Margins
Edmond book cover
Edmond
1983
First Published
3.45
Average Rating
86
Number of Pages

The first single-volume edition of this stunning early Mamet play You know how much of our life we're alive, you and me? Nothing. Two minutes out of the year. When we meet someone new, when we get married, when, when, when, when we're in difficulties. . . once in our life at the death of someone that we love. That's. . . in a carcrash. . . and that's it. You know, you know, we're sheltered. . . A fortune-teller's teasing rumination sends Edmond lurching into New York City's hellish underworld, his whole life abandoned in a searing quest for self-discovery and redemption. A furious, unflinching, whirlwind of a play first produced in 1982. "A stunning amorality play, glittering and disturbing, suspended in the dark void of contemporary New York. It is also a technically adventurous piece pared brilliantly to the bone, highly theatrical in its scenic elisions" Financial Times "A riveting theatrical experience that illuminates the heart of darkness" Newsweek Publication of this edition ties in with a production in July 2003 at the Royal National Theatre starring Kenneth Branagh.

Avg Rating
3.45
Number of Ratings
318
5 STARS
19%
4 STARS
26%
3 STARS
38%
2 STARS
13%
1 STARS
3%
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Author

David Mamet
Author · 60 books

David Alan Mamet is an American author, essayist, playwright, screenwriter and film director. His works are known for their clever, terse, sometimes vulgar dialogue and arcane stylized phrasing, as well as for his exploration of masculinity. As a playwright, he received Tony nominations for Glengarry Glen Ross (1984) and Speed-the-Plow (1988). As a screenwriter, he received Oscar nominations for The Verdict (1982) and Wag the Dog (1997). Mamet's recent books include The Old Religion (1997), a novel about the lynching of Leo Frank; Five Cities of Refuge: Weekly Reflections on Genesis, Exodus, Leviticus, Numbers and Deuteronomy (2004), a Torah commentary, with Rabbi Lawrence Kushner; The Wicked Son (2006), a study of Jewish self-hatred and antisemitism; and Bambi vs. Godzilla, an acerbic commentary on the movie business.

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