Welcome to Manila in the turbulent period of the Philippines' late dictator. It is a world in which American pop culture and local Filipino tradition mix flamboyantly, and gossip, storytelling, and extravagant behavior thrive. A wildly disparate group of characters—from movie stars to waiters, from a young junkie to the richest man in the Philippines—becomes caught up in a spiral of events culminating in a beauty pageant, a film festival, and an assassination. In the center of this maelstrom is Rio, a feisty schoolgirl who will grow up to live in America and look back with longing on the land of her youth.
Author
Jessica Tarahata Hagedorn was born (and raised) in Manila, Philippines in 1949. With her background, a Scots-Irish-French-Filipino mother and a Filipino-Spanish father with one Chinese ancestor, Hagedorn adds a unique perspective to Asian American performance and literature. Her mixed media style often incorporates song, poetry, images, and spoken dialogue. Moving to San Francisco in 1963, Hagedorn received her education at the American Conservatory Theater training program. To further pursue playwriting and music, she moved to New York in 1978. Joseph Papp produced her first play Mango Tango in 1978. Hagedorn's other productions include Tenement Lover, Holy Food, and Teenytown. In 1985, 1986, and 1988, she received Macdowell Colony Fellowships, which helped enable her to write the novel Dogeaters, which illuminates many different aspects of Filipino experience, focusing on the influence of America through radio, television, and movie theaters. She shows the complexities of the love-hate relationship many Filipinos in diaspora feel toward their past. After its publication in 1990, her novel earned a 1990 National Book Award nomination and an American Book Award. In 1998, La Jolla Playhouse produced a stage adaptation. She lives in New York with her husband and two daughters, and continues to be a poet, storyteller, musician, playwright, and multimedia performance artist.
