Did Not Finish

Evelyn Hardcastle will be murdered at 11:00 p.m. There are eight days, and eight witnesses for you to inhabit. We will only let you escape once you tell us the name of the killer. Understood? Then let's begin . . . Evelyn Hardcastle will die. Every day until Aiden Bishop can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest. And some of his hosts are more helpful than others . . . The most inventive debut of the year twists together a mystery of such unexpected creativity it will leave listeners guessing until the very last second.

The hyperactive love child of Page Six and Whatever Happened to Baby Jane? caught in a tawdry love triangle with The Fan. Even Kitty Kelly will blush. Soaked, nay, marinated in the world of vintage Hollywood, Tell-All is a Sunset Boulevard–inflected homage to Old Hollywood when Bette Davis and Joan Crawford ruled the roost; a veritable Tourette’s syndrome of rat-tat-tat name-dropping, from the A-list to the Z-list; and a merciless send-up of Lillian Hellman’s habit of butchering the truth that will have Mary McCarthy cheering from the beyond. Our Thelma Ritter–ish narrator is Hazie Coogan, who for decades has tended to the outsized needs of Katherine “Miss Kathie” Kenton—veteran of multiple marriages, career comebacks, and cosmetic surgeries. But danger arrives with gentleman caller Webster Carlton Westward III, who worms his way into Miss Kathie’s heart (and boudoir). Hazie discovers that this bounder has already written a celebrity tell-all memoir foretelling Miss Kathie’s death in a forthcoming Lillian Hellman–penned musical extravaganza; as the body count mounts, Hazie must execute a plan to save Katherine Kenton for her fans—and for posterity. Tell-All is funny, subversive, and fascinatingly clever. It’s wild, it’s wicked, it’s boldfaced—it’s vintage Chuck.

Connie Willis' Hugo and Nebula Award-winning Doomsday Book uses time travel for a serious look at how people connect with each other. In this Hugo-winning companion to that novel, she offers a completely different kind of time travel adventure: a delightful romantic comedy that pays hilarious homage to Jerome K. Jerome's Three Men in a Boat. When too many jumps back to 1940 leave 21st century Oxford history student Ned Henry exhausted, a relaxing trip to Victorian England seems the perfect solution. But complexities like recalcitrant rowboats, missing cats, and love at first sight make Ned's holiday anything but restful - to say nothing of the way hideous pieces of Victorian art can jeopardize the entire course of history.