After moving with her husband, Matt, to the small college town of Waterford, Pennsylvania, Sarah McClure struggles to find a fulfilling job. In the meantime, she agrees to help seventy-five-year-old Sylvia Compson prepare her family estate, Elm Creek Manor, for sale. As part of her compensation, Sarah is taught how to quilt by this cantankerous elderly woman, who is a master of the craft. During their lessons, Mrs. Compson reveals how her family was torn apart by tragedy, jealousy, and betrayal, and her stories force Sarah to face uncomfortable truths about her own alienation from her widowed mother. As their friendship deepens, Mrs. Compson confides in Sarah the truth about why she wants to sell Elm Creek Manor. In turn, Sarah seeks a way to bring life and joy back to the estate so Mrs. Compson can keep her home—and Sarah can keep her cherished friend. The Quilter's Apprentice teaches deep lessons about family, friendship, and sisterhood, and about creating a life as you would a quilt: with time, love, and patience, piecing the miscellaneous and mismatched scraps into a beautiful whole.

Round Robin reunites readers with the Elm Creek Quilters in this poignant and heartwarming follow-up to The Quilter's Apprentice, Jennifer Chiaverini's acclaimed debut novel. "She chose green and blue for the colors of Elm Creek Manor. She chose blue for truth and green for new beginnings . . ." The Elm Creek Quilters have begun a round robin...a quilt created by sewing concentric patchwork to a central block as it is passed around a circle of friends. Led by Sarah McClure, who came to Waterford, Pennsylvania, with her husband, Matt, a few years ago, the project is to be their gift to their beloved fellow quilter Sylvia Compson. But like the most delicate cross-stitch, their lives are held together by the most tenuous threads of happiness...and they can unravel. As each woman confronts a personal crisis, a painful truth, or a life-changing choice, the quilt serves as a symbol of the complex and enduring bonds between mothers and daughters, sisters and friends. In weaving together the harmonious, disparate pieces of their crazy-quilt lives, the Elm Creek Quilters come to realize that friendship is one of the most precious gifts we can give each other, and that love can strengthen understanding, lead to new beginnings, and illuminate our lives.

Julia, Megan, Donna, Grace, and Vinnie are cross-country friends who are about to begin work on a challenge quilt. A piece of fabric is divided among the women, with the understanding that the following year they will all meet at the Elm Creek Quilt Camp to sew the sections together into a single quilt. But the friends have set themselves a special challenge: no one can start working on her block until she has taken steps to solve her problems and achieve her personal goals. Although they share a common creative objective, the Cross-Country Quilters find their friendship tested by the demands of everyday life. Yet despite differences in age, race, and background, the women's love of quilting and affection for one another unite them. The quilt they create becomes a symbol of the threads that hold their lives together-a glorious patchwork of caring and loyalty that brings home an enduring truth: Friends may be separated by great distance, but the strength of their bond can transcend any obstacle.

The fourth novel in the Elm Creek Quilts series asks and answers an important historical did the "stationmasters" of the underground railroad use quilts a method of signalling fugitive slaves, as Sylvia Compson discovers evidence of her ancestors' involvement with the Underground Railroad. Reprint.

Resolving to locate her mother's heirloom quilts after so many years, Sylvia Compson embarks on a cross-country investigation of antique shops, quilt museums, and other, more unexpected places, where offers of assistance are not always what they seem. And as Sylvia recovers some of the missing quilts and accepts others as lost forever, she reflects on the woman her mother was and mourns the woman she never knew. With heartfelt honesty, The Quilter's Legacy reveals the tenuous connections that bind generations and celebrates the love that sustains them.

This ninth Elm Creek Quilts novel continues the series with a tribute to matriarch Sylvia Compson, who surprised her fellow quilters by marrying her longtime sweetheart on a recent holiday. Eager to honor their favorite Master Quilter, the Elm Creek Quilters hasten to stitch a bridal quilt for the newlyweds. Until the time comes to unveil the surprise gift, Sylvia will be the one in the dark. Such little white lies seem harmless enough. But the quilting retreat at Elm Creek Manor thrives on women sharing their creativity, their challenges and their dreams. Somehow, in their race to commemorate in the bridal quilt all they hold dear about Sylvia’s wisdom, skill and devotion, her fellow quilters forget to give honesty its pride of place. Just when it seems that the women have everything to celebrate, forces conspire to threaten their happiness and prosperity. Two among them falter in their personal relationships, while another suffers financial problems. As still two others weigh the comfort of the present against dreams of a future far from Elm Creek Manor, closely guarded secrets strain the bonds of friendship with those who may be left behind.

With Jennifer Chiaverini's trademark historical suspense, The Sugar Camp Quilt blends danger, courage, and romance into a novel of antebellum America. History is thick with secrets in The Sugar Camp Quilt, seventh in the beloved Elm Creek Quilts series from bestselling author Jennifer Chiaverini. Set in Creek's Crossing, Pennsylvania, in the years leading up to the Civil War, the novel follows Dorothea Granger's passage from innocence to wisdom against the harrowing backdrop of the American struggle over slavery. She discovers that a quilt she has stitched for her uncle Jacob with five unusual patterns of his own design contains hidden clues to guide runaway slaves along the Underground Railroad. The heroic journey she undertakes leads to revelations about her own courage and resourcefulness—newfound qualities that may win her the heart of the best man she has ever known.

When Christmas Eve comes to Elm Creek Manor, the tenor of the holiday is far from certain. Sylvia Bergstrom Compson, the Master Quilter, has her own reasons for preferring a quiet, even subdued, Christmas. Her young friend Sarah McClure, however, takes the opposite view and decides to deck the halls brightly. As she explores the trunks packed with Bergstrom family decorations that haven't been touched in more than fifty years, Sarah discovers a curious Christmas quilt. Begun in seasonal fabrics and patterns, the quilt remains unfinished. Sylvia reveals that the handiwork spans several generations and a quartet of Bergstrom quilters—her great aunt, her mother, her sister, and herself. As she examines the array of quilt blocks each family member contributed but never completed, memories of Christmases past emerge. At Elm Creek Manor, Christmas began as a celebration of simple virtues—joy and hope buoyed by the spirit of giving. As each successive generation of Bergstroms lived through its unique trials—the antebellum era, the Great Depression, World War II—tradition offered sustenance even during the most difficult times. For Sylvia, who is coping with the modern problem of family dispersed, estranged, or even forgotten, reconciliation with her personal history may prove as elusive as piecing the Christmas Quilt. Elm Creek Manor is full of secrets, from a Christmas tree with unusual properties to the sublime Bergstrom strudel recipe. Sylvia's tales at first seem to inform her family legacy but ultimately illuminate far more, from the importance of women's art to its place in commemorating our shared experience, at Christmastime and in every season.

The ninth book in Jennifer Chiaverini's bestselling series—when two of Elm Creek Quilts’ founding members decide to leave the fold, who can possibly take their place in the circle of quilters? When Elm Creek Quilts announces openings for two new teachers, quilters everywhere are vying to land the prestigious post. The impending departure of two founding members means untold changes for the Elm Creek Quilters. As they begin the interview process, a single question emerges: Who can possibly take the place of beloved colleagues and friends? "We must evaluate all of the applicants' qualities," advises Master Quilter Sylvia Compson. "Our choice will say as much about us as it says about who we decide to hire." Who merits a place among the circle of quilters? Will it be Maggie, whose love of history shines through in all her projects; Anna, whose food-themed quilts are wonderfully innovative; Russ, the male quilter with a completely original style; Karen, a novice teacher whose gifts for language complement her deep understanding of the quilters' mission; or Gretchen, the soulful veteran whose craft is inspired by quilting tradition?

Newly wed in a festive yet poignant ceremony at Elm Creek Manor, bride Elizabeth Nelson takes leave of her ancestral Pennsylvania home. Setting off with her husband, Henry, on the adventure of a lifetime, Elizabeth packs the couple's trunk with more than the wedding quilts she envisions them dreaming beneath every night of their married lives. They are landowners who hold the deed to Triumph Ranch, 120 acres of prime California soil located in the Arboles Valley, north of Los Angeles. "Triumph Ranch," says Mae, a traveling companion whom Elizabeth has let in on the promise of the Nelsons' bright future. "That sounds like a sure thing." But in a cruel reversal of fortune, the Nelsons arrive to the news that they've been had, and they are left suddenly, irrevocably penniless. They are hired as hands at the farm they thought they owned, and Henry struggles mightily with his pride. Yet clever, feisty Elizabeth—drawing on her share of the Bergstrom women's inherent economy and resilience—vows to defy fate through sheer force of will. As her life intertwines with Rosa Diaz Barclay, native to the Arboles Valley and a fellow quilter, their blossoming friendship sheds light on many secrets that have kept each of them and their families from their rightful homes. In the cabin where Henry and Elizabeth are living on Triumph Ranch, Elizabeth discovers quilts belonging to Rosa's mother, and in their exquisite patterns recognizes a misplaced legacy of love, land, and family. But her newfound understanding of the burden of loss that Rosa shares with the mysterious Lars Jorgensen places her in mortal danger. Only by stitching the rift between the past and the future can the inhabitants of Triumph Ranch hope to live in peace alongside history.

As each holiday season approaches, some revel in welcoming the New Year ahead; others quietly mourn the passing of time gone by. "We can't hold on to the past," says Master Quilter Sylvia Compson, "but we cankeep the best part of 'Auld Lang Syne' in our hearts and in our memories, and we can look forward to the future with hope and resolve." As Sylvia, a late-in-life newlywed, has discovered, love can enter our lives at any age. Yet before she can truly delight in her present happiness, she must face the sorrow hidden in her past—her own role in the tragic circumstances that left her estranged from her sister, Claudia, until it was too late to make amends. Vowing not to repeat the mistake with her new daughter-in-law, Amy, who opposed Sylvia's marriage to her father, Andrew, Sylvia must convince Amy that family is more precious than pride. As Sylvia takes up a quilt for the season, begun and abandoned over six years, she recalls the New Year's Eve festivities of her youth at Elm Creek Manor as a member of the Bergstrom family. She titles the quilt "New Year's Reflections," after her belief that year-end reflections precede resolutions. The quilt blocks she chooses commemorate the wisdom that no one can ever be truly alone if she keeps the memory of those she loved and those who loved her alive in her hear. The New Year's Quilt is a novel to enjoy today and to treasure anew each holiday season.

A latest installment in the popular series brings newcomers into the Circle of Quilters who share the original members' struggles to balance their creative lives with their friendship and their work and family demands. By the author of The Quilter's Homecoming. 125,000 first printing.

In The Quilter’s Kitchen, Anna Del Maso revisits the kitchens of Elm Creek Manor, past and present. As she records beloved recipes and creates original dishes seasoned with love, she rediscovers how the gifts of the table bring friends and family closer than ever. Anna Del Maso had known that she wanted to be a chef since she was in the seventh grade. “Somehow everything in my life ends up being about food,” she realizes, as she begins the latest of her food-themed quilts. Her twin passions have converged in a brand-new position as head chef for Elm Creek Quilts, Waterford, Pennsylvania’s popular quilting retreat. As she joins the circle of quilters at historic Elm Creek Manor, Anna is eager to preserve the manor’s culinary heritage, dating to 1858, while also celebrating the new favorites of their many guests. Yet as Master Quilter Sylvia Bergstrom Compson well knows, the manor’s kitchen, last updated in the 1940s, can’t create food that compares to the state-of-the-art quilting instruction for which Elm Creek Quilts is renowned. A full renovation of the kitchen must be completed by the start of the new camp season. Though the task is daunting, Anna is assured in her belief that “A kitchen is the heart of a home.” As she and Sylvia begin to dismantle the old to make way for the new, Sylvia’s reminiscences remind them both of just how many of the manor’s traditions have involved food and celebrations. Whether the feast is one of the holiday menus prepared and enjoyed by generations of Bergstroms, or one of the Welcome Banquets and Farewell Breakfasts that have become hallmarks of Elm Creek Quilt Camp, there is a story for every recipe, and a recipe for every story.

Master Quilter Sylvia Bergstrom Compson treasures an antique quilt called by three names—Birds in the Air, after its pattern; the Runaway Quilt, after the woman who sewed it; and the Elm Creek Quilt, after the place to which its maker longed to return. That quilter was Joanna, a fugitive slave who traveled by the Underground Railroad to reach safe haven in 1859 at Elm Creek Farm. Though Joanna's freedom proved short-lived—she was forcibly returned by slave catchers to Josiah Chester's plantation in Virginia—she left the Bergstrom family a most precious gift, her son. Hans and Anneke Bergstrom, along with maiden aunt Gerda, raised the boy as their own, and the secret of his identity died with their generation. Now it falls to Sylvia—drawing upon Gerda's diary and Joanna's quilt—to connect Joanna's past to present-day Elm Creek Manor. Just as Joanna could not have foreseen that, generations later, her quilt would become the subject of so much speculation and wonder, Sylvia and her friends never could have imagined the events Joanna witnessed in her lifetime. Punished for her escape by being sold off to her master's brother in Edisto Island, South Carolina, Joanna grieves over the loss of her son and resolves to run again, to reunite with him someday in the free North. Farther south than she has ever been, she nevertheless finds allies, friends, and even love in the slave quarter of Oak Grove, a cotton plantation where her skill with needle and thread soon becomes highly prized. Through hardship and deprivation, Joanna dreams of freedom and returning to Elm Creek Farm. Determined to remember each landmark on the route north, Joanna pieces a quilt of scraps left over from the household sewing, concealing clues within the meticulous stitches. Later, in service as a seamstress to the new bride of a Confederate officer, Joanna moves on to Charleston, where secrets she keeps will affect the fate of a nation, and her abilities and courage enable her to aid the country and the people she loves most. The knowledge that scraps can be pieced and sewn into simple lines—beautiful both in and of themselves and also for what they represent and what they can accomplish—carries Joanna through dark days. Sustaining herself and her family through ingenuity and art during the Civil War and into Reconstruction, Joanna leaves behind a remarkable artistic legacy that, at last, allows Sylvia to discover the fate of the long-lost quilter.

For the Elm Creek Quilters, the day after Thanksgiving marks the start of the quilting season, a time to gather at Elm Creek Manor and spend the day stitching holiday gifts for loved ones. This year, in keeping with the season's spirit of gratitude, Master Quilter Sylvia Bergstrom Compson Cooper is eager to revive a cherished family tradition. A recent remodeling of the manor's kitchen unearthed a cornucopia that once served as the centerpiece of the Bergstrom family's holiday table. Into it, each Bergstrom would place an object that symbolized something he or she was especially thankful for that year. On this quilter's holiday, Sylvia has invited her friends to continue the tradition by sewing quilt blocks that represent their thankfulness and gratitude. As each quilter explains the significance of her carefully chosen block, stories of love and longing for family and friends emerge—feelings that are also expressed in the gifts they work on throughout the day. Diane is thankful for her two sons, who've outgrown their youthful troubles to become fine young men, but she wishes they revered their family's traditions as much as she does. Anna, in her first holiday season as an Elm Creek Quilter, creates a quilt for her best friend even as she begins to question her feelings for him, which may have grown beyond friendship. Sylvia reflects upon holidays past spent with her beloved, long-lost cousin Elizabeth and wonders whatever became of her. Sarah, pregnant with twins, determinedly sews a Christmas gift for her father-in-law, whose persistent suggestions that her husband, Matt, come to work for his construction company have created tension in their marriage. And as Gretchen pieces a quilt for a charity she has not yet chosen and Gwen completes a project begun by her graduate school mentor, both women lend their talents to those in need. As an early winter storm blankets Elm Creek Manor in heavy snow, the quilters find new meanings in their best-loved traditions and new reasons to be thankful. A Quilter's Holiday is a story of holiday spirit, in its truest, most generous sense.

Another season of Elm Creek Quilt Camp has come to a close, and Bonnie Markham faces a bleak and lonely winter ahead, with her quilt shop out of business and her divorce looming. A welcome escape comes when Claire, a beloved college friend, unexpectedly invites her to Maui to help launch an exciting new a quilter’s retreat set at a bed and breakfast amid the vibrant colors and balmy breezes of the Hawaiian Islands. Soon Bonnie finds herself looking out on sparkling waters and banyan trees, planning quilting courses, and learning the history and intricacies of Hawaiian quilting, all the while helping Claire run the inn. As Bonnie’s adventure unfolds, it quickly becomes clear that Claire’s new business isn’t the only excitement in store for her. Her cheating, soon-to-be ex-husband decides he wants her stake in Elm Creek Quilts, which threatens not only her financial well-being but her dearest friendships as well. Luckily she has the artistic challenge of creating her own unique Hawaiian quilt pattern to distract her—and new friends like Hinano Paoa, owner of the NÄ Mele Hawai‘i Music Shop, who introduces Bonnie to the fascinating traditions of Hawaiian culture and reminds her that love can be found when and where you least expect it.

The New York Times bestselling author of the Elm Creek Quilts series joins the Dutton list with a Civil War-era tale of love and sacrifice behind Union lines. With The Union Quilters, Chiaverini delivers a powerful story of a remarkable group of women coping with changing roles and the extraordinary experiences of the Civil War. In 1862 Water's Ford, Pennsylvania, abolitionism is prevalent, even passionate, so the local men rally to answer Mr. Lincoln's call to arms. Thus the women of Elm Creek Valley's quilting bee are propelled into the unknown. Constance Wright, married to Abel, a skilled sharpshooter courageous enough to have ventured south to buy his wife's freedom from a Virginia plantation, knows well her husband's certainty that all people, enslaved and free, North and South, need colored men like him to fight for a greater purpose. Sisters-in-law Dorothea Nelson and Charlotte Granger wish safe passage for their learned husbands. Schoolmaster turned farmer Thomas carries Dorothea's Dove in the Window quilt with him. Charlotte's husband, Dr. Jonathan Granger, takes more than a doctor's bag to his post at a field hospital. Alongside the devotion of his wife, pregnant with their second child, Jonathan brings the promise he made to his unrequited love, Gerda Bergstrom: "My first letter will be to you." Together with the other members of the circle, the women support one another through loneliness and fear, and devise an ingenious business plan to keep Water's Ford functioning. That plan may forever alter the patchwork of town life in ways that transcend even the ultimate sacrifices of war.

The New York Times bestseller celebrates one of America’s most romantic and enduring traditions As her daughter’s wedding day approaches, Sarah McClure reflects upon Elm Creek brides past and present—the traditions they honored, the legacies they bequeathed, the wedding quilts that contain their stories in every stitch. Unexpectedly, Caroline confides, “I wish I had a wedding quilt, one I made myself.” Sarah yearns to grant her fervent wish, but even the most talented novice would be daunted by the task of stitching, mere days before the wedding, a worthy symbol of the couple's bonds of love, commitment, trust, and hope for the future. Turning to her cherished friends, the Elm Creek Quilters, Sarah asks them to pool their creative gifts. As the women stitch, their memories render a vivid pastiche of family, friendship, and love in all its varieties.

As the nation grapples with the strictures of Prohibition, Rosa Diaz Barclay lives on a Southern California rye farm with her volatile husband, John, who has lately found another source of income far outside the Federal purview. Mother to eight children, Rosa mourns the loss of four who succumbed to the mysterious wasting disease currently afflicting young Ana and Miguel. Two daughters born of another father are in perfect health. When an act of violence shatters Rosa’s resolve to maintain her increasingly dangerous existence, she flees with the children and her precious heirloom quilts to the mesa where she last saw her beloved mother alive.

“Why do you give?” asks Master Quilter Sylvia Bergstrom Compson Cooper in The Giving Quilt, the New York Times bestselling author Jennifer Chiaverini’s artful, inspiring novel that imagines what good would come from practicing the holiday spirit each and every day of the year. At Elm Creek Manor, the week after Thanksgiving is “Quiltsgiving,” a time to commence a season of generosity. From near and far, quilters and aspiring quilters—a librarian, a teacher, a college student, and a quilt-shop clerk among them—gather for a special winter session of quilt camp, to make quilts for Project Linus. (In real life, Chiaverini has long been active in this charitable organization, dedicated to providing handmade quilts and blankets to children in need.) Each quilter, ever mindful that many of her neighbors, friends, and family members are struggling through difficult times, uses her creative gifts to alleviate their collective burden. As the week unfolds, the quilters respond to Sylvia’s provocative question in ways as varied as the life experiences that drew them to Elm Creek Manor. Love and comfort are sewn into the warm, bright, beautiful quilts they stitch, and their stories collectively consider the strength of human connection and its rich rewards. Featuring not only well-loved characters but also intriguing newcomers, The Giving Quilt will remind us Giving from the heart blesses the giver as much as the recipient, and while giving may not always be easy, it is always worthwhile.

Just weeks before Christmas, severe wintry weather damages the church hall hosting the Christmas Boutique—an annual sale of handcrafted gifts and baked goods that supports the county food pantry. Determined to save the fundraiser, Sylvia Bergstrom Compson offers to hold the event at Elm Creek Manor, her ancestral family estate and summertime home to Elm Creek Quilt Camp. In the spirit of the season, Sylvia and the Elm Creek Quilters begin setting up market booths in the ballroom and decking the halls with beautiful hand-made holiday quilts. Each of the quilters chooses a favorite quilt to display, a special creation evoking memories of holidays past and dreams of Christmases yet to come. Sarah, a first-time mother expecting twins, worries if she can handle raising two babies, especially with her husband so often away on business. Cheerful, white-haired Agnes reflects upon a beautiful appliqué quilt she made as a young bride and the mysterious, long-lost antique quilt that inspired it. Empty nesters and occasional rivals Gwen and Diane contemplate family heirlooms and unfinished projects as they look forward to having their children home again for the holidays. But while the Elm Creek Quilters work tirelessly to make sure the Christmas Boutique happens, it may take a holiday miracle or two to make it the smashing success they want it to be.

Jennifer Chiaverini’s beloved and bestselling Elm Creek Quilts series returns with the first Elm Creek Quilts novel since 2019’s The Christmas Boutique. Summer Sullivan, the youngest founding member of Elm Creek Quilts, has spent the last two years pursuing a master’s degree in history at the University of Chicago. Her unexpected return home to the celebrated quilter’s retreat is met with delight but also concern from her mother, Gwen; her best friend, Sarah; master quilter Sylvia; and her other colleagues—and rightly so. Stymied by writer’s block, Summer hasn’t finished her thesis, and she can’t graduate until she does. Elm Creek Manor offers respite while Summer struggles to meet her extended deadline. She finds welcome distraction in organizing an exhibit of antique quilts as a fundraiser to renovate Union Hall, the 1863 Greek Revival headquarters of the Waterford Historical Society. But Summer’s research uncovers startling facts about Waterford’s past, prompting unsettling questions about racism, economic injustice, and political corruption within their community, past and present. As Summer’s work progresses, quilt lovers and history buffs praise the growing collection, but affronted local leaders demand that she remove all references to Waterford’s troubled history. As controversy threatens the exhibit’s success, Summer fears that her pursuit of the truth might cost the Waterford Historical Society their last chance to save Union Hall. Her only hope is to rally the quilting community to her cause. The Museum of Lost Quilts is a warm and deeply moving story about the power of collective memory. With every fascinating quilt she studies, Summer finds her passion for history renewed—and discovers a promising new future for herself.

A timely celebration of quilting, family, community, and history in this latest novel in the perennially popular Elm Creek Quilts series from New York Times bestselling author Jennifer Chiaverini. As fall paints the Pennsylvania countryside in flaming colors, Sylvia Bergstrom Compson is contemplating the future of her beloved Elm Creek Quilts. The Elm Creek Quilt Camp remains the most popular quilter’s retreat in the country, but unexpected financial difficulties have beset them and the Bergstrom family’s stately nineteenth-century manor. Now in her eighth decade, Sylvia is determined to maintain her family’s legacy, but she needs new resources—financial and emotional. Summer Sullivan—a founding Elm Creek Quilter—arrives to discuss an antique quilt that she wants to display at the Waterford Historical Society’s quilt exhibit. When Sylvia and her sister Claudia were teenagers, they had entered a quilt in the Sears National Quilt Contest for the 1933 Century of Progress Exposition, also known as the Chicago World’s Fair. The Bergstrom sisters’ quilt would be perfect for the Historical Society’s exhibit, Summer explains. Sylvia is reluctant to lend out the quilt, which has been stored in the attic for decades, nearly forgotten. In keeping with the contest’s “Century of Progress” theme, the girls illustrated progress of values—scenes of the Emancipation Proclamation, woman’s suffrage, and labor unions. But although it won ribbons, the quilt also drove a wedge between the sisters. As Sylvia reluctantly retraces her quilt’s story for Summer, she makes an unexpected discovery—one that restores some of her faith in this unique work of art, and helps shine some light on a way forward for the Elm Creek Quilts community.