Explore exotic new worlds. Circus midget Little Tom Little is the king of midgets, loved by crowds and carnival folk alike. Only he doesn't just want to be a bigger circus star, he wants to be just like the circus' tall and imposing leader. Trouble begins the moment that a set of ancient books containing the secret of switching bodies finds its way into Tom Little's tiny hands. When he magically trades his small frame with that of the circus chief, he finds himself in a giant-sized heap of trouble—his craving for height has landed him smack in the center ring surrounded by forty savage cats! ALSO INCLUDES THE FANTASY STORY "THE LAST DROP" "...wonderfully entertaining ... excellent audio quality, the cast of talented performers, great sound effects (growling lions and tigers, murmuring crowds, etc.), and intervals of dramatic, ominous music that draws listeners into the tales and holds their attention to the end." —School Library Journal

Fortune hunter Billy Newman is not a man of great strength or physical courage. Like a young Johnny Depp, he gets by on his wit, wiles and good looks. And he’s had quite a good run—striking gold in the Philippines and buying his very own island in the South Seas... But there’s trouble in paradise, and Billy’s in the thick of it. The island’s crops are failing. The island’s people are dying. And the island’s owner—Billy—is taking the heat. Why? Because he’s angered the 75-foot-tall big-boss god of the island. 75-foot tall? To Billy it’s a laughable superstition—until he finds out just how serious the islanders are. They’re out to sacrifice a beautiful young woman to the supposed god. The only way Billy can save her is to humor the locals and pretend to take the spirit on. But the joke may be on Billy…as he has to screw up some very real courage to face the very real Danger in the Dark. Hubbard lived on Guam in 1927, while his father was assigned to the US naval station there. In his journals he describes a local superstition: “the great cheese ghost” named Tadamona. He wrote that the devil had the shape of a man, attained the height of coconut trees and was the cause behind all sickness and disease. To dispel the superstition, Ron descended into Tadamona’s supposed abode, a great underground stream—an encounter reflected in Danger in the Dark. Includes the fantasy adventures The Room, in which Uncle Toby goes to his room, never to return, leaving it to his nephew to explore the magic and mystery of the place, and He Didn’t Like Cats, the story of one man’s feline phobia and the hauntingly high price he pays for it.

The Empire State Building has vanished into thin air! Gone, too, are Grant’s Tomb and Grand Central Station, and all hell is breaking loose in New York City! One grizzled old newspaper reporter known simply as Pop—a role made for Walter Matthau—is on top of it . . . and better stay there, because his livelihood is on the line. If Pop fails to get to the bottom of the vanishing landmarks, his job will disappear as well, not to mention the fate of Earth's remaining landmarks and the missing people within. Battle of the When the natives of planet Deltoid refuse to grant mining rights to the Galactic Council, and invasion by force is impossible, a Battle of Wizards is the only option. An epic battle between science and magic unfolds with an entire planet hanging in the balance. “A biting sci-fi satire.” —JG Dangerous A mathematics professor who discovers an equation that enables him to teleport anywhere he can imagine … even if he doesn’t want to go. By the spring of 1938, L. Ron Hubbard’s stature as a writer was well established. As author and critic Robert Silverberg puts he had become a “master of the art of narrative.” Hubbard’s editors urged him to apply his gift for succinct characterization, original plot, deft pacing and imaginative action to a genre that was new, and essentially foreign, to him—science fiction and fantasy. The rest is Sci-Fi history.

Think you know what's going on in the world? Think again. Long before Rod Serling took us into The Twilight Zone, L. Ron Hubbard brought us to The Crossroads—a place where thought-provoking twists and turns are delivered with plenty of wit and wisdom. Farmer Eben Smith is fed up with big government telling him how to run his life and his business. They pay him to bury his crops while folks starve in the streets, and he's not going to take it anymore. He's declaring his independence, loading up his fruits and vegetables, and heading for the city to wheel and deal.…. But before he can trade in his turnips, Eben'll have to deal with something bigger—a break in the space/time continuum. He's at The Crossroads, where reality is turned upside-down and inside out. And before it's over, he'll turn his turnips into liquor, and the liquor into guns and gold, as he plunges into strange new worlds … finding ways to wreak havoc in all of them. The Crossroads first appeared in the February 1941 issue of Unknown Fantasy Fiction. By then Hubbard's stature as a writer was well established. As author and critic Robert Silverberg puts he had become a "master of the art of narrative" Hubbard's editors urged him to apply his gift for succinct characterization, original plot, deft pacing and imaginative action to a genre that was new, and essentially foreign, to him—science fiction and fantasy. The rest is history. Also includes the fantasy adventures, “Borrowed Glory,” the haunting story of two immortals who wager on two mortals given a single day of love … a wager that leads to heartbreak and tragedy; and “The Devil's Rescue” based on the legend of The Flying Dutchman, in which the sole survivor of a disaster at sea is "rescued" by the devil himself and finds that fate rests on a roll of the dice. “Amusing … a nostalgic delight.” —Publishers Weekly \* An International Book Awards Finalists