Although written a century ago, the sixteen stories by Emilia Pardo Bazan collected in this volume are strikingly relevant to contemporary concerns. Noted for narrative complexity, stylistic variety, and feminist themes, Pardo Bazan's stories explore many aspects of the relationships between men and women. Readers of these stories, most of which are here translated into English for the first time, will encounter memorable and affecting characters. A mysterious nun spends her days in a convent crying over something that happened to her many years ago, when she was a young woman. A young man tries to uncover the true reason a scheming woman married his uncle. An unwed pregnant woman finds unexpected help from a misogynist doctor. A bachelor wishing to marry develops a special test for prospective wives, only to see it backfire. And in the title story, a bride suddenly calls off her wedding at the last possible moment without an explanation. Both outspoken and witty, melancholy and humorous, these stories will interest general readers as well as students and scholars of Spanish literature."
Author
Emilia Pardo Bazán was a Galician author and scholar from Galicia. She is known for bringing naturalism to Spanish literature, for her detailed descriptions of reality, and for her role in feminist literature of her era. Her first novel, Pascual López (1879), is a simple exercise in fantasy of no remarkable promise, though it contains good descriptive passages of romance. It was followed by a more striking story, Un viaje de novios (1881), in which a discreet attempt was made to introduce into Spain the methods of French realism. The book caused a sensation among the literary cliques, and this sensation was increased by the appearance of another naturalistic tale, La tribuna (1885), wherein the influence of Émile Zola is unmistakable. Meanwhile, the writer's reply to her critics was issued under the title of La cuestion palpitante (1883), a clever piece of rhetoric, but of no special value as regards criticism or dialectics. The best of Emilia Pardo Bazán's work is embodied in Los pazos de Ulloa (1886), the painfully exact history of a decadent aristocratic family. A sequel, with the significant title of La madre naturaleza (1887), marks a further advance in the path of naturalism. She was also a journalist, essayist and critic. She died in Madrid.
