Winner of the American Historical Association's John B. Dunning PrizeWinner of The Lutheran Historical Society's St. John Biggerville Prize In Palatines, Liberty, and Property A. G. Roeber explains why so many Germans, when they faced critical choices in 1776, became active supporters of the patriot cause. Employing a variety of German-language sources and and following all the major German migration streams, Roeber explores German conceptions of personal and public property in the context of cultural and religious beliefs, village life, and family concerns. Co-winner of the John H. Dunning Prize from the American Historical Association, Roeber's study of German-American settlements and their ideas about liberty and property provides an unprecedented view of how non-English culture and beliefs made their way from Europe to America.

Observing that intellectual changes within late-seventeenth-century Massachusetts Puritan culture closely paralleled changes within Puritan culture in England, Michael Winship re-examines one of the more nettlesome issues in the intellectual history of early New England. How did the logic Puritanism square itself with the increasingly hostile assumptions of the early Enlightenment? And, faced with a new intellectual world whose parameters were formed to a large extent in opposition to Puritanism, how did Puritans try to maintain credibility? In Seers of God, Winship's compelling analysis of topics ranging from theology to witchcraft places the problem of intellectual change fully in a transatlantic context.

In Merchants and Empire, Cathy Matson examines the economic ideas and behavior of New York City's commercial wholesalers, especially the middling merchants who, as a majority of active traders, affected the character of city commerce over its colonial years. Although less prominent in transatlantic dry goods commerce than the great traders, this middling majority spread dissenting economic ideas and flouted political authority time and again when the benefits to their interests were clear. Indeed, middling or lesser merchants fashioned a plausible alternative to mercantilism, and contributed significantly to the challenges Americans offered to British rule in the final colonial years.

How popular theater, including blackface characters, reflected and influenced attitudes toward race, the slave trade, and ideas of liberty in early America. Jenna M. Gibbs explores the world of theatrical and related print production on both sides of the Atlantic in an age of remarkable political and social change. Her deeply researched study of working-class and middling entertainment covers the period of the American Revolution through the first half of the nineteenth century, examining controversies over the place of black people in the Anglo-American moral imagination. Taking a transatlantic and nearly century-long view, Performing the Temple of Liberty draws on a wide range of performed texts as well as ephemera―broadsides, ballads, and cartoons―and traces changes in white racial attitudes. Gibbs asks how popular entertainment incorporated and helped define concepts of liberty, natural rights, the nature of blackness, and the evils of slavery while also generating widespread acceptance, in America and in Great Britain, of blackface performance as a form of racial ridicule. Readers follow the migration of theatrical texts, images, and performers between London and Philadelphia. The story is not flattering to either the United States or Great Britain. Gibbs' account demonstrates how British portrayals of Africans ran to the sympathetic and to a definition of liberty that produced slave manumission in 1833 yet reflected an increasingly racialized sense of cultural superiority. On the American stage, the treatment of blacks devolved into a denigrating, patronizing view embedded both in blackface burlesque and in the idea of "Liberty," the figure of the white goddess. Performing the Temple of Liberty will appeal to readers across disciplinary lines of history, literature, theater history, and culture studies. Scholars and students interested in slavery and abolition, British and American politics and culture, and Atlantic history will also take an interest in this provocative work.