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Fashion on the Ration book cover
Fashion on the Ration
Style in the Second World War
2015
First Published
4.07
Average Rating
241
Number of Pages

In September 1939, just three weeks after the outbreak of war, Gladys Mason wrote briefly in her diary about events in Europe: 'Hitler watched German siege of Warsaw. City in flames.' And, she continued, 'Had my wedding dress fitted. Lovely.' For Gladys Mason, and for thousands of women throughout the long years of the war, fashion was not simply a distraction, but a necessity - and one they weren't going to give up easily. In the face of bombings, conscription, rationing and ludicrous bureaucracy, they maintained a sense of elegance and style with determination and often astonishing ingenuity. From the young woman who avoided the dreaded 'forces bloomers' by making knickers from military-issue silk maps, to Vogue's indomitable editor Audrey Withers, who balanced lobbying government on behalf of her readers with driving lorries for the war effort, Julie Summers weaves together stories from ordinary lives and high society to provide a unique picture of life during the Second World War. As a nation went into uniform and women took on traditional male roles, clothing and beauty began to reflect changing social attitudes. For the first time, fashion was influenced not only by Hollywood and high society but by the demands of industrial production and the pressing need to 'make-do-and-mend'. Beautifully illustrated and full of gorgeous detail, Fashion on the Ration lifts the veil on a fascinating era in British fashion

Avg Rating
4.07
Number of Ratings
296
5 STARS
38%
4 STARS
39%
3 STARS
19%
2 STARS
4%
1 STARS
1%
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Author

Julie Summers
Julie Summers
Author · 11 books

I was born near Liverpool and grew up first on the Wirral and then in Cheshire. Although the greater part of my childhood was spent outside pursuing any number of outdoor activities, I have always wanted to be a writer. I am passionate about writing and unembarrassed to be so. I love researching my books, especially when they involve meeting people and finding out about their lives. I have a little study in the attic of our house with one of the best views in Oxford – the dreaming spires seen from Iffley. I write in the mornings after the children have gone to school and find the problem is not sticking to the routine but tearing myself away from writing at the end of the day. I describe myself as a biographer and historian but the most important thing for me is to be a story teller.

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