Historical fact and startling literary invention converge in this stunning novel by "America's principal chronicler of its greatest psychopathic killers" (The Boston Book Review). Praised by Caleb Carr for his "brilliantly detailed and above all riveting" true-crime writing, Harold Schechter brings his expertise to a marvelous work of fiction in the tradition of Carr's own The Alienist. Superbly rendering the 1830s Baltimore of Edgar Allan Poe, Schechter taps into the dark genius of that legendary author—and follows a labyrinthine path into the heart of a most heinous crime. He is an aspiring writer, plagued by dreadful ruminations—a man whose troubled nights are haunted by dreams of his angelic cousin Virginia. He is Edgar Allan Poe, a literary critic known for his uncompromising standards and scathing pen. His recently published attack on the autobiography of Colonel David Crockett, U.S. congressman and celebrated American hero, has brought the indignant frontiersman—unexpected, uninvited—to the chamber door of Poe's private sanctum. Neither man is prepared for where this fateful meeting will take on a quest for a killer through the city's highest and lowest streets and byways. In a modest boarding house, an elderly widow of sad circumstance has been found murdered by an unknown assailant. On the wall above her bed, scrawled in the victim's blood, is a single, cryptic word. But the meaning of the chilling clue is merely one piece in a complex puzzle that ensnares the writer and the politician in a twisted and deadly game. For the ghastly crimes, each more bizarre than the last, have only just begun. Combining the phantasmagoric voice of Poe's legendary tales with an historian's exactness, Harold Schechter hovers between fact and fiction, horror and passion, destiny and doom, while conjuring historical detail with uncanny precision. Published to coincide with the 150th anniversary of Poe's death, Nevermore is both a tour de force of narrative suspense and a dazzling secret history of one of American literature's unique and enduring figures.

Premier mystery author Harold Schechter revisits the chilling world of NEVERMORE in this novel of historical suspense, the second in his critically acclaimed series starring Edgar Allen Poe. It's the spring of 1844, and Edgar Allan Poe and his young wife, Sissy, have moved to the publishing centre of America, New York City. When P.T. Barnum, the 'Prince of Humbugs', advertises a display of Davy Crockett's authentic belongings, Poe is determined to reveal the man as a fraud. He knows for a fact that he himself owns at least one of the items Barnum claims to possess. Poe and Barnum are drawn together over the controversy, and Barnum appreciates the publicity Poe's expose provides his show. But when his emporium is linked to a brutal murder that imitates a display in Barnum's hall of true crimes, Barnum enlists Poe's help in discovering the killer before the bad publicity ruins his business. Sissy believes it is the ghost of the original murderer who has returned to seek revenge, as he promised on the gallows. Poe thinks there's much more to the case, and he's determined to solve it.

Suspense, intrigue, atmosphere, and vivid historical detail combine into a thrilling ride through nineteenth-century New York City in The Mask of Red Death . Harold Schechter delivers both a wonderfully accurate portrait of a city in turmoil and an irresistibly appealing depiction of his amateur sleuth Edgar Allan Poe, mirroring the master’s writing style with wit and acumen. It is the sweltering summer of 1845, and the thriving metropolis has fallen victim to a creature of the most inhuman depravity. Found days apart, two girls have been brutally murdered, their throats slashed, viciously scalped, and–most shocking of all–missing their livers. Edgar Allan Poe, despite what the tenor of his own tales of terror might suggest about his constitution, is just as shaken and revolted by these horrendous crimes as the panic-stricken public. Suspicion of the scalper’s identity immediately swirls around the most famous “redskin” in New York, Chief Wolf Bear, one of the human attractions at P.T. Barnum’s American Museum. Certain that Chief Wolf Bear is innocent, Poe has deduced that the city is concealing a cannibal somewhere in its teeming masses, one with an ever-growing appetite for human prey. Before he can investigate his theory further, Poe stumbles onto the scene of a third gruesome murder. Poe recently met William Wyatt when he agreed to look at a document for Wyatt to determine the authenticity of the purportedly famous handwriting on it. Now Poe finds Wyatt in a pool of blood, his scalp removed. How, Poe muses, are Wyatt and his document connected to the two slain girls? As frenzied emotions over the murders reach a fevered pitch, Kit Carson makes an appearance. The famous scout has been tracking the “Liver Eater” since the man killed his wife months ago. Together, Carson and Poe make an odd sleuthing team, but their combined wits are formidable. The trail they uncover reveals a dark secret more powerful than anything they could have imagined– one that may reach the upper echelons of politics and privilege. From the Hardcover edition.

Ever since childhood, Edgar Allan Poe has seen things that are not there, heard voices others cannot and felt utterly at home in the realm of human darkness. In Harold Schechter's intriguing, suspenseful, and delightfully wicked mystery series, Poe makes the perfect hero to unravel cases of the murderous and the macabre. The Tell-Tale Corpse begins as Poe pays a visit to his old friend P. T. Barnum, who implores the wordsmith to travel to Boston to secure for Poe's wife an urgent medical cure-and to acquire some particularly garish crime-scene evidence for Barnum's popular cabinet of curiosities, the so-called American Museum. The crime in question is the recent butchery of a beautiful young shopgirl. Once in Boston, Poe makes an immediate deduction: The sensational murder is only one in a string of inexplicable killings-the center of a single, shadowy pool of deceit and ghoulish depravity. Several deaths later, Poe finds himself leading a frantic investigation, with the assistance of a highly unusual girl named Louisa May Alcott, who has literary ambitions of her own-and whose innocence belies her own fascination with the dark side. As his wife's health falters and a city panics, Poe pursues a strange circle of suspects. He must now see what others cannot: the invisible bonds that tie together seemingly unrelated cases-and the truth that lies behind a serial murderer's ghastly disguise. From a cameo by the narcoleptic Henry David Thoreau to a charming portrait of the four Alcott sisters at home in Concord, The Tell-Tale Corpse brings to life nineteenth-century New York and Boston and a world of intellectuals, charlatans, discoverers, dupes, daguerreotypists, and amateurmorticians. As Poe comes closer to unraveling the fiendish riddle, the poet must admit at last that he is up against a fellow genius-a genius not of words but of death.