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No play in the modern theater has so captured the imagination and heart of the American public as Tennessee Williams' The Glass Menagerie. As Williams' first popular success, it launched the brilliant, if somewhat controversial, career, of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, Menagaerie has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by the editor of The Tennessee Williams Annual Review, Robert Bray, reappraises the play more than half a century after it won the New York Drama Critics Circle Award. This edition of The Glass Menagerie also includes Williams' essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams' own "Production Notes." (back cover)

Joe Keller and Herbert Deever, partners in a machine shop during the war, turned out defective airplane parts, causing the deaths of many men. Deever was sent to prison while Keller escaped punishment and went on to make lots of money. In a work of tremendous power, a love affair between Keller's son, Chris, and Ann Deever, Herbert's daughter, the bitterness of George Keller, who returns from the war to find his father in prison and his father's partner free, and the reaction of a son to his father's guilt escalate toward a climax of electrifying intensity. Winner of the Drama Critics' Award for Best New Play in 1947, All My Sons established Arthur Miller as a leading voice in the American theater. All My Sons introduced themes that thread through Miller's work as a whole: the relationship between fathers and sons, and the conflict between business and personal ethics.

Baby Doll tells the story of the childlike bride of a Mississippi cotton gin owner, who becomes the pawn in a battle between her husband and his enemy. Archie Lee Meighan, middle-aged cotton gin owner, can hardly wait for the 20th birthday of his childish bride Baby Doll, when he’ll be allowed to consummate the marriage…he thinks. But rival owner Silva Vaccaro suspects Archie of burning his gin down, and takes an erotic form of Sicilian vengeance.