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Distintas formas de mirar el agua book cover
Distintas formas de mirar el agua
2015
First Published
3.41
Average Rating
188
Number of Pages
En torno a las cenizas del abuelo, que van a reposar para siempre bajo el agua, dieciséis personas reconstruyen la historia de su familia a la vez que las suyas propias. Desde la abuela a la nieta más pequeña, desde el recuerdo de la aldea en la que los mayores nacieron y se criaron antes de verse obligados a abandonarla ante su destrucción inminente a las historias y sentimientos de los más jóvenes, el relato discurre como un flujo sucesivo de conciencia, como un caleidoscopio existencial y poliédrico al que la superficie del agua sirve de espejo. Distintas formas de mirar el agua es una novela sobre el destierro, sobre el paso del tiempo y la memoria, sobre el sentimiento de vinculación a la naturaleza, sobre la impronta que el ámbito rural y natural deja en el corazón de aquellos que alguna vez lo habitaron.
Avg Rating
3.41
Number of Ratings
497
5 STARS
17%
4 STARS
28%
3 STARS
37%
2 STARS
15%
1 STARS
3%
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Author

Julio Llamazares
Julio Llamazares
Author · 8 books

Julio Llamazares was born in Vegamián, a small village in the region of León. At the age of twelve he left the mountain area, attended a boarding school in Madrid and then studied law. Today Llamazares works as a writer, journalist and scriptwriter. After two poetry volumes which were published under the titles of 'La lentitud de los bueyes' (1979) and 'Memoria de la nieve' (1982), his successful debut as a novel writer came out in 1985 'Luna de lobos'. Llamazares had his literary breakthrough with the novel 'La lluvia amarilla' in 1988. The novel is about Andrés, an old man who is the last inhabitant of a forsaken village in the Pyrenees. Andrés reminds the former vitality of this place and contemplates about forgetting, death, and loneliness. With the story of the dying village, Llamazares has depicted a concise development of Spanish society in a bribingly direct speech. Hundreds of villages have disappeared in the last decades because the inhabitants have moved to the cities. In the first three years after its publication, 'La lluvia amarilla' was already re-published 15 times. In the autobiographical novel 'Escenas de cine mudo' (1994), the narrator returns to Olleros, the place of his childhood. After the death of his mother he finds a photo album with old black and white photos. With the help of the yellowed photos he goes back to his past and describes, in loosely connected scenes, his experiences from the view of a child, thus bestowing an insight into the social history of the region. Llamazares holds a special place in Spanish contemporary literature. He belongs to the few authors who concern themselves with rural Spain, the remote areas and the decline of damned mountain villages. With his unassuming and convincingly told stories of everyday life, he plays a large part in the existence of this world not being forgotten in the general frenzy of modernization. Llamazares has published collections of stories, such as 'En mitad de ninguna parte' (1981) and chronicles ('El Entierro de Genarin', 1998). Furthermore, he edited an Anthology about the city of Madrid, which came out as 'Los viajeros de Madrid' in 1998. Articles he wrote as a journalist are collected in 'En Babia' (1991) and 'Nadie escucha' (1995). Llamazares’ travel reports about forgotten regions and districts were published as 'El río del ovido' (1990) and 'Trás-os-Montes' (1998). He also wrote filmscripts and extended reportages – among these, one about Berlin. Recently, his novel "El cielo de Madrid" (2005) was published. The author lives in Madrid and León.

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