
From Roman villas to Hollywood films, ancient Egypt has been a source of fascination and inspiration in many other cultures. But why, exactly, has this been the case? In this book, Christina Riggs examines the history, art, and religion of ancient Egypt to illuminate why it has been so influential throughout the centuries. In doing so, she shows how the ancient past has always been used to serve contemporary purposes. Often characterized as a lost civilization that was discovered by adventurers and archeologists, Egypt has meant many things to many different people. Ancient Greek and Roman writers admired ancient Egyptian philosophy, and this admiration would influence ideas about Egypt in Renaissance Europe as well as the Arabic-speaking world. By the eighteenth century, secret societies like the Freemasons looked to ancient Egypt as a source of wisdom, but as modern Egypt became the focus of Western military strategy and economic exploitation in the nineteenth and early twentieth centuries, its ancient remains came to be seen as exotic, primitive, or even dangerous, tangled in the politics of racial science and archaeology. The curse of the pharaohs or the seductiveness of Cleopatra were myths that took on new meanings in the colonial era, while ancient Egypt also inspired modernist, anti-colonial movements in the arts, such as in the Harlem Renaissance and Egyptian Pharaonism. Today, ancient Egypt—whether through actual relics or through cultural homage—can be found from museum galleries to tattoo parlors. Riggs helps us understand why this “lost civilization” continues to be a touchpoint for defining—and debating—who we are today.
Author

Christina Riggs is Professor of the History of Visual Culture at Durham University in the northeast of England. Her most recent book is Treasured: How Tutankhamun Shaped a Century (2021), an 'utterly original' account which Kirkus Reviews has described as 'an imaginative weaving of the personal and political into a fresh narrative of an archaeological icon.' Riggs is a former museum curator who studied art history, archaeology, and Egyptology in her native United States before moving to the UK to complete her doctorate at Oxford University. She has held a number of prestigious fellowships, and her writing has appeared in Apollo, History Today, the Times Literary Supplement, the London Review of Books, and Italia magazine, the last reflecting her love of all things Italian. She lives between the north of England and the north of Italy – and wherever she is, she writes first thing in the morning, with a strong cup of coffee.