Margins
Douglass book cover
Douglass
The Lost Autobiography
2014
First Published
4.41
Average Rating
154
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Part of Series

Frederick Douglass stands as one of American history’s most extraordinary figures, overcoming the evils of slavery and racial construction by force of will and grit. As a fervent abolitionist, gifted orator, and sagacious editor and author, he became one of the most outspoken and influential social reformers of his time. During his life, he published three autobiographies chronicling his struggle from childhood to adulthood, from slave to free man, from ignorance to power-knowledge. And yet the full narrative of the life of Frederick Douglass, contrary to popular belief, has been incomplete ... until now. Recently recovered on an archeological dig in Ireland, where Douglass lectured extensively in the 1840s, this heretofore “lost” autobiography marks the fourth and final work in the library of his selfhood. Tying together loose ends in the previous three autobiographies while exposing remarkable, often disturbing secrets about his private life, Douglass portrays himself not only as a man of words and character but as a kind of anachronistic hipster and proto-beatnik. There is a reason this volume never saw publication during his lifetime. A reason—and a method. “Once again, D. Harlan Wilson biographizes with a hammer. Beware.” —William Clarke Quantrill, Professor of Religious Studies and Director of the Booker T. Washington Institute for African and African-American Research at Fostoria University

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Author

D. Harlan Wilson
D. Harlan Wilson
Author · 20 books

D. Harlan Wilson is an American novelist, critic, editor, playwright, and college professor. His body of work bridges the aesthetics of literary and film theory with various genres of speculative fiction. Recent books include Alfred Bester's The Stars My Destination: A Critical Companion (2022), Minority Report (2022), Jackanape and the Fingermen (2021), Outré (2020), The Psychotic Dr. Schreber (2019), Natural Complexions (2018), and J.G. Ballard (2017).

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