
Vad har Hilma af Klint, Ivan Aguéli, Tyra Kleen, Edith Södergran och August Strindberg gemensamt? Alla verkade de runt sekelskiftet 1900 och alla var de starkt påverkade av så kallade esoteriska läror som genomsyrade epokens kulturliv. I Det ockulta sekelskiftet leder religionshistorikern Per Faxneld läsaren genom rörelser som teosofi, alkemi och spiritism. Esoterikerna såg sig själva som vetenskapliga, andliga och moderna på en gång och deras idéer öppnade nya vägar i skapandet för konstnärer, kompositörer och författare. Det ockulta sekelskiftet låser upp en försummad och spännande del av kulturhistorien. Här berättas om hemliga sällskap, magiska läror och mystiska riter. Boken avslöjar nya dimensioner hos kända verk och lär oss att se, läsa och lyssna på dem på nya sätt.
Author

Per Faxneld is Swedish Historian of Religion he holds a ph.d. in History of Religions (obtained in 2014). his field of specialisation is Western esotericism, new religions and "alternative spirituality" (e.g. Satanism, Theosophy, Anthroposophy, New Age, the sacralization of physical excercise, etc), with a particular emphasis on how they are formed in tandem with processes of modernization (especially secularization). he has also worked from a sociological perspective with questions pertainng to strategies of legitimation, religious authority and identity formation. Other interests include religion and popular culture (reflection my background in cinema studies), folk religion (e.g. editing a critical edition of a folkloristic classic), gender issues, globalization and religion and violence. A key theme in his research is the relation between Western esotericism and art/literature. My doctoral dissertation (Satanic Feminism: Lucifer as the Liberator of Woman in Nineteenth-Century Culture, awarded the Donner Institute Prize for Eminent Research on Religion, and later re-published by Oxford University Press) adresses how anti-clerical feminists – primarily during the time period 1880–1930 – used Satan as a symbol of rejecting the patriarchal traits of Christianity. I emphasized how these women were inspired by the period's most influential new religion, Theosophy, and how the anti-religious discourses of secularism impacted feminism.