Margins
Faeries and Fangs book cover
Faeries and Fangs
2023
First Published
4.59
Average Rating
231
Number of Pages

Part of Series

I was trying to trap a sorcerer in a blood prism... He was too powerful. It was the only option. When the spell reflected back on me, I found myself somewhere else . The folk her are small, but they're powerful. The Faerie King doesn't take kindly to intruders to his realm. If they'll teach me their power, though, it might be just enough to stop the sorcerer. There's one problem with that plan... How do I even get out of here? My sire was staked moments after I was turned. As a youngling, the Voodoo Queen took me in. She taught me her art. I've been working with the new Mistress of the Vampire Council. She trained me in the ways of vampirism, the path of the night. Witchcraft + Voodoo + Vampirism = what I call bloodwitchery. Most witches won't mess with the power latent in blood. It's dark. It's dangerous. But if you can master it... You can harness the power of life itself. Faeries and Fangs is the fifth volume in Theophilus Monroe’s expansive Blood Witch Saga. Hailey Bradbury was only sixteen when she was turned seven years ago. She might be a young vampire—but she’s an accomplished badass witch. After all, only the most daring of witches dabble in blood magic. Readers of Monroe’s Legacy of a Vampire Witch, Voodoo Academy series, or The Legend of Nyx, have encountered Hailey before. Now, she has come into her own. She may be a member of the Vampire council. Her mentor might be the Voodoo Queen. But no one tells this blood witch what to do. Faeries and Fangs is an action packed Urban Fantasy with a heavy dose of closed door Paranormal Romance.

Avg Rating
4.59
Number of Ratings
101
5 STARS
74%
4 STARS
16%
3 STARS
7%
2 STARS
1%
1 STARS
2%
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Author

Theophilus Monroe
Theophilus Monroe
Author · 55 books
Theophilus Monroe is a fantasy author with a knack for real-life characters whose supernatural experiences speak to the pangs of ordinary life. After earning his Ph.D. in Theology, he decided that academic treatises that no one will read (beyond other academics) was a dull way to spend his life. So, he began using his background in religious studies to create new worlds and forms of magic-informed by religious myths, ancient and modern-that would intrigue readers, inspire imaginations, and speak to real-world problems in fantastical ways.
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