in recent letters. Our native “poetry,” that is, literature and art, in general, is a social document, is “diagnostic,” and has often been a corrosive criticism of our democracy, Mr. Warren argues. Persuasively, and movingly, he shows that all of “art” and all that goes into the making of democracy require a free and responsible self. Yet the American experience has been one of the decay of the notion of self. Our astounding success jeopardized what we promised to create—the free man. For a century and a half the conception of the self has been dwindling, separating itself from traditional values, moral identity, and a secure relation with community. Lonely heroes in a bankrupt civilization, then protest, despair, aimlessness, and violence, have marked our literature. The anguish of Robert Penn Warren’s own poetic vision of art and democracy is soothed only by his belief that poetry—the making of art can nourish and at least do something toward the rescue of democracy; he shows how art can be- come a healer, can be “therapeutic.” In the face of disintegrative forces set loose in a business and technetronic society, it is poetry that affirms the notion of the self. It is a model of the organized self, an emblem of the struggle for the achieving self, and of the self in a community. More and more as our modern technetronic society races toward the abolition of the self, and diverges from a culture created to enhance the notion of selfhood, poetry becomes indispensable. Compelling, resonant, memorable, Democracy and Poetry is a major testament not only to the vitality of poetry, but also to a faith in democracy.

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Author

Robert Penn Warren

Author · 32 books

Robert Penn Warren was an American poet, novelist, and literary critic, and was one of the founders of New Criticism. He was also a charter member of the Fellowship of Southern Writers. He is the only person to have won Pulitzer Prizes for both fiction and poetry. He won the Pulitzer in 1947 for his novel All the King's Men (1946) and won his subsequent Pulitzer Prizes for poetry in 1957 and then in 1979. Warren was born on April 24, 1905, in Guthrie, Kentucky. He graduated from Clarksville High School in Tennessee, Vanderbilt University in 1925 and the University of California, Berkeley in 1926. Warren later attended Yale University and obtained his B. Litt. as a Rhodes Scholar from New College, Oxford, in England in 1930. That same year he began his teaching career at Southwestern College (now called Rhodes College in Memphis, Tennessee. He also taught at Vanderbilt University and LSU. In 1930, he married Emma Brescia; they later divorced in 1951. He then married Eleanor Clark in 1952. They had two children, Rosanna Phelps Warren (b. July 1953) and Gabriel Penn Warren (b. July 1955). Though his works strongly reflect Southern themes and mindset, Warren published his most famous work, All the King's Men, while a professor at The University of Minnesota and lived the latter part of his life in Fairfield, Connecticut, and Stratton, Vermont. He also received a Guggenheim Fellowship to study in Italy during the rule of Benito Mussolini. He died on September 15, 1989, of complications from bone cancer.