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First the Blade book cover
First the Blade
A Comedy of Growth
1918
First Published
3.67
Average Rating
324
Number of Pages
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1918 edition. Excerpt: ... chapter xxiv As a friend and as a needlewoman, Coral was indefatigable. Laura's trousseau absorbed her and she ended, with the marked approval of Mrs. Cloud and Aunt Adela, not only in converting the roll of lawn into a pile of delectable garments, but in annexing the quarter's dress-money which Laura had intended spending on a garden hat, a complete set of the poems of Mr. Alfred Noyes, and a birthday present for the twins, who, installed in a counting-house and chambers, and very much men about town, were nevertheless desperately in need, Laura dear, (if any one wants to know, you know) of basket-chairs and summer pants. Laura, contemplating the silk and muslin for which Coral, in conclave with Mrs. Cloud, had exchanged that elastic seven pounds ten, did not know whether to be allured or incensed. "It's sweet of you, of course. They're delicious. But such waste, Coral! They'll go out of fashion. I'm not going to be married tomorrow!" Coral rubbed her nose in that meditative way of hers that was disastrous to her complexion. "How long have you been engaged?" "Oh, about a year." "A year! Why on earth don't you get married?" "It's never been quite convenient. We were going to last spring, but then the chance came to join that expedition" Coral interrupted her. "Laura, tell me honestly—do you enjoy fiddling about over birds' eggs?" Laura flushed. "Why, I know as much about them as Justin. He said so the other day. If he were in doubt about a bird, I believe he'd listen to me. I'm longer-sighted, you know. He would, honestly, if he hadn't made up his mind." "Is he ever wrong?" Coral's voice was colourless. "I've never known him wrong," said Laura in all gravity. "Only, of course, he sometimes changes his mind. And that's what always annoys...
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Author

Clemence Dane
Clemence Dane
Author · 19 books

Clemence Dane was the pseudonym of Winifred Ashton. Clemence Dane (name for the London church, St Clement Danes) was the pseudonym of Winifred Ashton, an English novelist and playwright (1888-1965). Between World Wars I and II, she was arguably Britain’s most successful all-round writer, with a unique place in literary, stage and cinematic history. Dane won an Oscar for her screenplay “Vacation from Marriage,”. School teacher, novelist, playwright and magazine editor, Dane wrote at least 30 plays and 16 novels. One series she was famous for was The Babyons, by Clemence Dane. Four long stories strung together by a supernatural thread and chronicling the family history of the Babyons over a period of about 200 years. The ghostly thread is introduced in the first story, “Third Personal Singular,” a tale of 1750. James Babyon, engaged to marry his cousin Hariot, becomes suddenly averse from her and breaks the engagement within a month of the date set for the wedding. In a passionate scene in which the probable madness of Hariot is subtly suggested she pleads with him and, finding him adamant, cries that they are already married in soul and are inseparable. That his cousin actually is subject to fits of madness he does not learn until he is wedded to her companion Menella. He and Menella go to Europe to find everywhere that people have a curious fear of them; a fear which spreads to their servants and, when he learns that Hariot committed suicide, to Babyon himself. He regards himself directly responsible for her death, becomes obsessed with the belief that she haunts him, and the tragedy ends with his madness. The second story is dated 1775, the third 1820-1873, and the last 1902-1906. These stories are lighter than the first stark tragedy, and they end with peace at last given to the Babyons. Through them all runs the influence of Hariot, that strange, wildly passionate woman of 1750. Fine, dramatic work of large conception.—The Australian Woman's Mirror 29 May 1928.

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