In the last few decades secular society has become more tolerant of homosexuality. Now, in the West, we live in a time when to be gay is a matter of fact rather than a despised and criminal act. We celebrate sexual diversity but for much of the centuries past, religious interpretations and society's dogma have placed this 'forbidden love' into hell on earth; unable to be fully expressed or accepted. Poets went to unusual lengths at times to disguise their intentions. With camouflage and veil, their lines were accepted for what they said not for their intent. Indeed the word 'Lesbian' did not even gain acceptance in the OED until 1976. In this volume we gather together verse from Lesbian poets that is deeply personal and at times overwhelming. It is not just a search for physical love but a journey through the spiritual to completeness, to becoming whole. However we recognise that the label Lesbian might be anachronistic and so also include those who stand by their side, or who have a view in verse that helps us to revel in their love. For in the end that is all our journey is about. This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.
Authors

Work of Greek lyric poet Sappho, noted for its passionate and erotic celebration of the beauty of young women and men, after flourit circa 600 BC and survives only in fragments. Ancient history poetry texts associate Sappho (Σαπφώ or Ψάπφω) sometimes with the city of Mytilene or suppose her birth in Eresos, another city, sometime between 630 BC and 612 BC. She died around 570 BC. People throughout antiquity well knew and greatly admired the bulk, now lost, but her immense reputation endured. https://en.wikipedia.org/wiki/Sappho

Emily Dickinson was an American poet who, despite the fact that less than a dozen of her nearly eighteen hundred poems were published during her lifetime, is widely considered one of the most original and influential poets of the 19th century. Dickinson was born to a successful family with strong community ties, she lived a mostly introverted and reclusive life. After she studied at the Amherst Academy for seven years in her youth, she spent a short time at Mount Holyoke Female Seminary before returning to her family's house in Amherst. Thought of as an eccentric by the locals, she became known for her penchant for white clothing and her reluctance to greet guests or, later in life, even leave her room. Most of her friendships were therefore carried out by correspondence. Although Dickinson was a prolific private poet, fewer than a dozen of her nearly eighteen hundred poems were published during her lifetime.The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Dickinson's poems are unique for the era in which she wrote; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation.Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends. Although most of her acquaintances were probably aware of Dickinson's writing, it was not until after her death in 1886—when Lavinia, Emily's younger sister, discovered her cache of poems—that the breadth of Dickinson's work became apparent. Her first collection of poetry was published in 1890 by personal acquaintances Thomas Wentworth Higginson and Mabel Loomis Todd, both of whom heavily edited the content. A complete and mostly unaltered collection of her poetry became available for the first time in 1955 when The Poems of Emily Dickinson was published by scholar Thomas H. Johnson. Despite unfavorable reviews and skepticism of her literary prowess during the late 19th and early 20th century, critics now consider Dickinson to be a major American poet. For more information, please see http://www.answers.com/topic/emily-di...