A ferocious, innovative story collection about Black lives in the past, present, and future “A potentially transformative exhibition of visionary storytelling.”― Kirkus Reviews, *Starred* In Fat Time and Other Stories, Jimi Hendrix, Francis Bacon, the boxer Jack Johnson, Miles Davis, and a space-age Muhammad Ali find themselves in the otherworldly hands of Jeffery Renard Allen, reimagined and transformed to bring us news of America in the twentieth and twenty-first centuries. Along with them are characters of Allen’s two teenagers in an unnamed big city who stumble through a down-low relationship; an African preachervisits a Christian religious retreat to speak on the evils of fornication in an Italian villa importedto America by Abraham Lincoln; and an albino revolutionary who struggles with leading his people into conflict. The two strands in this brilliant story collection―speculative history and tender, painful depictions of Black life in urban America―are joined by African notions of circular time in which past, present, and future exist all at once. Here the natural and supernatural, the sacred and the profane, the real and fantastical, destruction and creation are held in delicate and tense balance. Allen’s work has been said to extend the tradition of Ralph Ellison, William Faulkner, Henry Roth, and Ishmael Reed, but he is blazing his own path through American literature. Fat Time and Other Stories brilliantly shows the range and depth of his imagination.
Author
Jeffery Renard Allen is an Associate Professor of English at Queens College of the City University of New York, the author of two collections of poetry, Stellar Places (Moyer Bell 2007) and Harbors and Spirits (Moyer Bell 1999), and of the widely celebrated and influential novel, Rails Under My Back (Farrar, Straus, and Giroux, 2000), which won The Chicago Tribune’s Heartland Prize for Fiction. His other awards include a Whiting Writer’s Award, The Chicago Public Library’s Twenty-first Century Award, a Recognition for Pioneering Achievements in Fiction from the African American Literature and Culture Association, a support grant from Creative Capital, and the 2003 Charles Angoff Award for Fiction from The Literary Review. He has been a fellow at The Center for Scholars and Writers at The New York Public Library, a John Farrar Fellow in Fiction at the Bread Loaf Writers’ Conference, and a Walter E. Dakins Fellow in Fiction at the Sewanee Writers’ Conference. His essays, reviews, fiction, and poetry have appeared in numerous publications, including The Chicago Tribune, Poets & Writers, Triquarterly, Ploughshares, Bomb, Hambone, The Antioch Review, StoryQuarterly, African Voices, African American Review, Callaloo, Arkansas Review, Other Voices, Black Renaissance Noire, Notre Dame Review, The Literary Review, and XCP: Cross Cultural Poetics. His work has also appeared in several anthologies, including 110 Stories: New York Writes after September 11, Rainbow Darkness: An Anthology of African American Poetry, and Homeground: Language for an American Landscape. Born in Chicago, Renard Allen holds a PhD in English (Creative Writing) from the University of Illinois at Chicago. Besides teaching at Queens College (including, as of fall 2007, in the college’s new MFA program in creative writing), Allen is also an instructor in the graduate writing program at New School University. He has also taught for Cave Canem, the Summer Literary Seminars program in St. Petersburg, Russia, and Nairobi, Kenya, and in the writing program at Columbia University. In addition, he is the director of the Pan African Literary Forum, a writers’ conference in Accra, Ghana, to be held in the summer of 2008. A resident of Far Rockaway, Queens, Allen is presently at work on the novel Song of the Shank, based on the life of Thomas Greene Wiggins, a nineteenth-century African American piano virtuoso and composer who performed under the stage name Blind Tom.
