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Disasterology book cover
Disasterology
2016
First Published
4.28
Average Rating
40
Number of Pages
In Maggie Smith's Disasterology the poems lie down and make angels in the fallout as "a tide of fire drags everything away." Whip smart and darkly funny, Smith chronicles how disaster proves itself time after time, film after film, yet another doom after doomsday. But everything is not one red phone ringing away from ruin. There is a future still waiting to be said, a hope that the pear trees will outlast us, bright, unending, maybe even sweet. -Traci Brimhall As with the Hollywood hairdos of her poems' heroines, no strand is out of place in Maggie Smith's fraught and funny new chapbook. Smith brings her characteristic crispness and smarts to questions of disaster, large and small, with poems that expertly snake through iconic films, color-coded terror alerts, and the bleakest of daydreams. Read it, and read it fast-tomorrow we might all be gone. -Natalie Shapero
Avg Rating
4.28
Number of Ratings
43
5 STARS
49%
4 STARS
30%
3 STARS
21%
2 STARS
0%
1 STARS
0%
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Author

Maggie Smith
Maggie Smith
Author · 11 books

Maggie Smith is the author of the national bestseller Keep Moving: Notes on Loss, Creativity, and Change (One Signal/Simon & Schuster 2020); Good Bones (Tupelo Press, 2017); The Well Speaks of Its Own Poison (Tupelo Press 2015), winner of the Dorset Prize, selected by Kimiko Hahn; and Lamp of the Body (Red Hen Press 2005), winner of the Benjamin Saltman Poetry Award; and three prizewinning chapbooks. Smith's poems and essays have appeared in the New York Times, The New Yorker, Poetry, Image, The Best American Poetry, The Paris Review, AGNI, Guernica, Brevity, the Washington Post, The Gettysburg Review, Ploughshares, and many other journals and anthologies. In 2016 her poem “Good Bones” went viral internationally and has been translated into nearly a dozen languages. In April 2017 the poem was featured on the CBS primetime drama Madam Secretary. A 2011 National Endowment for the Arts Fellow, Maggie Smith works as freelance writer and editor. She is an Editor at Large at the Kenyon Review and is also on the faculty of Spalding University's low-residency MFA program.

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