Did Not Finish

Смъртта е реалност, смъртното легло е табу, погребението е общо, скръбта е индивидуална… Но дали смъртта изравнява всички? Пет въздействащи разказа от Емил Зола, когото познаваме от романите му, които ярко показват как социалните и икономическите условия оформят смъртта. Пет картини, които с цялата си простота и без да се откъсват от социалната рамка показват как аристократични, буржоазни, занаятчийски, селски и работнически семейства преживяват този процес.

When he was alive, the Happy Prince lived in the Palace of Sans Souci, where sorrow was not allowed to enter, and where he knew only pleasure. Now, a gilded statute set atop a high column, he can see all the wretchedness of the poor, the sick and the lonely who inhabit the great city where he stands. A swallow, hurrying to reach the warmth of Egypt before winter sets in, stops to rest between the feet of the Happy Prince. He is moved by the prince's description of the helplessness and hopelessness he sees all around him, and agrees to stay with the prince and to assist him in bringing comfort to those in need. This story of sacrifice and redemption is a parable for our time, as it was for that time more than a hundred years ago when Oscar Wilde first published this moving tale. Oscar Wilde (1854–1900) was an Irish writer of great wit and talent who was born Oscar Fingall O'Flahertie Wills Wilde in 1854. He wrote a number of tales for children, but is perhaps best known for his 'Dorian Gray' (1890), 'Lady Windermere's Fan' (1892), 'The Importance of Being Earnest' (1895) and 'The Ballad of Reading Gaol' (1896). Wilde died in Paris in 1900.

“I’ve had a most amazing time....” So begins the Time Traveller’s astonishing firsthand account of his journey 800,000 years beyond his own era—and the story that launched H.G. Wells’s successful career and earned him his reputation as the father of science fiction. With a speculative leap that still fires the imagination, Wells sends his brave explorer to face a future burdened with our greatest hopes...and our darkest fears. A pull of the Time Machine’s lever propels him to the age of a slowly dying Earth. There he discovers two bizarre races—the ethereal Eloi and the subterranean Morlocks—who not only symbolize the duality of human nature, but offer a terrifying portrait of the men of tomorrow as well. Published in 1895, this masterpiece of invention captivated readers on the threshold of a new century. Thanks to Wells’s expert storytelling and provocative insight, The Time Machine will continue to enthrall readers for generations to come.

It’s Not How Good You Are, It’s How Good You Want to Be is a handbook of how to succeed in the world: a pocket bible for the talented and timid alike to help make the unthinkable thinkable and the impossible possible. The world’s top advertising guru, Paul Arden, offers up his wisdom on issues as diverse as problem solving, responding to a brief, communicating, playing your cards right, making mistakes, and creativity – all endeavors that can be applied to aspects of modern life. This uplifting and humorous little book provides a unique insight into the world of advertising and is a quirky compilation of quotes, facts, pictures, wit and wisdom – all packed into easy-to-digest, bite-sized spreads. If you want to succeed in life or business, this book is a must.

This remarkable, concise handbook contains all the essential tools you need to successfully manage a business, whether it's your own start-up or as part of a corporate giant. With this efficient, compact guide, you will almost instantly be able to familiarize yourself with such key management concepts and techniques as benchmarking, branding, core competition, empowerment, leadership, mergers and acquisitions, project management and the supply chain.

On his twenty-fifth birthday, Leo Vincey opens the silver casket that his father has left to him. It contains a letter recounting the legend of a white sorceress who rules an African tribe and of his father’s quest to find this remote race. To find out for himself if the story is true, Leo and his companions set sail for Zanzibar. There, he is brought face to face with Ayesha, She-who-must-be-obeyed: dictator, femme fatale, tyrant and beauty. She has been waiting for centuries for the true descendant of Kallikrates, her murdered lover, to arrive, and arrive he does – in an unexpected form. Blending breathtaking adventure with a brooding sense of mystery and menace, She is a story of romance, exploration discovery and heroism that has lost none of its power to enthrall.

Sahaf Mendel' de, tüm hazinesi kitap sevgisi ve bilgisinden hikayesi, savaşın kültüre barbar saldırısı anlatılıyor. Kaçak'ta ise evine dönmek isteyen Boris adlı bir Rus'un Cenevre Gölü'nde bir balıkçı tarafından bulunması ve evine dönme mücadelesi sırasında bulunduğu gölde hayatına kıymasının trajik hikayesi zihinlerde bir hüzün bırakıyor.

Edebiyat yolculuğumuza yine bir Stefan Zweig hikayesi ile devam ediyoruz. “Görünmez Koleksiyon” isimli hikayede kör bir koleksiyoncunun hüzünlü hikayesi anlatılıyor. Sahip olduğuna inandığı çok değerli bir koleksiyonun ailesi tarafından ekonomik zorluklar sebebiyle satıldığını bilmeyen yaşlı bir adamın hikayesi bu.

Chess Story, also known as The Royal Game, is the Austrian master Stefan Zweig's final achievement, completed in Brazilian exile and sent off to his American publisher only days before his suicide in 1942. It is the only story in which Zweig looks at Nazism, and he does so with characteristic emphasis on the psychological. Travelers by ship from New York to Buenos Aires find that on board with them is the world champion of chess, an arrogant and unfriendly man. They come together to try their skills against him and are soundly defeated. Then a mysterious passenger steps forward to advise them and their fortunes change. How he came to possess his extraordinary grasp of the game of chess and at what cost lie at the heart of Zweig's story. This new translation of Chess Story brings out the work's unusual mixture of high suspense and poignant reflection.

Wolfsblut ist teils Hund, teils Wolf und der einzige Überlebende seiner Familie. In seiner einsamen Welt lernt er bald, dem harten Gesetz des Nordens zu folgen – töten oder getötet werden. Doch nichts in Wolfsbluts Leben kann ihn auf den grausamen Besitzer vorbereiten, der ihn in einen brutalen Killer verwandelt. Wird Wolfsblut jemals die Güte eines sanften Herrn kennenlernen?

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature. Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

Senin bilgeliğin bizim yaşamımızı etkiliyor. Fikirlerini samimi olarak açıklamaktan kaçınmayan, genel geçer hiçbir şeyi umursamadan kendi doğrularını arayan ve söyleyen gerçek bir fikir insanı arıyorsanız, Türkiye’deki ender örneklerinden biri Celâl Şengör’dür. Bilimsel eleştiriye açıklığıyla, her ne kadar ilk bakışta bana Heidegger’i anımsatan politik duruşuyla bir “demokrat” gibi görünmese de aslında o bir bilgi demokratıdır ve eleştirel düşüncenin önemini tüm Türkiye’ye en iyi anlatan ve öğreten kişidir. Bugün elinize aldığınız bu kitap, Türkiye’nin yetiştirdiği çok yönlü ve nadide bir âlimle, bizim Karl Popper’imizle yapılmış enfes bir nehir söyleşidir. Okuyacağınız sohbet, bir bilim ve bilgi insanının çocukluktan itibaren nasıl adım adım geliştiğini ve nasıl evrildiğini anlatan bir özet, bir yolculuk öyküsüdür. Şen ve neşeli görünüşünün arkasında büyük bir ciddiyet saklayan, kendisine yapılan her türlü eleştiriyi kucaklarken bilime yapılan saygısızlığa büyük öfke duyan bir bilim insanı olarak tanıdığım Celâl Şengör’ün dediği gibi, başkalarının cehaleti nasıl bizim yaşamımızı etkiliyorsa Celâl’in bilgeliği de bizim yaşamımızı olumlu yönde etkilemiştir ve etkileyemeye devam edecektir. Bu kitap da muhtemelen bu etkinin halkalarından biri olacaktır. —Fatih Altaylı

لقد جاء عام 1984 ومضى، لكن رؤية جورج أورويل النبوئية الكابوسية التي صاغها عام 1949 للعالم الذي كنا نصير إليه تبدو اليوم أكثر راهنية من أي وقت مضى. لا تزال «1984» الكلاسيكية الحديثة العظيمة في أدب «اليوتوبيا السلبية» — رواية أصيلة على نحو مدهش ومقلقة، تخلق عالماً خيالياً مقنعاً تماماً، من الجملة الأولى إلى الكلمات الأربع الأخيرة. ولا يستطيع أحد إنكار سطوة الرواية على مخيلات أجيال كاملة، أو قوة تحذيراتها — وهي قوة يبدو أنها تزداد، لا تضعف، مع مرور الزمن.

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