First of a new series of crime novels set in Ancient Rome and featuring Flavia Albia, the adopted daughter of much-loved Marcus Didius Falco. Based on real historical events: mysterious poisonings, in which victims died, often unaware they had been attacked. Albia is now 28 and an established female investigator. Her personal history and her British birth enable her to view Roman society and its traditions as a bemused outsider and also as a woman struggling for independence in a man’s world. The first novel takes place on the plebeian Aventine Hill, with its mix of monumental temples, muddy back lanes and horrible snack bars. We meet Albia’s personal circle – some familiar, some new. We glimpse old haunts and hear of old friends, but the focus is on Albia herself, a tough, witty, winning personality who fearlessly tackles inhumanity and injustice, braving any risks and winning the friendship of unexpected allies. http://us.macmillan.com/theidesofapri...

“There are rules for private informers accepting a new case. Never take on clients who cannot pay you. Never do favours for friends. Don’t work with relatives. If, like me, you are a woman, keep clear of men you find attractive. “Will I never learn?” In Ancient Rome, the number of slaves was far greater than that of free citizens. As a result, often the people Romans feared most were the “enemies at home,” the slaves under their own roofs. Because of this, Roman law decreed that if the head of a household was murdered at home, and the culprit wasn’t quickly discovered, his slaves—all of them, guilty or not—were presumed responsible and were put to death. Without exception. When a couple is found dead in their own bedroom and their house burglarized, some of their household slaves know what is about to happen to them. They flee to the Temple of Ceres, which by tradition is respected as a haven for refugees. This is where Flavia Albia comes in. The authorities, under pressure from all sides, need a solution. Albia, a private informer just like her father, Marcus Didius Falco, is asked to solve the murders, in this mystery from Lindsey Davis.

A short comic masterpiece from Lindsey Davis set in Ancient Rome and featuring Marcus Didius Falco, his children Flavia Albia and Postumus - and one rascally ferret. Marcus Didius Alexander Postumus is a special boy. He is twelve, or perhaps eleven. He has two mothers and various possible fathers, so he worries who will take care of him. He is self-confident yet vulnerable, intelligent yet sinister. He knows not many people like him. When his birth mother, Thalia the snake-dancer, takes him to live with her troupe of exotic performers, Postumus sees it as useful experience even though it involves him mucking out menagerie cages. No one anticipates how much havoc he will wreak. On his first day a tragedy occurs. No one else cares, so Postumus decides he alone must solve this crime and impose retribution on the guilty. As son and brother to the famous investigators Falco and Albia, he knows murder is punished by execution. Postumus single-mindedly sets out to accomplish this, sidetracked by nothing, not even a rehearsal of Falco's legendary play, The Spook Who Spoke...

In the blazing July heat of imperial Rome, Flavia Albia inspects a decomposing corpse. It has been discovered in lots to be auctioned by her family business, so she's determined to identify the dead man and learn how he met his gruesome end. The investigation will give her a chance to work with the magistrate, Manlius Faustus, the friend she sadly knows to be the last chaste man in Rome. But he's got other concerns than her anonymous corpse. It's election time and with democracy for sale at Domitian's court, tension has come to a head. Faustus is acting as an agent for a 'good husband and father', whose traditional family values are being called into question. Even more disreputable are his rivals, whom Faustus wants Albia to discredit. As Albia's and Faustus' professional and personal partnership deepens they have to accept that, for others, obsession can turn sour, and become a deadly strain that leads, tragically, to murder.

In first century Rome, Flavia Albia, the daughter of Marcus Didius Falco, has taken up her father's former profession as an informer. On a typical day, it's small cases—cheating spouses, employees dipping into the till—but this isn't a typical day. Her beloved, the plebeian Manlius Faustus, has recently moved in and decided that they should get married in a big, showy ceremony as part of beginning a proper domestic life together. Also, his contracting firm has been renovating a rundown dive bar called The Garden of the Hesperides, only to uncover human remains buried in the backyard. There have been rumors for years that the previous owner of the bar, now deceased, killed a bar maid and these are presumably her remains. In the choice between planning a wedding and looking into a crime from long ago, Albia would much rather investigate a possible murder. Or murders, as more and more remains are uncovered, revealing that something truly horrible has been going on at the Hesperides. As she gets closer to the truth behind the bodies in the backyard, Albia's investigation has put her in the cross-hairs—which might be the only way she'll get out of the wedding and away from all her relatives who are desperate to 'help.'

Flavia Albia's day-old marriage is in trouble - her new husband may be permanently disabled and they have no funds. So when Palace officials ask her to help expose a plotter in their midst she is obliged to accept their commission. The plot could not be bigger. Ever since he died in AD 68, apparently by his own hand, Rome has been haunted by reports that the Emperor Nero is in fact very much alive and about to return to claim his throne. Two Nero pretenders have emerged in the East and met grisly fates. But now, as the Emperor Domitian, whose tyrannical, paranoid reign grows ever more unpopular, fights a war in faraway Dacia, there emerges a far more sinister contender. What's more the rumour is that this false Nero is already in Rome. Plunged into the conspiracy, Flavia must infiltrate the house of the Parthians who have smuggled in this new impostor, negotiate with spies, dodge the assassins sent by the Palace traitor, and somehow cope with her stricken husband. Can she succeed before the impostor is revealed? Or will Rome once more be plunged into civil war?

Flavia Albia is a private investigator, always drawn to an intriguing puzzle - even if it is put to her by her new husband's hostile ex-wife. On the Quirinal Hill, Clodia Volumnia, a very young girl with stars in her eyes, has died, amid suggestions that she was poisoned by a love-potion. It will have been supplied by a local witch, who goes by the name of Pandora, though Albia learns that Pandora carries on a trade in herbal beauty products while hiding much more dangerous connections. Pandora's beloved grandson, a trainee hack lawyer, is one of the dead girl's empty-headed friends; can this be relevant? As she homes in on the truth, Albia has to contend with the occult, organised crime, an unusual fertility symbol, and celebrity dining. She discovers the young girl was a handful; her father mediates in disputes, yet has divorced his grief-stricken wife and is now suing his own mother-in-law; Clodia's so-called friends were none too friendly. The supposedly sweet air of the Quirinal hides the smells of loose morality, casual betrayal and even gangland conflict. When a friend of her own is murdered, Albia determines to expose as much of this local sickness as she can - beginning with the truth about the death of little Clodia. 'Davis' prose is a lively joy, and Flavia's Rome is sinister and gloriously real.' The Times on Sunday

In Rome, ruled by the erratic Emperor Domitian, Flavia Albia is dragged into the worst sort of investigation―a politically charged murder―in Lindsey Davis’s next historical mystery, A Capitol Death . A man falls to his death from the Tarpeian Rock, which overlooks the Forum in the Capitoline Hill in Ancient Rome. While it looks like a suicide, one witness swears that she saw it happen and that he was pushed. Normally, this would attract very little official notice but this man happened to be in charge of organizing the Imperial Triumphs demanded by the emperor. The Emperor Domitian, autocratic and erratic, has decided that he deserves two Triumphs for his so-called military victories. The Triumphs are both controversial and difficult to stage because of the not-so-victorious circumstances that left them without treasure or captives to be paraded through the streets. Normally, the investigation would be under the auspices of her new(ish) husband but, worried about his stamina following a long recovery, private informer Flavia Albia, daughter of Marcus Didius Falco, steps in. What a mistake that turns out to be. The deceased proves to have been none-too-popular, with far too many others with much to gain from his death. With the date of the Triumphs fast approaching, Flavia Albia must unravel a truly complex case of murder before danger shows up on her own doorstep.

Too many people tell Flavia Albia, 'Don't go to the Grove'. Such warnings will only lure her to the place she is warned away from, Julius Caesar's Gardens, where she finds more than one intriguing mystery. Someone has buried tattered scrolls here, by unreadable ancient philosophers. Hardly has she taken an interest in what looks like book collecting fraud, when far worse happens. A present evil stirs in the undergrowth. A man holds a birthday party that goes terribly wrong, exposing a long series of neglected crimes. Albia learns that a serial killer has haunted the gardens and grove for years targeting women. It isn't her place to investigate; that's the job of a dubious vigiles cohort, beefed up by the sinister imperial agent, Julius Karus who she thinks is vile. But sympathy for the dead women and their grieving relatives resonates with Albia. Even if she has to work with Karus, nothing will stop her until the serial killer in the sacred grove is at last caught and brought to justice. Praise for Lindsey Davis and the Flavia Albia series 'Lindsey Davis has seen off all her competitors to become the unassailable market leader in the 'crime in Ancient Rome' genre . . . Davis' squalid, vibrant Rome is as pleasurable as ever' - Guardian 'Davis' prose is a lively joy, and Flavia's Rome is sinister and gloriously real' - The Times on Sunday 'For fans of crime fiction set in the ancient world, this one is not to be missed' - Booklist 'Davis' books crackle with wit and knowledge . . . She has the happy knack of making the reader feel entirely immersed in Rome' - The Times

In Rome, 89 A.D., poisonings, murders, and a bloody gang war of retribution breaks out during the festival of Saturnalia—and when her husband, Tiberius, becomes a target, it's time for Flavia Albia to take matters into her own hands …

In Lindsey Davis' next book in the beloved Flavia Albia Series, Desperate Undertaking, a mad killer (or killers!) is strewing bodies around in the most gruesome of manners and, true to form, it is up to Flavia Albia to determine what is really going on and stop this bacchanal of death. In the first century, under Domitian's reign, strange and brutal goings on are nothing new in Rome. Flavia Albia, daughter of Marcus Didius Falco, has taken over her father's business as a private informer but she tries to shy away from the brutal, the complicated, and the political - because nothing good comes of any of them. Unfortunately, she's not very good at turning them down. This time a commission shows up on her doorstep - someone is staging brutal murders in some of the most beautiful buildings in Rome, each staging different. So far, the only clue was the phrase that one survivor managed to croak, "The undertaker did it..." With little to go on and bodies starting to pile up, Albia has to unravel the strangest mystery of her career in short order if she's to stop this dismaying orgy of murder.

In first century Rome, Flavia Albia takes on an easy case that soon proves to be anything but as, at every turn, bodies―old and new―dog her path. Flavia Albia, daughter of Marcus Didius Falco, has taken over her father's business as a private informer. She only has two hard and fast rules - avoid political cases and family cases because nothing good comes of either of them. Unfortunately, since Albia isn't good at avoiding either, it's really more of a guideline. So when her Aunt Junia demands Albia track down a couple of deadbeats who owe her money, it's an offer Albia can't refuse. It turns out to be a relatively easy job, requiring only some half-hearted blackmail, and it leads to some new work - tracking down some essential paperwork for the debtor family. But nothing is truly easy in Rome - if Albia doesn't find the paperwork that proves that family's ancestor was a properly freed slave, the family could lose everything. The more she digs, the more skeletons she finds in their closet, until murder in the past leads to murder in the present. Now, it's serious, even deadly, and Albia has precious little time to uncover the truth.

Rome is in chaos. The empire of a mobster chief is falling apart following his death. Rivals, fearsome relatives and associates are taking up position to vie for the spoils. With hideous murders in the streets of Rome, a lone female traveller arrives with an agenda of her own. But when her corpse is dragged out of the river bearing signs of foul play, Flavia Albia is drawn in, concerned about her fellow Briton's fate. Albia's quest to find the killer becomes deeply personal when she discovers a man at the centre of the plot is an old adversary of hers. Will she be obsessed by revenge? Can she let the past go, or will it consume her?

The queen of Roman crime gives us her most gripping case yet. Ten years after the eruption of Vesuvius, the surrounding countryside lies buried and barren. But the destroyed cities and luxury villas on the Bay of Naples are not utterly lost. Flavia Albia and her husband Tiberius Manlius are tasked with restoring one villa and identifying any surviving remains. What they unearth is beyond disturbing. When the volcano erupted some people were left to their fate here, unable to escape. They included the previous owner, Publius Primus - laid out carefully and covered by falling ash. Was Primus murdered? And, if so, why? Can Flavia Albia solve the mystery? There Will Be Bodies looks beyond the well-known tragic events to what must have happened afterwards. It is the most intriguing crime novel of Lindsey Davis' long and celebrated career.