Een landingspoging op Newfoundland
1957
First Published
3.70
Average Rating
192
Number of Pages
Een landingspoging op Newfoundland bevat behalve het titelverhaal nog vijf andere verhalen: ‘Een veelbelovende jongeman’, ‘Het fossiel’, ‘Laura en de grammofoonplaat’, ‘De teddybeer’ en ‘De blinde fotograaf’. De verhalen in deze bundel behelzen het gebrek aan vertrouwen tussen de mensen; het is ook hier een opeenstapeling van ellende. Alle bekende motieven van Hermans zijn in deze zes verhalen - combinatie van reisbeschrijving, short story en novelle - terug te vinden.
Avg Rating
3.70
Number of Ratings
132
5 STARS
16%
4 STARS
45%
3 STARS
33%
2 STARS
7%
1 STARS
0%
goodreads
Author
Willem Frederik Hermans
Author · 26 books
Willem Frederik Hermans is one of the greatest post-war Dutch authors. Before devoting his entire life to writing, Hermans had been teaching Physical Geography at the University of Groningen for many years. He had already started writing and publishing in magazines at a young age. His polemic and provocative style led to a court case as early as 1952. His caustic pieces were compiled in Mandarijnen op zwavelzuur (Mandarines in Sulphuric Acid, 1963), which was reprinted with additions a number of times. It is Hermans’s belief that in order to survive people have to create their own reality. It is inevitable that all these experiences of reality will collide. Language is essential to create order out of chaos and plays an important role in this process. In his essays on Wittgenstein, Hermans studied this problem in depth. In his novels and stories Hermans places his characters in a world of certainty for themselves but equivocal for the reader. It is in this field of tension that the intrigue in De tranen der acacia’s (Acacia’s Tears, 1949) and in De donkere kamer van Damocles (The Darkroom of Damocles, 1958) develops. Although stories such as Moedwil en misverstand (Malice and Misunderstanding) and Paranoia have a surrealistic tendency, Hermans’ novels The Darkroom Of Damocles, Nooit meer slapen (Beyond Sleep), Uit talloos veel miljoenen (From Countless Millions) are more realistic or satirical and everything in his rich oeuvre is subordinate to the author’s pessimistic philosophy.
