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El Coro book cover
El Coro
A Chorus of Latino and Latina Poetry
1997
First Published
4.11
Average Rating
172
Number of Pages

This is an anthology of compelling new work by more than forty Latino and Latina poets, including Sandra Cisneros, Ana Castillo, Julia Alvarez, Luis Rodriguez, Rosario Ferre, Victor Hernandez Cruz, Gary Soto, and Clemente Soto Velez. El Coro offers proof that Latino/a poetry today is more complex and diverse, more beautiful and powerful, than had been previously acknowledged. Here we find the open expression of anger and grief, self-mocking humor, the music of protest, the quiet assertion of dignity, and the raucous celebration of survival. There are poems about stoop labor and welfare offices and housing projects, but also poems about the Four Horsemen of the Apocalypse and the Minotaur. Among the poets are former farm workers and gang members, a practicing physician, an ex-tenant lawyer, two professional chefs, and a Vietnam veteran. One poet was a political prisoner for six years; another staged a famous hunger strike; still another was indicted for her work with Central American refugees. In many ways this collection of poets comprises a chorus. Their song humanizes in the face of dehumanization.

Avg Rating
4.11
Number of Ratings
28
5 STARS
32%
4 STARS
50%
3 STARS
14%
2 STARS
4%
1 STARS
0%
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Author

Martín Espada
Martín Espada
Author · 15 books
Sandra Cisneros says: “Martín Espada is the Pablo Neruda of North American authors.” Espada was born in Brooklyn, New York in 1957. He has published thirteen books in all as a poet, essayist, editor and translator. His eighth collection of poems, The Republic of Poetry, was published by Norton in October, 2006. Of this new collection, Samuel Hazo writes: "Espada unites in these poems the fierce allegiances of Latin American poetry to freedom and glory with the democratic tradition of Whitman, and the result is a poetry of fire and passionate intelligence." His last book, Alabanza: New and Selected Poems, 1982-2002 (Norton, 2003), received the Paterson Award for Sustained Literary Achievement and was named an American Library Association Notable Book of the Year. An earlier collection, Imagine the Angels of Bread (Norton, 1996), won an American Book Award and was a finalist for the National Book Critics Circle Award. Other books of poetry include A Mayan Astronomer in Hell’s Kitchen (Norton, 2000), City of Coughing and Dead Radiators (Norton, 1993), and Rebellion is the Circle of a Lover’s Hands (Curbstone, 1990). He has received numerous awards and fellowships, including the Robert Creeley Award, the Antonia Pantoja Award, an Independent Publisher Book Award, a Gustavus Myers Outstanding Book Award, the Charity Randall Citation, the Paterson Poetry Prize, the PEN/Revson Fellowship and two NEA Fellowships. He recently received a 2006 John Simon Guggenheim Memorial Foundation Fellowship. His poems have appeared in The New Yorker, The New York Times Book Review, Harper’s, The Nation, and The Best American Poetry. He has also published a collection of essays, Zapata’s Disciple (South End, 1998); edited two anthologies, Poetry Like Bread: Poets of the Political Imagination from Curbstone Press (Curbstone, 1994) and El Coro: A Chorus of Latino and Latina Poetry (University of Massachusetts, 1997); and released an audiobook of poetry on CD, called Now the Dead will Dance the Mambo (Leapfrog, 2004). Much of his poetry arises from his Puerto Rican heritage and his work experiences, ranging from bouncer to tenant lawyer. Espada is a professor in the Department of English at the University of Massachusetts-Amherst, where he teaches creative writing and the work of Pablo Neruda.
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